Think Beyond Bookstores: Other Ways to Become a Best-Selling Author

Becoming a best-selling author is what most writers dream of.

Yet most authors won't write books that become best-sellers.

At least, their books won't be best-sellers in the traditional sense.

The traditional way to become a best-selling author is to write a book that a traditional publisher buys, publishes, promotes, and puts in bookstores all across the country - and maybe even across the planet.

J.K. Rowling, Dan Brown, and Danielle Steel all became best-selling authors this way.

But there are many other authors who have taken a somewhat different path to writing best-selling books, and you probably have never even heard of most of these authors.

What Did They Do?

Well, here are a few possibilities.

1. They Sold Books to Corporations or Organizations

First, some of these authors may have written a book that had wide appeal to a particular niche market.

But rather than rely on bookstores to sell their book, they sold their book in large quantities to corporations or organizations within their niche market.

Just imagine... you've written a book with tips for parenting children with asthma.

Wouldn't it be nice to get booked as a speaker for an educational program provided by the American Lung Association who purchases your book as part of the materials for the program?

It wouldn't take long to sell thousands of copies of your book this way.

2. They Created a Wide Launch on Amazon

Other authors set up launch dates on amazon.com and became best-selling authors strictly online this way.

Generally, this requires partnering with other professionals in your field who agree to promote your book on your launch date and offer an e-book or other product of their own as a free bonus when someone purchases your book from amazon.com.

This method can be so effective that often it results in best-seller status within a single day.

3. They Used Social Media to Sell Books

Some authors these days are able to get to best-selling status by growing and leveraging their social media.

They don't target too many different social media platforms, however.

They choose the one (or ones) that appeal to their target market.

Pinterest, for a younger female audience, or Instagram, for millleninials, for example.

None of these methods of selling large quantities of books involves bookstores.

That doesn't mean a particular book can't also be sold in bookstores.

It just means an author isn't dependent on bookstores for the vast majority of sales of his books.

So, as you're writing your book, think beyond bookstores to become a best-selling author.

Try it!

And if you have a great book marketing tip, please share it here in a comment.

For more tips, resources, and other helpful information about writing and the business of writing, get your free subscription to The Morning Nudge at www.morningnudge.com.

Suzanne Lieurance is a fulltime freelance writer, writing coach, certified life coach, and the author of over 30 published books. Visit her blog at writebythesea.com.

LinkedIn for Writers

"What social media platforms should I be on?"

I get that question a lot.

Want to know what I get even more often? Looks of surprise, when I say the first place you should be on is LinkedIn.

As an author, entrepreneur, or marketer, you really need to be where your people are. Your fans and followers may be on Facebook, Twitter, Instagram, Pinterest, and/or YouTube.

Your associates, peers, mentors, potential partners, and other resources are definitely on LinkedIn.

Since LinkedIn is a business-focused network, it's frequently the first place someone looks for you when you meet, whether it's through a referral or at a live or virtual event. It gives you validity, as you showcase your specialty or expertise. It's also your hub of contacts. If you want to target a new connection - whether it's an agent, a source, or a service-provider - you can look to your network and see who can introduce you.

LinkedIn Basics

Whatever the primary function of your LinkedIn profile, you want to put your best foot forward to your connections.

Your LinkedIn profile offers a snapshot of who you are. It should include:

- Your Profile Photo. This should be a professional (or at least professional-looking) picture, so others have a face to put with a name. This also helps when you meet someone online leading up to a conference. You've already developed a familiarity, so when you meet in person, the connection is even stronger.

- Your Background or Header Image.  This visual branding should match your website/blog. In your header you may want to include images of your published books, your logo, your website, or perhaps a special offer.

- Your Headline. This is the first thing people read about you. It should reflect who you are, what you do, and how you help others. Even as a author of fiction author, you can find value to highlight, such as entertainment or education. If there's room, include a quirky or obscure detail about you. That makes you memorable.

- Featured Content. Under your summary section, as well as the work experiences, there's space to add links and multimedia documents. (There's also a section for Publications and another for Projects.) Any content you have that illustrates who you are, what you stand for, and some of the work you've done deserves to be highlighted. This is also an excellent place to feature your book trailer or any author readings.

- Work Experience. Highlight your job responsibilities and major accomplishments.

- Background and Accomplishments. This ranges from volunteering and education to language and certifications

- Skills. These keywords are what you want to be associated with. Find the best fit for what you are doing and what you want to be endorsed for.

- Updates. Post updates on a regular basis to stay top of mind. This can be general comments, replies, long-form, links, photo, or video. And some users already have the ability to go Live on LinkedIn.

You can post about:

- Your author journey

- Your favorite resources

- Upcoming events

Since LinkedIn is less cluttered that the other networks, there's a bonus reason to interact on the platform: your activity is more likely to be seen.

Other Sites

Beyond LinkedIn you should definitely have business personas on the primary social networks. That means a Facebook Page (and possibly Group), as well as Twitter and Instagram Profiles. If you are visually inclined, you may also want to try Pinterest. And for those into video, YouTube is a must!

The time and energy you put into those networks is an article for another time. What I will tell you is this: whether you're preparing to launch a new website, book, or article series, you need to have your branding on all the social platforms.

- Go to Namechk.com and search for profile names consistent with your company name or branding

- Create Pages/Profiles on each of the main networks.

- Choose one or two social networks to amp up; go into maintenance mode (weekly posting) on the others.

The aforementioned should be in tandem with your activities on Linkedn.

A social media plan helps readers know when to expect content and it helps you to put your best foot forward in the right place!

This is only the tip of the LinkedIn iceberg. Stay tuned for more articles on ways to make LinkedIn work for you as an author.

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How do you feel about LinkedIn? What tips do you have for making the most out of the network? Please share in the comments.

And connect with me on LinkedIn.

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Read last month's post on 5 networking goals you can pursue from home.

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Debra Eckerling is the author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals. A writer, editor and project catalyst, as well as founder of the D*E*B METHOD and Write On Online, Deb works with individuals and businesses to set goals and manage their projects through one-on-one coaching, workshops, and online support. She is also the author of Write On Blogging: 51 Tips to Create, Write & Promote Your Blog and Purple Pencil Adventures: Writing Prompts for Kids of All Ages, host of the #GoalChat Twitter Chat and #GoalChat Live on Facebook, and a speaker/moderator on the subjects of writing, networking, goal-setting, and social media.

Keeping Our Spirits Up for the Good of Our Writing Careers

The Best of Times, Not the Worst

Keeping Our Spirits Up 

By Carolyn Howard-Johnson

I was excited to be given an honorary membership to a site designed to help writers keep their spirits up in spite of Murphy’s Law, Writer’s Block and all the other boogeymen we writers have convinced ourselves are out there. I know I wasn’t so chosen to go on the forum to complain about my down days, but the brilliant (truly!) site owner had no idea that “no moaning” is my modus operandi on the rare occasions I feel stuck.

No, it’s my grandmother’s Wedgewood sugar bowl. On the rare occasions I begin to ruminate on the time I frittered away between the time I knew I wanted to write and the time I got busy focusing on it, I go to that sugar bowl where I’ll find dozens of scraps of paper. Some scraps are unreadable, but I’ll always find one or two that I scribbled on long ago that pull me out of my funk. They may include an image I didn’t want to forget or an improbably idea for a story or book. Sometimes I don’t find anything all that useful in the moment, but I always find myself smiling or laughing out loud at myself.  Once, I found enough images to write what poets called a “found poem; ” that poem eventually worked its way into a chapbook I published with another upper in my life who partnered with  me on the Celebration Series of poetry chapbooks. An Aussie (seems Aussie’s are always uppers!), Magdalena Ball runs a review site (http://CompulsiveWriter.com), and always seems ready to collaborate on some misery-fighting project. 

I have a ton of other such antidotes for any mood that aims to defeat me. I have never felt compelled to visit to a therapist or a psychiatrist, but I wouldn’t rule that out if necessary. I address some of those techniques in my first how-to book for writers, The Frugal Book Promoter. It includes sections on overcoming fear of marketing, fear of success, and fear of failure so I go back to my own book when I begin admonishing myself about what I might have achieved if I had started publishing earlier.

I bring a background as publicist, journalist, marketer, and retailer to my practice of staying pretty jolly and focused. Having other careers has helped. When we bring a whole slew of life's experiences to a new pursuit, we can feel secure much more quickly. That's something I keep reminding myself of, too. Years of retailing, as an example, helped me figure out how to market my first novel when my first small publisher failed miserably at that pursuit so it wasn’t the struggle to switch gears it might have been otherwise. 

My biggest hurdle was related to a recognized problem that psychologists sometimes call the “I’m-Not-Good-Enough” syndrome. With "only" a bachelor's degree and some study overseas, I did feel insecure about reaching out to the academic community. A man at a party encouraged me not to let that hold me back, assured me that UCLA would be interested in me as an instructor because they often take experience rather than solely academic credentials into consideration. That was how I started with my HowToDoItFrugally Series of books for writers which I needed to teach marketing to writers back in the early 2000s (most marketing books were written for businesses and marketers in those days!). Though I don't remember that mentor's name (maybe I never knew it?), I will be forever grateful to him. I am here today—and was maybe chosen to be part of this authors-aid site-- because I like the whole "pass it forward" idea--no matter the industry. And I firmly believe we are never so darn smart we can't learn from both newcomers and old-timers. 

So you want to know about this miracle site. Here’s the sad part: This site didn’t take off. Authors can’t use it to share and encourage one another. I hate the old saying, “There is more than one way to skin a cat!,” (disgusting, isn’t it?), but it is a truism. And sometimes a sad event leads to reexamining other possibilities, other opportunities and other says to look at downers.

So, yeah. I can take a minute to feel sad, but lots of social networks, writers’ associations, really texty—you know, dry and boring, based on principles and not real experience. And mostly not for writers. That wasn’t a downer. It was an opportunity.

and educational programs that might otherwise be thought of as support groups are out there. All are filled with people willing to share—rather like a therapy group. That’s sort of why I was determined to teach a class in marketing for writers back in the day, so determined I overcame my fear of academia with a little encouragement from the gentleman I met at that party. That lead me to writing a “text” for the first class. The texts on public relations and marketing I found were 

That experience turned into my multi award-winning HowToDoItFrugally Series of books for writers. It includes both the first and second editions of The Frugal Book Promoter 
and The Frugal Editor and How to Get Great Book Reviews Frugally and Ethically.  (I hate seeing authors spend money on stuff they can do better than anyone they hire!). In the case of the winningest book in the series, The Frugal Editor,I hate to see authors assume that an editor assigned to them from a big publisher is always in a better position to make choices than they are!

Most of all, I believe that the best way to keep our spirits up is reveling in the successes of others and learning from failures. We can be there for one another. This is not a competition but a sharing experience. Forget the negative words. There is a way to succeed in a notoriously difficult field. This is the best time for that. We can take control of our own futures better than ever before! 

Just know you are not alone. 

And make yourself an equivalent of my antique Wedgwood sugar bowl.

THIS WAS FIRST POSTED MAY 2019, BUT IT SO HITS THE MARK IN WHAT'S GOING ON NOW THAT WE REPRINTED IT!

To Traditionally Publish or Self-Publish

Whether to publish traditionally or self-publish is the question I get most from my ghosting clients. Most new to the writing arena don’t understand what’s involved with either path. This article will helpfully shed some light on the topic.

Traditional Publishing

With traditional publishing, you submit your EDITED manuscript to publishing houses and/or literary agents.

To submit to publishers means finding ones that accept submissions in your genre. To do this, you’ll need to write a query letter. It’s the query letter that you first submit. And, until you find a publisher who’s interested in your manuscript, you have to keep submitting.

It’s the same process for both publishers and literary agents.

There’s no way to determine how long it can take to find a publisher or agent who will offer you a contract. It could happen quickly (not the norm) or it can take a year, two years, or more. There are no guarantees it will happen.

As an example, it took Chicken Soup for the Soul 144 rejections before finally getting a publishing contract. They put a lot of time and effort into their publishing quest.

The traditional process takes perseverance and commitment. You need to research publishers and agents. For this process, I recommend getting “Children’s Writer’s and Illustrator’s Marketing [current year].” It has hundreds of listings.

If you’re not a children’s author, you can use “Writer’s Market [current year].”

Assuming you do get a contract, it usually takes about two years before your book will actually be available for sale.

Again, there are no guarantees with the traditional publishing route.

But, with all that said, there is still a level of 'status' and credibility with books that are traditionally published. And, you never know if you'll get a contract quicker than expected. An added bonus if you’re writing a children’s picture book, you won't have to find an illustrator or pay for illustrations and a book cover.

Self-Publishing

With self-publishing you’re in control.

You write your story or hire a ghostwriter to write it for you. Just make sure the story is edited and proofed before moving onto the next step.

Once that’s done, you’re off to find an illustrator – this is if you’re creating a picture book or even a chapter book / middle grade that will include some illustrations.

You can find children’s book illustrators at:

http://fiverr.com

http://upwork.com

http://www.childrensillustrators.com

http://blueberryillustrations.com/childrens-book-illustrations/

You can also do an online search.

While you can find some ‘cheap’ illustrators out there, be sure of their skills. Be sure they understand what you’re looking for. And, be sure they proof their own work. You MUST also check the illustrations to the text – make sure the illustrations are relevant to the content on that page. You’ll also need to check for accuracy and consistency within the illustrations.

I’ve coordinated illustrations to text for clients and have found a number of errors from missing parts of feet to inconsistent furnishings from scene to scene.

After you have a fully edited and proofed manuscript and if it's a children's book, the illustrations and text combined, you will need to prepare your book (have it formatted) and upload it for distribution (for sale). For this, you can use services like Amazon KDP (for ebooks and print books).

If you want a wider distribution of your book, you might consider aggregators, like IngramSpark, Smashwords, or Lulu. (Be advised that Smashwords does not distribute books to Amazon.)

An aggregator distributes your book, making it available for sale at a number of retailers.


NOTE: Before you upload your book to an aggregator or a retailer (like Amazon or Barnes & Noble), the book needs to be formatted into print-ready files. You can use services like FormattedBooks.com for this process.

If the thought of having to find someone to format your book and then upload your work is still too intimidating, you can simply use a service like Lulu.com, Smashwords.com (https://www.smashwords.com/about/how_to_publish_on_smashwords), or BookBaby.com for help in this area.

Note: While Smashwords has a large distribution network, it does not distribute to Amazon. 

Warning: Services you pay to format and upload your book for publishing will probably offer lots of other services: cover design, editing, illustrations, and so on. They can be expensive and I’m not sure of the quality of, say their editing services. So, have the book already to go. All you should need them for is actual publishing and distribution.

Summing it Up

Whether to self-publish or go the traditional route depends on your time frame, finances, and commitment to submitting your work. And, if you choose the traditional path, you’ll need to have patience and perseverance.

Reference:
Self-Publish Your Book

For an in depth 3-part series on what to do when your book is fully edited and ready for formatting, check out:

Self-Publishing a Book (1) - Formatting


Self-Publishing a Book (2) – The ISBN, the Barcode, and the LCCN


Self-Publishing a Book (3) – You're at the Finish Line

Karen Cioffi is an award-winning children’s author and successful children’s ghostwriter/rewriter. She is also the founder and editor-in-chief of Writers on the Move and as well as an author online platform instructor with WOW! Women on Writing.

If you’d like more writing tips or help with your children’s story, check out: Writing for Children with Karen Cioffi.

And, you can follow Karen at:
LinkedIn  http://www.linkedin.com/in/karencioffiventrice
Twitter  http://twitter.com/KarenCV


IF YOU HAVE ANY QUESTIONS, PLEASE ASK IN THE COMMENTS.

IF YOU LIKE THIS POST, PLEASE SHARE IT!

Fun Author Stories and Quotes to Brighten your Day

Have faith. Better days are ahead.

During this grit-your-teeth-and-stay-home mandate, I thought it would be fun to share a few stories from my Blog Post file for just such an occasion as COVID-19. I hope these stories and sayings brighten your day as they have mine.

Try finding an agent the Clive Cussler-Way
Author and shipwreck-explorer Clive Cussler, who recently passed away, used the $80 million of his publishing earnings to start a real-life National Underwater and Marine Agency (NUMA), the organization his fictional character, Dirk Pitt, spearheaded in the 22 books Cussler wrote with Pitt as his hero. “The square-jawed Pitt is forever saving the world—and beautiful women—from the schemes of evildoers, typically by retrieving lost artifacts from shipwrecks.” In real life, Cussler’s organization located some 60 shipwrecks, including “a lost Confederate ironclad and a steamship belonging to Cornelius Vanderbilt.”

What a great idea! Think up a fictional pastime for your character and then start one in real life! I'll try it!

If you’re looking for an agent, here’s an idea for you. When Cussler couldn’t interest anyone in his manuscripts, he created a bogus literary agency, and on its fake stationery that he concocted, he became an “industry veteran” about to retire, and offered his services to other agents. That’s how he found his longtime agent.

I think I’ll try that, too. Then I can retire from self-publishing!

Cussler went on to write many other works including children’s stories and nonfiction books. When asked if he would ever quit, he said in 2015, “H&^% no . . .They may find me behind the computer, just bones and cobwebs.”

That reminds me of the terrific National Geographic show Genius I watched about Albert Einstein months back, https://www.youtube.com/watch?v=SICLBlHizUY, which at the end depicted Einstein sitting up in bed, pen in hand working on a formula, only to have the pen slip out of his hand when, to the world’s great loss, met his Maker. I’ve never forgotten that scene, or the whole show for that matter, though I might wind up falling out of my chair with my fingers still attached to my keyboard.

To Pseudonym or Not to Pseudonym
Stephen King couldn’t fool Steve Brown, this astute bookstore clerk, writer, and fanzine publisher, when Brown read Richard Bachman’s novels. Brown had a chance to talk on the phone to the author himself when King called him to discuss what to do about his famous pseudonym.

I especially enjoyed this article because I had had the privilege of writing a biosketch of Stephen King for the library journal, Biography Today. In the early 70's, King, who had learned the basics of writing as a staff writer and editor for his high school newspaper and earned a B.S. in English at the University of Maine, had written many novels that were repeatedly rejected. While famously living in a trailer with his wife, Tabitha Spruce King, also a successful and acclaimed author, and teaching high school English, King wasn’t selling anything. He began Carrie, the story of an unpopular high-school girl who possesses a special power, “But after four pages, I thought it stank and threw it in the rubbish,” King said. “I came home later and found Tabby had taken them out and left a note. ‘Please keep going—it’s good.’ Since she’s really stingy with her praise, I did.”

In 1977, King sought to establish an additional outlet for his numerous book ideas. Under the name Richard Bachman, King wrote four books: Rage, The Long Walk, Roadwork, and The Running Man. In 1985, King called the Olsson’s Bookstore in Washington, D.C. and told Steve Brown, “This is Stephen King. Okay, you know I’m Bachman, I know I’m Bachman, what are we going to do about it? Let’s talk.” King's reason? The Brachman titles had been wallowing in relative obscurity. Brown wrote a letter to King’s agent telling him as much, and the Bachman name soon perished, King wrote, owing to “cancer of the pseudonym.”

Take heart. If you’re writing under a pseudonym, you might have better luck than Stephen King.

Inspirational Quotes from Famous Authors
To further brighten your day, I close with a few of my favorite quotes by famous authors about writing:

Most writers regard the truth as their most valuable possession, and therefore are most economical in its use.
– Mark Twain

It’s none of their business that you have to learn to write. Let them think you were born that way.
– Ernest Hemingway

If you can tell stories, create characters, devise incidents, and have sincerity and passion, it doesn’t matter a damn how you write.
– Somerset Maugham

To produce a mighty book, you must choose a mighty theme.
– Herman Melville

Not that the story need be long, but it will take a long while to make it short.
– Henry David Thoreau

It is perfectly okay to write garbage—as long as you edit brilliantly.
– C. J. Cherryh

I have been successful probably because I have always realized that I knew nothing about writing and have merely tried to tell an interesting story entertainingly.
– Edgar Rice Burroughs

Sources:
Obituary of Clive Cussler, 1931-2020, The Week, March 13, 2020.
Biography Today, Vol. 1, 1995.
https://www.mentalfloss.com/article/502166/how-stephen-king-was-outed-richard-bachman
https://www.writersdigest.com/writing-quotes
Photo: by Linda Wilson

Watch for Secret in the Stars
Coming Soon!

Linda Wilson, a former elementary teacher and ICL graduate, has published over 150 articles for adults and children, and several short stories for children. She has recently become editor of the New Mexico SCBWI chapter newsletter, and is working on several projects for children. Follow Linda on Facebook. Website coming soon.

Decriptive Writing With Specificity

We strengthen all of our writing by using descriptive details: even more so with specificity.

Our goal is to grow our observation skills, both specific and general. Being observant is essential for all writers; it creates relatable writing and gives the texture of reality. So, in this we are building our descriptive muscles and research skills.

To build up our descriptive writing:

• We use detail to express areas of importance; big picture, specific purpose, or differentiation,
• We use words that are vibrant, essential, and focused,
• We use metaphors, similes, and comparisons to tell the story,
• We use sense words and articulate a picture,
• We stay on point and write economically

Research is involved for our fiction or non-fiction projects.
Here are a few points to consider:

• Is the setting a place you have traveled or lived? Is it from a life experience? If so, a lot of your work is done, it’s relatable because you’ve been there. You know the landscape, the business environment, the social makeup.

• Consider writing in real time, describing the scene in such a way to bring your reader along, present for the journey. Describe what you see from where you are to develop the scene.

• What’s the time-period, which century? Descriptions will vary according to the time; i.e. street lighting by gas lamps or bulbs, roadway construction, metropolis or rural location, east or west coastline, piper-cubs or jet stream travel.

• Be willing to adjust your project plan as you go. Is it reachable or does it need revision?

Need ideas?

• Use life experiences and pull short sections to launch your story,

• Use one word prompts to free write and spark ideas,

• Where is your favorite place? Is it a beach town, or mountain village? Start there and chose the best memory or daydream,

• Books like “Where Do You Get Your Ideas” by Fred White, published by Writer’s Digest, could be just the thing to help launch your project.

Previous Post links in this series—Descriptive Writing for Fiction and Non-Fiction:
1)    Make it Personable & Tangible: https://www.writersonthemove.com/2020/02/descriptive-writing-for-fiction-and-non.html
2)    Make it Realistic: https://www.writersonthemove.com/2020/03/descriptive-writing-make-it-realistic.html

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her writer’s website at: https://deborahlynwriter.com/
Visit her caregiver’s website and read the Mom & Me memoir at: https://deborahlyncaregiver.com/
Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

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Diversify In An Ever-Changing World

By Terry Whalin @terrywhalin

In the last few weeks our world has gone through unimaginable changes. Many businesses have shut down and we are isolated in our homes to protect us from catching the covid-19 virus in a world-wide pandemic. Possibly your business has closed or you have been temporarily furloughed from your business. What can you do in this ever-changing world?

Years ago I recognized the temporary status of any “job.” Publishing has gone through many changes during my years in this business. One of the key action steps you can take is to diversity your income stream. Where do you earn your money? Is it one place? Then I'm encouraging you to create different ways to earn money. Another way to put it is to use an old cliche: Don't put all of your eggs in one basket.

If we've learned anything in recent weeks, jobs and work can be uncertain. One of the best ways to hedge this possibility is to create different streams of income. For example, can you use your book as a springboard to create other information products that you sell online? If you want to know more details, I recommend you listen to this free interview I did with Bob Bly and look at the free Ebook with it.

Can you use your book and create an online course or membership site where you deliver content instruction and insights for your audience? I have a risk-free Simple Membership System product to give you much more detail and insight. Notice my 30 day no questions asked love it or return it guarantee.

Can you use your book to launch a personal coaching program? Your book has made you an authority and now use that influence to begin another aspect of your writing life—coaching. You will have a limited number of people but it can also create a regular stream of income for your business.

The overall key for any author is to create multiple streams of income. This article only gives a few of the possibilities. As an acquisitions editor, I repeatedly see authors focus on their royalties (or they tell me about their lack of royalties). There are many dynamics in play with a publisher receiving and paying these royalties such as the slow rate that bookstores pay publishers—which is something many authors forget. In my view, the royalty focus is the wrong focus. As an author, you can't control your royalty payment. If it comes, terrific. There are many element I mentioned in this article that you as an author can control. Seize those elements for your focus and work on them. It will yield a far greater financial result.

Every author needs to continually work at building their platform and expanding their influence. If you want or need to know more about building an author platform, get my free ebook on the topic. You can do it but it will take effort and initiative on your part. From my experience, it is not a simple one-two-three process but the journey is different for every author. Keep at it and if I can help you, just reach out to me and let me know what you need.

What action steps are you taking to diversity in this ever-changing world? Let me know in the comments below.

Tweetable:

One of the best actions is to diversity in an ever-changing world. Get ideas and insights from this prolific editor and author.  (ClickToTweet)

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W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 200,000 twitter followers.