Goals for Winning

Before you set goals, count your wins. Winning is the fuel that keeps you motivated on the road to achieving your goals. This is especially for long-form projects like novels, screenplays, and non-fiction books. 

On a recent GoalChatLive, I talked about winning with Aime Card, author of The Tigerbelles; Annie Korzen, 85-year-old TikTok influencer and author of The Book of Annie; and Liz Lachman, a filmmaker, whose documentary Susan Feniger FORKED is currently on the film festival circuit. 

All three have pursued projects that define what it means to win. 

Winning Words to Live By

• Aime: “I’m tired is not the time to quit.” 
• Annie: “Yeah, why not” 
• Liz: “Leave me alone”

Winning Goals

• Annie: Phone a friend who doesn’t realize you feel like they are neglecting you Aime: Get out of your comfort zone Liz: Literally jump for joy

Watch Our Conversation:

Final Thoughts

• Annie: To appreciate what you’ve got, make the best of what you’ve got 
• Aime: Gratitude goes a long way 
• Liz: Another therapist told me: Your head is the secretary. The gut is the boss. The gut says, here’s what I want to do. The brain makes it happen. Don’t confuse the two. Don’t let the brain start making the decisions

I hope you have a successful year full of joy and lots of progress, Start by counting your wins. And let that energy carry you through the ups and downs you face along the way. Happy New Year!

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For more inspiration and motivation, follow @TheDEBMethod on Facebook, Instagram, and Linkedin! 

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What are your wins for 2023? What wins are you planning for 2024? Please share in the comments. 

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Debra Eckerling is the award-winning author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals and founder of the D*E*B METHOD, which is her system for goal-setting simplified. A goal-strategist, corporate consultant, and project catalyst, Debra offers personal and professional planning, event strategy, and team building for individuals, businesses, and teams. She is also the author of Write On Blogging and Purple Pencil Adventures; founder of Write On Online; host of  #GoalChatLive aka The DEB Show podcast and Taste Buds with Deb. She speaks on the subjects of writing, networking, goal-setting, and social media.

You, Your Reviews and Your Lifelong Marketing

You, Your Reviews and Your Lifelong Marketing

By Carolyn Howard-Johnson, author of the winningest book in her 
#HowToDoItFrugally Series of books for Writers, The Frugal Editor

Generally speaking, your two most important parts of a writing career is your byline and credit line. You will find an example of the byline in its most helpful form above, and an example of the credit line below this article as a mini bio. (The lease effective credit line—and shortest—I have ever seen was in the LA Times when only a moniker for Twitter (X) given. I mean, there wasn’t even an introduction saying what it was for! Nevertheless, even that was helpful to readers.

But in today’s #WritersontheMove, I want to celebrate (or mourn) the end of the release period of my The Frugal Editor, (about a year after the copyright or any book), I want to share with you important intricacies of reviews which is also the number one most effective marketing techniques for any book release no matter where it first appears—print, TV, radio, and online media, the cover of your book, or sometimes even handwritten reviews from the salespeople at your favorite hometown bookstore..

One of the reasons reviews and the excerpts that can be drawn from them (also called blurbs, testimonials, endorsements) are my favorite is they are likely to be the most active marketing period of a book—both pre- and post-release. Another is that they are so lasting I call them forever marketing techniques. And I want you to know one of the most important ways to keep them working for as long as you decide the life of your book should be—right up to its becoming a classic. As important as general reviews are (and I have written a tome-sized book on about every aspect of reviews called How To Get Great Book Reviews Frugally and Ethically) the big secret is in those excepts/blurbs. Below you will find a short example of a review that is ripe with possible excepts (many are!), but in Hollywood one great word like “fabulous!” is a poster-worthy excerpt that they call might call a “logline” in addition to all the other monikers I listed above. So, you can play this game as well as they. Ta da! 

Example of Full Review: Oh, how writers wish someone could take them by the hand and lead them directly to publishers, helping every step of the way? Look no further as all the answers are in this book, Third Edition of The Frugal Editor. Previous editions were excellent. Nothing could be better . . . except this book which has an additional 50% new content. The publishing world changes quickly, and this text allows writers to keep up with the ever-changing world of editors, publicists, finicky agents, trends, cultural expectations, queries, and media kits. Carolyn Howard-Johnson wastes no time clearly and succinctly explaining the how and why, sharing little known secrets and exploding grammar myths. Information about possible scams and misinformation is important to understand. Save yourself time and money by learning from the best, Howard-Johnson.” ~ Carolyn Wilhelm, BA, MA, MS and author of environmental content is a veteran educator

Excerpted for Passion: “Oh, how writers wish someone could take them by the hand and lead them directly to publishers, helping every step of the way? Look no further as all the answers are in this book, Third Edition of The Frugal Editor. Previous editions were excellent. Nothing could be better . . . except this book which has an additional 50% new content.” ~ Carolyn Wilhelm, BA, MA, MS, veteran educator, and author of environmental content  

NOTE: This could be three excerpts, depending on submission standards and other preferences and a little rearranging carefully using ellipses and parentheses advised for editing direct quotes.

Excerpted to Impart Specific Information: “The publishing world changes quickly, and [the 3^rd Edition of The Frugal Editor] allows writers to keep up with the ever-changing world of editors, publicists, finicky agents, trends, cultural expectations, queries, and media kits.” ~ Carolyn Wilhelm, BA, MA, MS and author of environmental content is a veteran educator

Note the use of parentheses.

Excerpted for Brevity: 1. “Save yourself time and money by learning from the best, Howard-Johnson.” ~ Carolyn Wilhelm, BA, MA, MS and author of environmental content is a veteran educator

There are a couple of extras where the clarifying changes might require the permission of the reviewer; that is generally not a problem when you explain the quotation will include their credentials and/or the name of the media in which it first appeared. Occasionally, that source-name is all that is needed.

This definitely isn’t that last thing you should know about this process, but it’s an important one. Copy-and-paste or otherwise preserve both reviews and blurbs whenever and wherever you find them. Put them in a file. Remember, reviews are forever. You might even reuse some of them when you publish your book’s second or tenth edition.

About the Author

Carolyn Howard-Johnson is the author of the multi award-winning series of HowToDoItFrugally Series of books for writers including USA Book News’ winner for The Frugal Book Promoter. An instructor for UCLA Extension's renowned Writers Program for nearly a decade, she believes in entering (and winning!) contests and anthologies as an excellent way to separate our writing from the hundreds of thousands of books that get published each year. Two of her favorite awards are Woman of the Year in Arts and Entertainment given by members of the California Legislature and “Women Who Make Life Happen,” given by the Pasadena Weekly newspaper. She is also an award-winning poet and novelist, and she loves passing along the tricks of the trade she learned from marketing those so-called hard-to-promote genres. Learn more on her website at https://HowToDoItFrugally.com. Let Amazon notify you when she publishes new books (or new editions!) by following her Amazon profile page at https://bit.ly/CarolynsAmznProfile. Her The Frugal Editor is now in its third edition from Modern History Press and sorrowfully ending its official release year. Let it help you edit your 2024 work-in-process and happy new year.

Developing Outlines and Character Details When Writing Middle Grade

 

 Contributed by Karen Cioffi, Children's Writer

The majority of my clients ask for picture books, but currently, I’m working on two middle grades.

While a middle-grade book can be significantly shorter than a novel, it still has a big chunk of words at around 20-50,000. Quite a difference from the under-800-word picture book.

When I write a picture book story, I use the seat-of-the-pants method. I find it works well with around 600-800 words.

This is not the case with a middle-grade story. Writing a middle-grade story is similar to writing a novel, so the same practices should be used. Because of this, I use an outline.

CREATING AN OUTLINE

With an outline, you can make it as detailed as you like.

Being impatient, I used to write as bare an outline as possible. I've found, though, that writing a more detailed outline is a huge help when getting down to writing the story.

This became particularly apparent to me when a client from five years ago recently called me.

I had written one middle grade for him and started a second one. For some reason or other, the client stopped the project after a month into it.

He now wants to resume the project … after five years.

Fortunately, I keep good records and files. I make sure I have them backed up. In fact, I use Dropbox and Carbonite. I also have an external drive that I back my files up to.

Overcautious?

Maybe, but I've had the experience of losing a client's project – the entire manuscript - due to a computer mishap, so I take extra precautions.

Because I save everything, I have the information from the first book and what I had done on the second book.

Going over my notes, I was THRILLED to see that I had written a detailed outline of Book 2.

Granted, this is an unusual situation as it’s the first time I’ve had a client stop a project, and especially stop one for such a very, very long time, but it helps emphasize the importance of an outline.

Having that detailed outline is going to save me time and effort.

CREATING CHARACTERS

Along with creating an outline, it's important to develop character details.

Writing coach and author Suzanne Lieurance says that if you know your characters before writing your story, you'll write a better novel.

Why?

Well, if you take the time to create your characters, especially the main characters, you can open up other details or subplots within the story that you might not have thought of before.

This also helps you to create unique characters. Characters with their own personalities and quirks that make them easily distinguishable from the other characters.

You'll know that Jeff has a temper, Russell is timid, and they're best friends despite their differences.

You'll know that Marisa has a crush on Matteo, who has a crush on Abby, who likes Jeff.

All this is going on behind the scenes in subplots as the main character struggles to reach his goal.

Knowing all this will allow you to understand how a character will react in certain situations. It'll also help you write particular scenes with ease.

I hope these tips help you write an outstanding middle-grade story.

ABOUT THE AUTHOR

 Karen Cioffi is an award-winning children’s author, ghostwriter, rewriter, and coach. If you need help with your story, visit Karen Cioffi Writing for Children.

Karen also offers authors:

FICTION WRITING FOR CHILDREN COURSE
A guided self-study course and mentoring program.

HOW TO WRITE A CHILDREN'S FICTION BOOK
A DIY book to help you write your own children’s book.

WRITERS ON THE MOVE PRESS
Self-publishing help for children’s authors.

Purchased vs Free ISBN Numbers

In addition to these books, I've published an audiobook
for Secret in the Stars, a coloring book, Botas Altas: Tall Boots
in Spanish, and a hard cover book.

By Linda Wilson   @LinWilsonauthor

    ISBN is the acronym for International Standard Book Number. It is a 10 or 13-digit number that identifies a specific book, an edition of a book, or a book product, such as an audiobook. Since 1970, each published book has been allocated an ISBN. ISBNs were 10-digits long until January 1, 2007, when the ISBN system switched to a 13-digit format. Books with 10-digit ISBNs can be converted to 13 digits. Each separate product—paperback, hard cover, e-book, audiobook, coloring book—are separate editions and require a different ISBN.

    ISBNs are product identifiers used by publishers, booksellers, internet retailers, and other supply chain entities. The ISBN identifies the registrant as well as the title, edition, and format, and is used for ordering, listing, sales records and keeping track of stocks. ISBNs never expire.

    The publisher normally supplies the ISBN. For self-published books, you are the publisher. You apply for the ISBN. Here's how.

Free ISBNs

It is tempting to take advantage of the free ISBN offered by KDP. Barnes and Noble also provides free ISBNs, and will register your ISBN with BooksinPrint.com®. I’m treading into territory I haven’t personally had experience with since I have purchased my ISBNs from Bowker. But information on various forums state that you can publish your book anywhere you like at the same time you publish through KDP. My understanding is that you will need to set up two versions of your book, one with KDP’s ISBN, and the other with B & N’s ISBN. 

    “Wide” distribution of your book means that you distribute through, but not exclusively, IngramSpark, D2D, and B & N and Amazon. If you want to go with a free ISBN check out forums on the topic. One person posted that there is no need to purchase an ISBN because ISBNs are provided free from both Amazon and B & N. One person published about 15 books through KDP which have been picked up by B&N. All books used Amazon’s free ISBNs; all are enrolled in “Expanded Distribution.”  

Purchased ISBNs

    My ISBNs were purchased through Bowker back in 2020 when I published my first book, Secret in the Stars: An Abi Wunder Mystery. I purchased 10 ISBNs @ $295. One ISBN through Bowker is $125. Purchase prices go up from there, mainly for independent or small publishers who publish multiple versions of books. 

Here are some of the reasons Bowker encourages publishers to purchase ISBNs:

• An ISBN improves the likelihood your book will be found and purchased
• An ISBN links to essential information about your book
• Most retailers require ISBNs
• An ISBN ensures your book’s information will be stored in the Books in Print database
• ISBNs are the global standard for book identification

The main reason I purchased my ISBNs is so that I could publish “wide.” Also, I thought owning my ISBNs could save me time as I explore different venues for the sale of my books.

Barcodes and QR Codes

Barcodes can be purchased from a company like Bowker. Some companies include a bar code with the purchase of an ISBN. Be careful, though. Since I’ve always used Bowker’s services I feel safe. I’ve purchased a barcode for each book @$25. To get a free barcode, you can use IngramSpark’s book cover template generator, according to online information from December, 2020. You will receive a cover template via email with a barcode on it you can use anywhere. Please refer to this website for information on obtaining an Amazon barcode: https://www.gs1us.org/upcs-barcodes-prefixes/amazon/barcodes-for-amazon.

For QR codes, you can google: How to get a QR code. You will find the information you need there. And read my last month’s article on “How a QR Code Can Help Book Sales,”  https://www.writersonthemove.com/2023/11/how-qr-code-can-help-book-sales.html.

Even though I plan to purchase more ISBNs from Bowker—10 more now that I’ve used all of the original 10—and it will cost me, I’m thrilled that I’ve published 10 books! It just goes to show, if you keep plugging away on your projects, you will eventually publish. You can be proud of yourself, and also reap the rewards that your books offer you every day.

It was a great holiday season for
book sales. Now it's time to find
different venues, such as book
readings at schools and
books stores, churches,
and community centers.

Linda Wilson is the author of the Abi Wunder Mystery series and other books for children. Her two new releases are Waddles the Duck: Hey, Wait for Me! (2022) and Cradle in the Wild: A Book for Nature Lovers Everywhere (2023). You’ll find Linda on her Amazon author page, on her website at LindaWilsonAuthor.com, and on Facebook.

                                                                                        

In the Spotlight: An Interview with Journalist & Nonfiction Author Jo Ann Mathews

 by Suzanne Lieurance

Journalist Jo Ann Mathews

In the spotlight this month is a writer who writes nonfiction books but also writers for newspapers and other print publications. 

 

Jo Ann Mathews lives and writes in North Carolina, and I wanted to find out more about her life as a writer.

 

Read this interview to find out what I learned about Jo Ann.

 

Suzanne Lieurance: Tell us about yourself, Jo Ann. How did you become a writer? What kinds of things do you write?

 

Jo Ann Mathews: Like all writers, I always loved to read, so I wanted to be the next Carolyn Keene and write my version of Nancy Drew. 

 

Who had time to write anything other than essays and research papers while in high school, college, and graduate school? 

 

Then, while teaching, I had to READ students’ essays and research papers. 

 

It wasn’t until my youngest son entered kindergarten and I was teaching part time that I decided to use my mornings to write my novel. 

 

It took two years, and it never sold! 

 

A quirk of fate started me on the path to writing feature stories. 

 

Our brand new, month-old Buick was stolen from a movie theatre parking lot. 

 

Rather than write about the inconvenience and disruption to our lives, I wrote a humorous piece about the benefits of being without a car, how neighbors and friends came to the rescue, bought our groceries, took our sons to their activities, how my husband and I could relax and dictate what we wanted everyone to do for us. 

 

I included how friends offered cars to us, and we got picky on which cars we liked the best. 

 

I started investigating other stories to write, and I learned that a neighbor of mine was the fiancé of Otis Wilson, a linebacker for the Chicago Bears, and that another player from a 1960s Bears winning team and his wife lived nearby.

 

I thought the story was from the women’s point of view. 

 

Both women consented to an interview. 

 

I compared the two women’s experiences and sent the story to my local newspaper.  

 

I got a call from the features editor, who asked me if I wanted to write as a freelancer for the paper.  

 

That started me on my journalism career.

 

SL: What is a typical writing day like for you?

 

JM: I go to my office by 8:30 Monday through Saturday and check the schedule of activities I wrote for myself the night before. 

 

I work on my assignments or my novel until noon, except on Monday when I attend the Monday Morning Shove via Zoom at 11am Eastern. 

 

I come back to my desk around 4pm to finish whatever writing I designated for that day. 

 

I finish by 5:30.

 

On Sundays I usually work on my novel or assignments in late afternoon.

                        

SL: How did you decide to specialize in writing about women and adversity?

      

JM: Men get credit for accomplishments, but women are often overlooked.  

 

I wrote a list of my interests and realized I wanted to know how famous women, especially women writers, overcame the obstacles in their paths. 

 

I come from a family of women, my mother had four sisters and I have two, so I thought women should be recognized.

 

SL: How do you find primary and secondary sources for your articles for newspapers and magazines? 

 

JM: I do searches online to find out more about my topic and the person(s) I’m writing about.

 

I read published articles and contact people or topics mentioned in those articles when appropriate.

 

I call or email people where the subject of my story works. 

 

For example, recently I wrote about a woman who owns a window cleaning/commercial business cleaning company.

 

I knew of one company that hires her on a contract basis, so I called the business manager there and asked her some questions.

 

I find information on Facebook. 

 

Another recent story I was writing posted facts on Facebook about the event, so I got information there.

 

SL: What is the most difficult part of writing nonfiction for publication?

 

JM: Getting the facts correct. 

 

I contacted two people who were subjects of an event I covered recently to find out if what I wrote was accurate. 

 

It turned out I was given incorrect information to begin with. 

 

I was told one person was the chair of the event. NO. She was chair of a committee. 

 

Go to the source, confirm the facts and information.  

 

SL: What do you enjoy most about writing nonfiction?

 

JM: The broad scope of the topics I cover, and the people who have the information I need. 

 

The first assignment I ever got was on autism--which I knew nothing about—and I saw firsthand what autism is. 

 

I felt the emotion of the mother as she talked. 

 

I was riveted watching her son.

 

SL: Can you share a few self-editing tips for nonfiction writers?

 

JM: Reread and reread. 

 

Use the “Read Aloud” feature on your word processing program. 

 

Any questions about spelling, capitalization, usage? 

 

LOOK IT UP! 

 

If you question something a person/s you interviewed said, call, text or email them to verify. 

 

SL: What writing projects are you working on right now?

 

JM: Two young women bought a building and turned it into a marketplace for vendors to sell their wares. 

 

A man sells his vinyl records, a photographer sells her photos, a nonprofit organization sells lightly used women’s accessories. 

 

There are about 10-15 vendors and a restaurant and bar. 

 

I want to know how they came to buy the building, why they wanted to have the marketplace, how their husbands reacted when they proposed the idea. 

 

I always look for stories to suggest to my editor.

 

I want to interview the president and CEO of a hospital, so I will propose that idea.  

 

I write the blog Women and Adversity and post twice a month, on the second and fourth Thursdays. 

 

I know. It should be more, but I tried more, and it wasn’t working. 

 

My post on Thanksgiving Day will be about Anne L’Huillier, who won the Nobel Prize for physics. 

 

I have already written about the other three women Nobelists. 

 

In December I will feature Friends Come to Call, the latest in the Tow Truck Murder Mysteries by Karen C. Whalen.  

 

It has a Christmas theme. 

 

The other post will be about Amy Vine, who sells wares in Michigan. 

 

I have a few more stories that are in the developing stages.

 

SL: What is your best overall tip for nonfiction writers?

 

JM: Besides being accurate with facts, including the correct spelling of people’s names--look around for stories. 

 

They surround us. 

 

What business just opened?  

 

What trends are grabbing teens? Young women? Older women? Men? 

 

People love humor.

 

Think of a humorous twist to a situation that will make people roar.

 

Sports are big.

 

Is there an ice skater, snow boarder, skier, swimmer who deserves recognition —especially if she or he is under 18 or over 50?   

 

SL: Where can we find out more about you and connect with you online?

 

JM: My website is www.jamathews.com. 

 

My blog is there, but a direct line is www.jamathews.com/blog. 

 

Jamathews124@gmail.com is a good contact.

 

Texting? 312-213-5638.

Jo Ann & Members of Her North Carolina Writers Group

For more author interviews and writing tips, visit writebythesea.com and get your free subscription to The Morning Nudge.

Suzanne Lieurance is an award-winning author with over 40 published books and a writing coach. 

She lives and writes by the sea with her husband, Adrian, on Florida's beautiful Treasure Coast.

 

Build A Body of Work

By Terry Whalin @terrywhalin

Have you had golden moments of conversation which stick with you and your writing life for years? These may happen late at night during a writer’s conference or maybe in the car with someone on the way to a conference? During my decades in this business, I’ve had amazing opportunities and had numerous special conversations. 

Years ago, I was on the faculty of an East Coast writer’s conference and had several hours in a van to meet and get acquainted with a literary agent. It was early in my writing career, and he asked me, “What are you doing to build a body of work?” I’d never heard the term “body of work.” As we talked, I understood this agent was probing me for a long-term game plan in the writing world. At that time, I didn’t have a long-term plan and had written for a few magazines and published a couple of books. 

As writers, I find most of us are focused on publishing (or promoting) a single book or writing for a magazine. We are not thinking about building a body of work. This agent and I discussed our mutual friend, Jerry B. Jenkins who has written a variety of types of books but also published in print magazines. To build a body of work, it is important to intentionally be diverse. For example, I’ve written adult books but also children’s books. I’ve written for adult print magazines, but I also wrote a cover story for Clubhouse, a children’s magazine with Focus on the Family.

Early in my writing life, I began writing profiles of different bestselling authors. Some of my close writer friends questioned me about why I was doing this type of writing. I ignored the questions and continued writing these types of articles. I’ve interviewed over 150 bestselling authors and learned much more from each interview than I could possibly include in a 1200-to-1500-word article. I’m one of the few journalists who has interviewed Chuck Swindoll. Chuck told me, “There are no heroes in the Body of Christ. We are all like a bunch of guys in the back of a pick-up truck trying to get our stuff together.” Each one of these interviews brought great opportunity and helped me build my body of work. On another occasion, I was on the back lot of Disney Animation interviewing Glen Keane when he was drawing Beast in the film, Beauty and the Beast. 

For you to build a body of work, you will have to learn some key skills like how to write a query letter and how to write a book proposal.  When you learn the skill of writing these specialized tools, you can use them many times to pitch the editor, get an assignment then complete the writing on their deadline. When you are building a body of work as you are published more frequently, your reputation among the editors will increase which opens more doors and opportunities for your writing. 

The process of building a body of work doesn’t happen overnight but it is something every writer can do with their writing. What steps are you going to take to build a body of work?

Tweetable: 

Are you building a body of work? This prolific writer and editor encourages authors to take a long view in their writing life. Learn the details here. (ClickToTweet)

W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

Authors: Why You Should Register Copyrights

 

Contributed by Margot Conner

Many writers are comfortable with the idea that copyrights are assigned to you as soon as you put your name to it. That is all fine as long as no one decides you are some little-known author, and they can copy your words into their own story. There are well-documented cases of this.

Unfortunately, you don’t own the legal right to use, possess, and give away the material you wrote unless it is registered with the copyright office. If you want undisputed ownership, in case of plagiarism, and the right to seek legal action in a court of law, you need to register a copyright with the Library of Congress.

This guarantees the return of your intellectual property if stolen. Or, in the case of its destruction, payment for it. It also gives you the possibility to prove you were the one who wrote it if someone else claims they are the author.

But here is the kicker… if an imposter goes to the U.S. Copyright Office before the true author and registers the work in their name, the true author will have to sue to invalidate the imposter's copyright. This is nearly impossible to win and would be very costly.

The "ownership" myth was destroyed in U.S. Supreme Court when the Fourth Estate Public Benefit Corporation went up against WallStreet dot com in 2019. The outcome: an author cannot sue for copyright infringement unless their work has first been registered with the U.S. Copyright Office. Unless the work is registered you can't even sue to make someone take down the material they have plagiarized.

It doesn’t matter if you can prove you wrote something. Infringement on your rights is allowed. This court case effectively did away with the "copyright when you write it" concept that most authors believe in. If you cannot stop someone from plagiarizing your intellectual property the unregistered copyright means nothing.

Under section 506, criminal copyright infringement must demonstrate a valid copyright was infringed upon willfully and for the purposes of commercial or private financial gain.

OK, filing for a copyright can get expensive. But it is less costly than losing what you wrote or fighting a court battle that is maybe impossible to win without having that legal copyright.

I found a few ways to save money. If your writing a series, and you have the ability to wait until you complete all the books, then there is one cost to copyright them as a group, all at once. Otherwise, it will cost you $65 each time. 

You can register for a copyright at the Library of Congress: https://www.copyright.gov/registration/

This is my best advice: You will have lower fees for copyright if you belong to either the writer’s or authors' guild. They will also help authors in many other ways. I believe that the fee is between $10 and $25 to copyright through the Guilds.

Authors Guild: $135 a year, or $12 a month to be a member

•    Legal services
•    Free access to seminars, workshops and events
•    Resources list
•    Media insurance
•    Many others, including web services

The Emerging Writer level membership gives you a lot of bang for your buck and it takes much less to qualify. This membership level is only $9 (but no legal advice).

Eligibility
•    Traditionally published authors and illustrators with at least 1 published book in the U.S.
•    Self-published authors who have made at least $5,000 in the past 18 months from their writing
•    Freelance writers who have published 3+ pieces or made $5,000 in the past 18 months

Writers Guild: (expensive)

The Writers Guild is a labor union for film, radio, and television writers, composed of The Writers Guild of America East and The Writers Guild of America West. Both sites have much more in-depth information available, including eligibility requirements and dues.

Examples of Why You Should Register for Copyright of Your Work

Just to bring home the need for copyrights, take the following examples to heart.

Many famous authors who have the money to pay a good legal team get away with theft. Or the Publishers do. And some who plagiarize still go on to be successful, because their misdeeds are simply forgotten.

These examples were copied from several places. Source credits are in brackets.

Dan Brown: “The Da Vinci Code”
In 2006, Brown was accused of plagiarism by Richard Leigh and Michael Baigent. Then in 2007 author Jack Dunn sued Brown. The author went on to sue Brown for plagiarism two more times.
(Source: https://www.marketwatch.com/story/dan-brown-faces-possible-new-plagiarism-lawsuit-over-the-da-vinci-code-2017-10-18)

Alex Haley: “Roots: The Saga of An American Family”
Alex Haley won the Pulitzer Prize in 1977 for his book. In 1978 Harold Courlander accused Haley of plagiarizing content from his book, “The African.” Haley ended up agreeing that he did use passages from Courlander’s book. The case was settled out of court.
(Source: https://medium.com/@hajiibrown/alex-haleys-roots-edf0be7bd0ac)

J.K. Rowling: “Harry Potter and the Goblet of Fire”
Rowling was accused of plagiarizing parts of Adrian Jacob’s book, “The Adventures of Willy the Wizard.” The case was dismissed.
Then, “US author Nancy Stouffer alleged Rowling had taken material from her book The Legend of Rah and the Muggles, but without success.”
(Source: https://www.theguardian.com/books/2011/jan/07/harry-potter-plagiarism-case-us-court)

Johnny Cash: “Folsom Prison Blues”
"Cash had lifted the melody from and much of the lyrics from a 1953 song “Crescent City Blues” by Gordon Jenkins." The case was settled for $75,000.
(Source: https://www.bcbe.org/cms/l“On February 19, 1981, ib/AL01901374/Centricity/Domain/739/Johnny%20Cash.pdf )

George Harrison: “My Sweet Lord”
In 1971, Harrison was sued for “subconsciously plagiarizing’: The Chiffons‘ 1963 hit single ‘He’s So Fine.’
After a court battle, “Harrison was found guilty and had to pay $1,599,987 of the earnings from ‘My Sweet Lord’ to Bright Tunes.”
(Source: https://performingsongwriter.com/george-harrison-my-sweet-lord/)

SUMMING IT UP

Of course, there are other cases where someone becomes very successful and false claims are made to gain a big undeserved sum in a bogus court case. But even the unjustly accused will lose if they must spend their time to prove they are the rightful owner.

This happened to Taylor Swift recently. The case was thrown out of court. That is the other side of the coin. The lawsuit can be costly and stall a project. Being on either side is a waste of your time and money, so try to avoid all that stress by protecting yourself.

ABOUT THE AUTHOR

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.
You can learn more about Margot and her writing at her Facebook page: https://www.facebook.com/margotconor/
@MargotConor (Facebook)