Imagery Speaks to Your Readers

 

By Karen Cioffi

Probably one of the most difficult aspects of writing is providing content that your reader can turn into pictures or imagery. 

You may know exactly what you’re trying to convey, the image you want your reader to see, but does your content translate into effective imagery for your reader?

Stephen King discusses this topic in an informative article in the August 2010 Writer magazine. Obviously, any advice from this author is valuable, but I especially like his views on imagery. A key tip that struck me is: “Imagery does not occur on the writer’s page; it occurs in the reader’s mind.

The question that follows is: how does a writer transfer what’s in her mind into the mind of the reader?

The answer is through description.

Unfortunately, it’s not as easy as it sounds. What many writers may tend to do is offer too many details that aren’t necessary and may weigh the story down.

According to Mr. King, you need to pick and choose the most important details and descriptions that will allow the reader to understand what you’re conveying, but also provide enough room for the reader to create his own unique image.

To accomplish this task Mr. King says to “Leave in details that impress you the most strongly: leave in the details you see the most clearly; leave everything else out.”

The strategy in this is to look carefully at what you want to convey.  

Picture an image in your mind and focus on the key aspects, the aspects that give you a clear picture of what it is. Then, write what you see. Again, this may not be easy to do, but Mr. King suggests that there is another vision tool to use, which he calls “a third eye” of imagination and memory.

What we see is translated to our brain. Once there we need to interpret that image and transcribe it into content that will provide the reader with a strong gist of what it is, but also allow the reader to fill in her own details. And, those details should convey what you’re targeting.

For example: The house stood dark and dreary.

While this simple sentence provides imagery that should enable the reader to create a picture, there are probably not enough details for the basic image you might be going for. What color is the house? Is it in disrepair? Is it a new or old house, big or small?

A possible alternative to the above example that adds a little more detail, but not too much is: Cracked shingles hung on the dingy grey house.

To further emphasis its disrepair, you might add: Chipped paint and missing caulking on the windows gave the house an eerie feeling.

Another example of imagery is from my children’s middle grade fantasy book, Walking Through Walls:

“Wang bound the last bunch of wheat stalks as the sun beat down on the field. Sweat poured from the back of his neck drenching the cotton shirt he wore.”

The two sentences provide sufficient imagery for the reader to understand the situation, while not giving too many details. If you notice, the content doesn’t mention the color of his shirt, or if Wang knelled on the ground or hunched over the bundle. It’s also missing a number of other details that aren’t necessary and would weigh the story down.

Interestingly, along with concise details, your characters’ names might also add imagery to your story. When you read my character’s name, Wang, what image comes to mind?

You might think of your story’s imagery as an outline or sketch, rather than a colored and finely detailed painting. The basic idea is there for your reader to enhance with her own imagination and memory.

This article was first published at:  Imagery and Your Story
https://karencioffiwritingforchildren.com/2015/02/22/imagery-and-your-story/

 ABOUT THE AUTHOR

Karen Cioffi is an award-winning children’s author, a successful children’s ghostwriter with 300+ satisfied clients worldwide, and an author online platform instructor with WOW! Women on Writing. For children’s writing tips, or if you need help with your children’s story, visit: https://karencioffiwritingforchildren.com

You can check out Karen’s books at:
https://karencioffiwritingforchildren.com/karens-books/

 

 MORE ON WRITING

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Featured Productivity Tool: The 5 of 7 Rule

A lot of productivity experts say, "Don't break the chain. Work on your projects every day. 

I say: Think about your projects every day. And only schedule time you can commit to for working on them. Granted, if all you are doing is thinking, that's cheating, so you do need to put in some time. The goal is to set you and your projects up for success. 

My 5 of 7 Rule serves to help you take the pressure off yourself, as you work toward achieving your goals, while continuing to juggle everything else going on in your life. As a result, you will be less stressed and more productive. 

The 5 of 7 Rule is exactly how it sounds: 

• Work toward your goals 5 out of every 7 days each week. (Or however many days you can commit to.)  

 • This enables you to keep your objective top-of-mind, while giving you ample downtime. 

• It eliminates the fluster you feel when life happens and you need to skip a day or two.

 

For Example

Let’s say you’re going to work 15 minutes a day on your project, which is a reasonable amount of time. 

If you miss a day, you decide to do 30 minutes the next day. You miss that one too, and you’re up to 45. Well, if you can’t manage 15 minutes, you’ll really have challenges finding 30 or 45. 

My point is this: If you miss a day, just skip it and do 15 minutes the following day. 

Final Thoughts 

Don’t get me wrong. If working toward your goals every day is feasible, go right ahead. However, when you really need it, allow yourself a day or two off, guilt-free.  

* * * 

For more inspiration and motivation, follow @TheDEBMethod on Twitter, Facebook, and Linkedin! 

* * *

What's your favorite productivity tip or tool? Please share in the comments. 

* * *

Debra Eckerling is the award-winning author of Your Goal Guide: A Roadmap for Setting, Planning and Achieving Your Goals and founder of the D*E*B METHOD, which is her system for goal-setting simplified. A goal-strategist, corporate consultant, and project catalyst, Debra offers personal and professional planning, event strategy, and team building for individuals, businesses, and teams. She is also the author of Write On Blogging and Purple Pencil Adventures; founder of Write On Online; Vice President of the Los Angeles Chapter of the Women's National Book Association; host of the #GoalChat Twitter Chat, #GoalChatLive on Facebook and LinkedIn, and The DEB Show podcast. She speaks on the subjects of writing, networking, goal-setting, and social media.

What George Orwell Has to Say About Words

 

What George Orwell Has To Say About It

Freedom of the Press and Words Count
 
By Carolyn Howard-Johnson
 
You may know me as “The Frugal Book Promoter”…or novelist. . .or poet. But because this year is shaping up to be an especially difficult year worldwide, maybe you won’t mind if I stray a bit from my usual topics to talk to you about topics that that have been in the news recently—namely freedom of the press and the importance of words?
 
Not long in the past during the height of the Covid pandemic, the White House issued a list of words the Center for Disease Control and Prevention shouldn’t use. That was unprecedented. It bothered me then and it bothers me even more now that Covid keeps reoccurring but some of the other major problems we face have exacerbated. We are lucky that as writers it has been relatively easy to isolate ourselves. That has made me even more appreciative of the importance of words in my life and, I hope, has done the same for you..
 
The LA Times (Tuesday, Jan 16, 2020 page B2) used this as a lead for the story on this repression of words, all the more surprising because the United States is known for its respect for words, both spoken and written:
 
“’It’s a beautiful thing, the destruction of words.’ George Orwell writes
in the fifth chapter of his dystopian novel, 1985.”
 
I love the novel the Times chose to quote, but I have always been too optimistic to give its dystopian theme much credence. But here we are with four public health experts from Emory University in Atlanta saying that if the CDC actually obeys the White House order to avoid certain words and phrases and that by doing so, it “squanders [the agency’s] limited resources.” Other agencies were also “forbidden” to use words like “vulnerable,” “entitlement,” “diversity,” “transgender,” “fetus,” “evidence-based” and “science based.” In some cases, the administration’s budget office suggested alternative terms which is a subtle way of saying they are not only telling them what words to avoid, but telling us what words they would like to them to use. I can only hope that this administration will return to honor the constitution’s freedom of speech and press intentions.
 
Then in a recent Sierra Club magazine (sources do count for us writers!), I learn that the US climate office was told not to use the terms “climate change,” “emissions reduction,” or “Paris agreement.” Seems someone was trying to control what we write about, maybe trying to control how we think.
 
Times also reported that in addition to our concepts of free speech and free press, gagging like this violates The Plain Writing Act of 2010 that requires all federal agencies “improve the effectiveness and accountability to the public by promoting clear Government communication that the public can understand and use.”
 
We writers should be thankful for that “plain writing” encouragement! But as writers, we should all be worried—even on the lookout—for anything that limits our use of words.
 
As an example, we’ve been encouraged to use only Merry Christmas as a holiday greeting for decades. I’d hate to lose alternative greetings. As a courtesy, I’ve always reserved Merry Christmas for people I know to be Christian, Happy Hanukkah for those I know to be Jewish. Have a great Kwanza for the black people I know celebrate it but not those for whom I am unsure. Ramadan? Well, I’ve never had occasion to use it (sorry!), but if I did I would be equally careful to abide by the traditions of the person involved.
 
There are others, but generally, “Happy holidays,” is a polite way to be inclusive when we don’t know the situations or do know that in a diverse population I may be addressing a few people who are members of each group with a few atheists to boot. That is a very small example of how important words are, and how important it is we have access to all the ones we find in a dictionary (and some we don’t). For clarity. So that we can. . . ahem, obey the Plain Writing Act. Now there’s a government proclamation I can get my teeth, molars, and incisors into!
 
Before I assure that I don’t get too blasé, I occasionally revisit the date that it was written. 2010! Perhaps we need a reminder of the importance of clarity in our communication more often than we think we should. Is it time again? And can we write clearly if words—precious words that came about presumably because they served a purpose—are denied us? And do we pay no attention when other entities use words to color the way we think. That will always be with us. It is part of the price we pay for free speech issues. We can refuse to be taken in by it. Always on the lookout.

 

----

Carolyn Howard-Johnson is the author of the multi award-winning series of HowToDoItFrugally books for writers including USA Book News’ winner The Frugal Book Promoter now in its third edition from Victor Volkman’s Modern History Press and The Frugal Editor scheduled for release in its third edition in 2022. An instructor for UCLA Extension's renowned Writers Program for nearly a decade, she believes in entering (and shouting out!) contests and anthologies as an excellent way to separate our writing from the hundreds of thousands of books that get published each year. Two of her favorite awards are Woman of the Year in Arts and Entertainment given by members of the California Legislature and “Women Who Make Life Happen,” given by the Pasadena Weekly newspaper. She is also an award-winning poet and novelist and she loves passing along the tricks of the trade she learned from marketing those so-called hard-to-promote genres. She recommends Dr. Frank Lutz’s Words that Work to her writing friends and those who want to understand more about the power of words-both the positives and negatives. Learn more and find tons of free resources on her website at https://HowToDoItFrugally.com.

The Writing for Children Ropes - 8 Tips

 

By Karen Cioffi

Since I was a kid, I always enjoyed writing. I wrote poems, short stories, even songs. And although I enjoyed writing, I never thought of publishing my work or making it a career until around 2007. As a novice, I figured it'd be a breeze – easy-peasy. I mean how difficult could it be to write simple children's stories? 

Since I always felt comfortable writing, I thought it be a natural transition. Writing was something I always went to when in awe, when being inspired, or during struggles. And, I was always able to think of things to write about. So, I began the process of actually writing children's books with the intent of having them published. 

 My eyes were quickly opened. Another world sat before me, one filled with a lot of hard work, time, road blocks, and rejection letters. 

While I minored in English Lit in college, it had been many years ago. Along with this, it's not really the background specifically needed in writing for children or writing to get published in the market at the time … or now. 

To write for children … 

- You need to know what the current market wants. 

 - You need to know techniques such as the Core of Threes and having the protagonist solve the problem, not the parent or grandparent. 

 - You need to know showing is a must, and telling should be limited. 

 - You need to have the right sentence structure along with proper grammar and punctuation. 

- Your words and dialogue must be age appropriate. 

- You need to have an age-appropriate plot. 

- There should be only ONE point of view, one main character. 

- Your main character needs to grow in some way as a result of his journey. 

 - You need to watch out for blind spots in your writing. Spots where you know what you intended to be conveyed, but the reader won't. 

 - You need to understand and utilize words such as tighten, good voice, focus, point of view, hook, and lots of other writing elements. It goes on and on and on. 

Well then, just how do you learn all the information needed to write for children, especially if you don’t want to get a degree in children’s literature or are unable to enroll in a school specifically geared toward this subject? 

The answer is the internet. Sounds easy, right? 

Well, think again. Since I've gotten my Bachelor's degree, I've taken a few college courses and other courses long distance and online and I can tell you that learning a subject in a classroom is much easier than learning through other means. 

And, learning on your own with the internet is even more difficult and very time consuming. 

Why is it so hard? 

The reason for the difficulty is there are thousands and thousands of websites and blogs that offer children's writing information. 

You'd think this is a good thing, but not everyone online knows what they're talking about. For this reason, it's important to use common sense when searching for information. 

Make sure the site is current and posts content regularly. Another must is to research the blog owner. Does she have published books? Traditionally published? 

 Is she in the business of writing or a hobby writer? 

Another difficulty is that finding good sites can be time consuming. 

If possible, get recommendations from other authors or writers in your writing groups. 

So, what can you do to ease into this? 

 1. Writing Groups 

Your first order of business is to join a children's writing group. One of the best is SCBWI Society of Children's Book Writers and Illustrators (SCBWI). There are new and seasoned people in the business of writing there who are willing and able to help. This is also a good place to network. 

 2. Critique Groups 

 Next on your plan should be to join a children’s writing critique group. You'll be able to find one in SCBWI.  

3. Writer Conferences 

If you're able, it'd be a good idea to make it a priority to attend a writer’s conference. 

Some of the bigger ones are: 

SCBWI Annual Conferences 

The Highlights Foundation Workshop Retreats 

Blue Ridge Mountain Christian Writers Conference 

Northwestern Christian Writers Conference 

You can also do a search for others. Just be sure to look at dates. I've found a number of sites that list events that are outdated – by years.  

4. Writing Workshops and Webinars 

There are also a number of sites that offer online writing whether workshops, zoom meetings, or others. 

 MasterClass 

SCBWI 

WOW! Women on Writing 

JaneFriedman.com 

WritersDigest.com 

Gotham Writing Workshop 

The workshops and sites mentioned in this article may not all focus directly on writing for children, but they will offer great writing information.  

5. Blogs 

Another source of advice is children's writing tips from children's editors, publishers and agents' blogs. Often, you'll get super-useful tips and information. Find reliable and well-established sites. An excellent one is GoodStoryCompany.com and KidLit.com with Mary Kole. 

Here are a few others: 

Steve Laube Agency 

Caitlin Derve Truby's Writing Studio 

Children's Book Insider  

Writing for Children with Karen Cioffi 

The Write Practice 

Writer's Digest 

Writers Helping Writers.net  

6. Books on Writing for Children  

Below are a few:  

How to Write a Children's Fiction Book by Karen Cioffi 

The Magic Words by Cheryl Klein 

The Business of Writing for Children by Aaron Shepard 

How to Write a Children's Book by Katie Davis and Jan Fields 

Yes! You Can Learn to Write Children's Books by Nancy I. Sanders  

7. Read, Read, Read  

Read writing books and books in the genre you want to write. 

 As you read, pay close attention to the books in your genre. 

What do you like about the book? How did the author convey emotion? How did the author hook you? How were the sentence, paragraphs, and chapters written? How was the dialogue written? How did the story flow? Who was the protagonist? How did s/he grow through the journey? 

Pick up on everything you can.

 8. Industry Standards Matter 

Keep up with the industry standards. What are traditional children's publishers and literary agents looking for? What's being published? What are the standard word counts for the different genres? What books are winning valid awards? 

This matters whether you're traditionally publishing or self-publishing. You want a professional book. One that screams that the author knows what she's doing. 

While the world of writing for children can feel overwhelming, it can also be very rewarding. Take the time to learn the ropes so you can create a publishable book. And, create a time management plan. 

Keep on learning; keep adding tools to your writing toolbox. 

With hard work and perseverance, you can write a children's book that you'll be proud to be the author of and one that will be publishable as well as marketable. 

This article was first published at: https://karencioffiwritingforchildren.com/2021/03/28/the-writing-for-children-ropes-8-tips/

ABOUT THE AUTHOR

Karen Cioffi is an award-winning children’s author, a successful children’s ghostwriter with 300+ satisfied clients worldwide, and an author online platform instructor with WOW! Women on Writing. For children’s writing tips, or if you need help with your children’s story, visit: https://karencioffiwritingforchildren.com

You can check out Karen’s books at:
https://karencioffiwritingforchildren.com/karens-books/

 

MORE ON WRITING

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Writers: 3 Must-Have Tips

Here's a sample of what you can do with Canva

How can we writers come across information to make our lives easier? First stop, organizations set up to help us. In my town, Albuquerque, I belong to the New Mexico chapter of the Society of Book Writers and Illustrators (SCBWI), and our own local Southwest Writers. Both organizations offer conferences, workshops, and resources to help guide our publishing journeys. Second stop, books such as the award-winning How to Do it Frugally Series, by Carolyn Howard-Johnson. Howard-Johnson's books are chock full of helpful information that will keep you on top of what you need to know.

Fellow authors have introduced various companies to me that have become indispensable. Canva, a design company that you can use for free to create terrific-looking banners, posters, and more. The illustration in this post was designed by moi at no charge. Dropbox stores content in the Cloud, offering no size limits, and a terrific way to share your files with anyone. And bitly, a software company that offers transforming long URLs into short ones which you can use in your social media posts. 

Canva

Here’s your chance to be an artist! All for free!

First, create your account, and then explore.

Choices of the types of designs are many, including Video, Presentation, Logo, Instagram Post, Flyer, Resumé, Poster, Certificate, Brochure.

Canva Pro offers a lot fancier types of design, starting at $12.99 for up to five people. Check it out!

I wanted to create a banner—the illustration for this post—and settled on creating a Facebook Cover. It was a good choice because I’ve used this banner in my email signature and other places besides Facebook.

Here’s how it goes: Click on Facebook Cover. Find a background by either looking through templates (on the left side of the page) or uploading a photo from your computer, such as a landscape scene or flowers that you’ve taken. Note: Backgrounds with a crown icon are chargeable. There are plenty of free backgrounds to choose from.

Upload photos from your computer that you want to display, which will be kept in a Canva file and is easily assessable. In my case, I uploaded the front covers of my books, photos of myself, etc. Drag the uploads into your design. They will automatically conform to the size you need. Use the Text button to add a title and text. I added a title to my design at the top of the page. This helps you find it easily in your Canva upload file.

Canva automatically saves your design and adds it to your uploads. I downloaded my designs into a file on my computer. This helped with cropping.

Crop from your download for the correct size of your design: I found that the background was too large for my use. Downloading the file was key. I cropped the design from my download file. If you need to go back to your original design on Canva to make any changes, no problem. Make the changes, and save the file with a new name. The result of my latest design (which I put together today in about 15 minutes, though my upload file was already in place) is the illustration for this post. 

The same design will be used for social media with the addition of my photo.

DropBox

There is a charge for DropBox. I pay $9.99/month. It’s well worth it. At first, I used DropBox to save files in the Cloud in case my computer loses the files. Then I shared files while working with the illustrators for my books. After that I’ve used it in many other ways, such as sharing text files with editors and critiquers, and photos shared for my books, and also photos for my personal life.

Recently, I joined a guitar jam group. We share our songs in a file that everyone uses on their iPad when we meet once a week. The organization of the songs is terrific, with an alphabetical list on the left side, and the piece of music on the right, which you can maximize.

bitly

On Twitter, in books, and in many other places I saw URL addresses using bitly. I didn’t understand what it was for a long time. I decided to Google it and the rest is history. 

Bitly is free, though for more sophisticated users, there is a charge for upgrading the service. But for the need to simply shorten a small number of URL’s, there hasn’t been a charge for me. I have only a few URL addresses I need bitly for, such as my website, my author page on Amazon, and the individual pages for each of my books. It’s a terrific service, especially for giving URL addresses on Twitter.

For quite a while I resisted looking into these types of companies and services. Signing up with, exploring, and learning about them takes time away from writing. But once you start marketing your books, networking, and doing all the other myriad things you need to do to sell books, you find that these types of services are part of writing. Besides, they’re loads of fun!

https://bitly.com 

https://www.canva.com 

https://www.dropbox.com/official-site

DropBox organization
for songs--terrific!

·        Linda Wilson lives in Albuquerque, New Mexico. She is a classical pianist and loves to go to the gym. But what Linda loves most is to make up stories and connect with her readers. Visit Linda at https://www.lindawilsonauthor.com. Sign up for Linda’s quarterly giveaways. Choose your prize! 

Find Linda’s books at https://www.amazon.com/author/lindawilsonchildrensauthor.

Tools for Organizing Your Freelance Writing Business

by Suzanne Lieurance

The better organized you are as a freelance writer, the better able you’ll be to run a successful business.

Part of being organized means having the proper forms, templates, and other items on hand.

Here’s a partial list of the kinds of items you need to run your freelance writing business:

Professional Resume – You’ll need this when applying for writing jobs. Your writer’s resume is a bit different from a traditional resume. Potential clients need to be able to tell, at a glance, if you’re the person for the assignment they have to offer.

Short Professional Bio – Many times publishers will ask for a short bio to run with your articles or to put on the back cover of your books. There are all sorts of other uses for your bio, so it’s good to have this on hand, although you may customize it just a bit each time it’s used. And remember, the bio you send to clients and publishers should be written in 3^rd person.

Weekly Marketing Plan & Work Schedule – With a plan and schedule in place each week, come Monday morning (or whenever your work week starts) all you need to do is follow the plan and stick to the schedule.

Contract and/or Letter of Agreement – A letter of agreement is needed for speaking engagements and author visits; a contract is needed for all sorts of freelance assignments (sometimes the client will provide the contract, but many times you will need to provide it). The more detailed your letter of agreement is for speaking engagements and author visits, the smoother those events will go and the easier (and quicker) it will be for you to receive payment.

Proposal or Estimate Form or Template – When you have a regular form or template to use, it’s easy to write up a proposal or give a potential client an estimate for a project.

Invoice Template – A template makes it simple to invoice clients. It doesn’t need to be complicated. It just needs to spell out your assignment and the terms of this assignment, including how much you will be paid for it and the date payment is due.

Client List – You need to keep track of clients & their contact information, plus other important details that will help you serve them better. Include editors, publishers, business clients, etc.

Query & Submissions List - This is a MUST for keeping track of all the publications you send queries or manuscripts to. You can keep this list in an online file or in a looseleaf notebook—whichever works best for you. I prefer a notebook because I can look through it without using my computer.

Sample Confidentiality Agreement – Some clients may want this, and a template will make it easy to personalize the agreement for different clients. When potential clients ask about your services, let them know you’ll send them a confidentiality agreement for their review before you start working together.

These are just some of the most basic forms, templates, and other tools you’ll need to run your freelance business. Make sure you have these items on hand to keep your business well organized and running smoothly and efficiently. 

Many of these tools are available (free) in our Private Resource Library for Writers when you join the mailing list at writebythesea.com.

As a subscriber, you'll also receive The Morning Nudge.

Suzanne Lieurance is the author of over 40 published books and a writing coach. 

 

What Drives Your Publishing?

By Terry Whalin (@terrywhalin) 

Few people talk about this truth of publishing: it is hard. I’ve been doing it for decades and it is still hard. There is a reason it is called work. Yet thousands of new books are published every day. These books join the millions of books which are already in print. Yes the field involves lot of competition yet there are also huge opportunities for writers.

Since I was a small child, I have always loved and appreciated many different types of books. As I wrote about in the first chapter of Jumpstart Your Publishing Dreams, a high school English teacher pushed me toward joining my high school newspaper and beginning to write stories. It is a path I’ve walked for decades. I have spent (and continue to spend hours) learning the craft of storytelling. I study publications, publishers and agents to learn what they need then deliver it. I continue to build reader and audience connections. I care about the details of editing and understand the need to rewrite (especially if the editor needs something else). I’ve only given a few items in a lengthy list related to publishing. The reality is publishing is a complex business with many twists and turns. I’ve been continually studying it for decades.

As I’ve traveled the publishing journey, I’ve met incredible people and had remarkable experiences. For example, twice I’ve received six-figure advances from traditional publishers. I’ve also been fired and had book contracts cancelled.  I’ve experienced the thrill of success and the dismal feelings of rejection.  I’ve stayed at my computer sometimes all night to keep my fingers on the keyboard and meet a deadline.

Why do it? Why invest such effort into this challenging work which is filled with many “no thank yous” and rejection? My motivation is rooted in my personal experience from years ago. Books change lives and I know this fact firsthand because a book changed my life.  

For the first year and a half I attended Indiana University to study journalism, I rebelled from my Christian upbringing. You can read the details in this magazine article, Two Words ThatChanged My Life. During this period, I wandered in a Christian bookstore two blocks off the campus to look at their cards and posters. I found a book called Jesus the Revolutionary by H.S. Vigeveno (Regal Books). The title and cover caught my attention. This book changed my life and I saw a different side of Jesus than I had ever seen in church. I began a personal relationship with Jesus and changed the direction of my life. Instead of journalism, I spent ten years in linguistics and missionary work before eventually I returned to my writing and my first book was published in 1992. The printed page has the power to change lives and I know it from personal experience. These memories motivate me every day to be involved in some aspect of publishing.

Now that you know my motivation, I encourage you to spend some time thinking about your motivation. Can you capture it in sentence or two? Or maybe like my story, you have an experience about a changed life. Publishing is complicated and full of hard days as well as good one. My motivation to change lives is foundational as to why I fight through the hard experiences and keep on going. What motivates you? Let me know in the comments below.

Tweetable:

What drives you to publish? According to this prolific writer and editor,books change lives. Learn the details here: https://bit.ly/3sLhuEH #writinglife #pubtip (ClickToTweet)

________________________________________

W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets ToSpeed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.