Writers On The Move

Book Review || The Story Within: New Insights and Inspiration for Writers

The Story Within: New Insights and Inspiration for Writers by Laura Oliver, MFA, Reviewed by Deborah Lyn Stanley

Today I’m sharing another one of my favorite, most helpful books. Laura Oliver’s book has done as promised for my writing practice. Writer’s Digest recommended Laura Oliver’s book; I grabbed a copy and spent time reading, taking notes and absorbing Laura’s message.

Laura’s delivery style is refreshing and upbeat. As a published author, Laura teaches fiction and essay writing to university students. We are all fortunate to have access to her instructional messages in this book. The book includes tips, delving into why we write, lessons to go with the flow of your story, the significance of journaling deeper, and guidance for growing skills.

Journaling deeper is my favorite message of Laura’s. I must be more diligent to journal, free write, and dig deeper into the heart of my stories.

The Goal of the book is to build a writer’s confidence and to just begin writing; no need to know the whole story first.

I highly recommend this book. It’s refreshing and empowering with insights that inspire our writers' journey.

Thank you Laura Oliver!

Links:
http://thestorywithin.net/

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Facebook: Deborah Lyn Stanley, Writer https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

www.goodreads.com/goodreadscomdeborahlyn
www.amazon.com/Deborah-Lyn-Stanley/

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Carolyn Howard-Johnson Tells Authors How to Pretty Up Their Review Copies Before Sending Them

So a Reviewer Said Yes. Now What!

By Carolyn Howard-Johnson, author of the multi award-winning

HowToDoItFrugally series of books for authors

Sighhh. I so hate to see an author or publisher send out bare-bones review copies to a reviewer who has committed to reviewing a book.

Here are a few ideas from my newest book from my HowToDoItFrugally Series of books for writers, How to Get Great Book Reviews Frugally and Ethically, to dress that copy up a bit. The idea is to help your reviewer without violating ethics standards.

• Affix a review label to the inside front cover of the review copy you are sending. It should have all your book’s key data: contact information including name, phone, fax, email, and website. This can be done on a 3.5 x 5 inch label. Print enough for your projected needs.

• Enclose a media kit or a help sheet (sometimes called a sell sheet) about your title. It should include your media release. It might explain the benefits of your book or why someone would be interested in reading it and a bio of the author. Include the same information on this as the review label mention above. By doing this, you assure that your reviewer has the information he or she needs and that your name is spelled right. Further, if you include a nice synopsis, you may even be able to influence the reviewer to highlight what you find most valuable about your book.

• Enclose a cover letter stating that this review copy is being sent in direct response to their request and how to reach you if they need any additional information. This information can also go on the outside of the envelope you are using to send your ARC. Do not say that say it is “requested material”, though, unless it is the truth.

• Send the reviewer a brief e-mail and remind him/her of the request and that the copy is on its way. Double-check the address you have at that time.

• Some reviewers, bloggers, and other media outlets use the information you send verbatim. In the third edition of the The Frugal Book Promoter now published by Modern History Press, I advise that your media kit include a review with permission for them to cut and paste exactly as it is. Be sure to give them guidelines for its use from both you and the original reviewer (Midwest Book Review, as an example, always extends permission for unlimited use as long as they are credited.)

• Let your contact know—as part of the letter and the release and even the review slip—that interior art, cover art, and/or author photos are available electronically or as black and white glossies. Make the cover of your book and an author photo available on your website so they can be downloaded in either color or black and white, in either high or low resolution.

• Don’t try to talk the reviewer into an e-copy if he or she request real paper.

Oh, yeah. Don’t forget to send a thank you for the review. Even if you weren’t that charmed with it. It’s a reviewer’s right to say what they want, although I always advise reviewers to tactfully send a book back if they feel compelled to slaughter it.

More About the Author

Learn more about how to make your book into a classic with forever reviews in the, How to Get Great Book Reviews Frugally and Ethically: The ins and outs of using free reviews to build and sustain a writing career. It’s fat, but it has a great index so you can find specific aspects of the review process from managing Amazon reviews to writing reviews of books you love.

Carolyn Howard-Johnson brings her experience as a publicist, journalist, marketer, and retailer to the advice she gives in her HowToDoItFrugally series of books for writers and the many classes she taught for nearly a decade as instructor for UCLA Extension’s world-renown Writers’ Program. All her books for writers are multi award winners including The Frugal Book Promoter and The Frugal Editor including awards from USA Book News, Readers’ Views Literary Award, the marketing award from Next Generation Indie Books and others including the coveted Irwin award. The newest in the series, How to Get Great Reviews Frugally and Ethically, was launched as part of a promotional program to more than 20,000 new readers. All are available in print or as e-book. Learn more at https://howtodoitfrugally.com .

The Foundation of Every Children’s Story

While every story starts with a good idea, that’s not enough to make a good story.

Your idea, while possibly the cornerstone of the creation, is only part of the foundation. There are other elements needed to make a fully developed story.

To give you an example of this, a protagonist wants to take guitar lessons. He does and becomes a good guitar player. Your message is to show children they can do the same.

Why would someone want to read about a character taking lessons to learn to learn to play the guitar or any other instrument?

But suppose something stops the protagonist or gets in the way of the him learning to play.

This gives the story idea substance. It gives it conflict.

Below are the basic elements that create a story foundation.

1. The idea.

As a children’s ghostwriter, clients come to me with a number of ideas. But, they’re just ideas. They’re not stories.

An idea could be a child wants to become an astronaut.

Again, this isn’t a story. But it is a key part of the foundation of a good story.

2. The problem, the conflict.

Every children’s fiction story must have a problem or obstacle that the protagonist has to overcome.

The conflict drives the story.

According to Now Novel, “conflict is at the heart of all stories.” (1)

Going back to the guitar scenario, suppose the protagonist has started and stopped a number of hobbies or sporting activities. Now his parents refuse to invest in a guitar and lessons.

This creates a problem for the protagonist – how is he going to get a guitar and afford to pay for lessons. Or, if he’s a younger protagonist, how will he convince his parents that this activity will be different. He’ll follow through with it.

3. The struggle.

There needs to be a struggle - the protagonist needs to attempt and fail at reaching his goal.

In children’s writing, three is the general rule for attempts. On the third try at achieving his goal, the protagonist finally gets it. He’s triumphant.

If the protagonist gets what he wants in one try, it doesn’t drive the stakes up. It’s too easy.

A reader turns the pages to follow along with the struggles. It’s the struggles that strengthens the connection between the protagonist and the reader. This makes the reader feel like the final victory is his too.

4. Growth.

The story has to be about more than just the initial idea. It has to be about more than just incidents in a story.

Writing coach Suzanne Lieurance notes that, "an incident is simply a series of actions and occurrences in a character's life. But these things don't change the character."

By the end of the story, the protagonist needs to have developed or grown in some way.

- Maybe he becomes wiser.
- Maybe he learns to stand on his own two feet and overcomes what he must to accomplish what he wants.
- Maybe he learns it’s okay to be different.
- Maybe he learns there’s more to him than he thought.
- Maybe he figures out there are things more important than riches and power.
- Maybe he learns the importance of friendship.
- Maybe he learns the importance of being honest.

This list could go on and on.

Character growth is essential to a good story.

5. Be subtle.

Your story should be written so that the reader will see for herself the message you want to convey.

I’ve seen many story endings where the reader is hit over the head with the message.

Let the message be subtly weaved throughout the story. And, know that the reader is savvy enough to get it.

These five steps are the foundation to your children’s story.

Keep them in mind when writing yours.

Sources:

(1) https://www.nownovel.com/blog/kind-conflicts-possible-story/

Karen Cioffi is an award-winning children’s author and children’s ghostwriter as well as the founder and editor-in-chief of Writers on the Move. She is also an author/writer online platform instructor with WOW! Women on Writing.

You can connect with Karen at:
LinkedIn https://www.linkedin.com/in/karencioffiventrice
Twitter https://twitter.com/KarenCV
Pinterest https://pinterest.com/KarenCioffi/

Revision: 5 Tips

“If the path be beautiful, let us not ask where it leads.”
― Anatole France

Now that the first draft of the second book in the Abi Wunder Mystery series, Secret in the Mist, is done, I can get to work. As author Michael Crichton has said, “writing is all about rewriting, which can be depressing, especially when after the seventh rewrite you find that’s still not working.” In other words, “books aren’t written, they’re re-written.”

Most helpful is a study of the charts that Kate Messner has created to use in her revision process. Before I studied Messner's charts, I relied on lists, which is what I’m using for Mist. When I begin the third and last book in the Abi Wunder Mystery series, Secrets of the Heart, I plan to switch over to my own version of Messner’s chart system.

Get the First Draft Down

When I wrote the first book, Secret in the Stars, I spent too much time writing and editing what I wrote, all the way through the manuscript. That process turned out to be extremely inefficient. It made the book take a long time to write. This is what I advise after writing Mist:

Leave your editor’s cap at the door and write your book straight through without any interruptions.
Let the draft sit at least five days.
Do a read-through or general revision, editing for word choice, obvious additions and deletions; in short, anything you see that needs improving.
Let the draft sit.

Analyze your Story: Make a List

Get Organized: First on the list is to take stock of ideas that occur to you while writing the first draft. I wish I could say I made a neat list of my ideas. I didn't. The ideas appeared on whatever paper was available at the time the idea struck. Still, after sifting through the piles of papers in my office, I’m glad I saved them. Examples: Abi hears a faint whistle every time the ghost appears. This "aha" moment came to me while watching a movie on TV and hearing that whistle. I put to use that terrific little scrap of paper.
Another example is my note: “Keep personal stakes high,” a reminder I had heard at an SCBWI Zoom meeting. I began a revision with this in mind, and that pass turned out to be the second major revision.

Create Arcs for each Character

Making character arcs are not only fun and informative, but necessary. I like to make diagrams with brief descriptions of how the characters have progressed and grown through the story. The example I like to use is the thirty-five pages in Book 1 where the dog Star was missing. It was a noticeable gap, which I filled in. In Book 2, I've completed the arc for Angel, an antagonist, who doesn't appear in Book 3.

List the scenes

It is, of course, important to make sure the scenes are varied and interesting. Also, keeping track of the scenes helps you make sure the story is moving forward and doesn't contain any "dead" spots. When Chris Eboch, a professional editor and prolific author who happily belongs to my SCBWI-NM chapter, edited Book 1, she came to a lovely chapter near the end about kittens that the two main characters were given. Here is an excerpt from that chapter. Maybe you can see why I wanted to keep it:

Hidden among the cucumber vines and tomatoes, four kittens of different colors snuggled against

their mother. Bell gave her visitors a warning look as if to say, Shh, don't wake my babies. Can't you

see? They’re sleeping. When she moved her head, the bell around her neck made a soft tinkling sound.

Star sniffed at the kittens and lowered his head, his ears down.

“Bell!” Abi said. Dee gave her a quizzical look. Abi explained, “I didn’t know your cat’s name, so I

called her Bell.”

Dee chuckled. “You’re right, Bell fits.”

“Can I hold one?” Abi asked her.

Dee’s face lit up. “You can have one, each of you. It's my way of saying thank you.” Ryan's bony

shoulders fell to a slouch. “You too, Ryan.”

He shook his head. “Nah, my parents would never let me and Jess both have a kitten.”

A wide smile rippled across Pop's leathery cheeks. “Oh yes they will. Signed, sealed, and parent-

approved. And yes, Abi, your new apartment building allows cats.”

“Oh Pop, really?” Abi rose to the tips of her toes and hugged his neck.

A black and beige kitten with a pink nose stirred. Dee handed the kitten to her. She hugged the tiny

ball of fur to her cheek and felt the kitten’s silky coat. “Oh Pop, she’s beautiful.” She held the kitten out

and Star licked the side of its head.

Pop stroked the kitten with a pudgy finger and smiled. “What did I tell you? Something good turned

up after all.”

But, and that’s a big but, the scene didn’t move the story forward. I had to take the entire chapter out, painful as it was after having a professional photographer take my picture with two kittens at a pet store. The good news is that the photo with the kittens is a fun one for my website, and the chapter can be used in my promo materials, hopefully to help touch children’s hearts.

List Plot Points

For this most important analysis, structure becomes important. I learned how to structure my stories in a fiction writing course I took, which followed Joseph Campbell’s “The Hero’s Journey.”

Make a diagram of your plot points using Cambpell's diagram. Make sure your story has the structure it needs.

Check for Accuracy

Any information included in your book can be true or close to the truth. I mention the Alleghany Mountains in both Book 1 and 2, and made sure the setting was oriented correctly with the mountains set to the west. Many parts of both books needed to be researched for authenticity, such as in Book 1, a sheriff’s and deputy’s uniforms, the color of hard hats worn by different types of contractors; and in Book 2, Quakers who moved from Pennsylvania and settled in Loudoun County, Virginia in the 1800s, studied in order to help shape the personality of the ghost.

Release your book to your beta readers and a professional editor only after it is as polished as you can get it, after you've gone through your checklist of edits. I wrote my December post, “A Story Revision Checklist,” while working on the first major revision of Mist. It is chock full of more comprehensive ways to revise. Today’s post fills in more points I feel are important and wasn’t able to cover in the earlier post. Here is the link to my December post:

https://www.writersonthemove.com/2020/12/a-story-revision-checklist.html.

Sources:

www.chriseboch.com

https://mindwingconcepts.com/blogs/news/6-ideas-to-use-with-wonder

https://katemessner.com/countdown-to-chirp-lets-talk-about-charts/

https://quoteinvestigator.com/2019/01/16/write-book/

Flower photo by: Linda Wilson

Photo with kittens by: https://karinaschuhphotography.com

Linda Wilson lives in Albuquerque, New Mexico. She has two daughters, Kim and Tracy, who inspired her stories when they were younger. Linda is the editor of the New Mexico Society of Children’s Writers and Illustrators newsletter, and has written posts for the Writers on the Move blog since 2013. She is a classical pianist and loves to go to the gym. But what Linda loves most is to make up stories and connect with her readers. Find out more by visiting Linda’s website at https://www.lindawilsonauthor.com.

Six Steps to Finding Writing Jobs and Building Your Business

If you want to actually make a living from your writing and become what I call a "working" freelance writer, you need to know what to do to create a constant flow of income.

Finding writing jobs usually requires several steps.

Here are six steps to try:

Step 1. Start networking with other writers.

Many times, other writers will lead you to writing opportunities that you did not even know existed.

Join a writing club, writer's association, or other organization for writers.

Get to know these other writers.

Also, once you join a writer's group or organization be willing to volunteer for various positions.

You just never know when a volunteer position will lead to a better opportunity that pays.

Step 2. Subscribe to a number of free ezines for writers that feature job ads.

You should be able to find a few opportunities in these ezines each week to get your business started and create some momentum.

After a while, you'll move up to better paying assignments and you won't need to rely on job ads to find new work.

Step 3. Be willing to take on many interesting new projects, even when some of these assignments are things you have never done before.

This is perhaps the most difficult step for most new writers to take.

All too often, they are not willing to step out of their comfort zones and try something new.] As a result, they lose out on better paying assignments that they are qualified to do.

Step 4. Learn to work effectively and comfortably with editors so they are willing to work with you again and again.

Editors can give you assignments on a regular basis once they get to know you, so it's well worth it to be easy to work with, even if you don't always completely agree with every editorial suggestion an editor might give you.

Step 5. Resist the temptation to take on too many low paying assignments because they will take up too much of your time. Time that you could use to find fewer, better paying assignments.

This is another step that many beginning writers have difficulty with.

They get too comfortable accepting low paying assignments and are afraid to go for better paying assignments.

As a result, they never earn a substantial income from their writing.

Step 6. Create your own writing opportunities.

Write proposals, create your own information products for a specific target market, submit queries to magazines and other publications.

The sky really is the limit to your writing business if you will get in the habit of creating your own opportunities.

This may be uncomfortable at first.

But once you get the hang of it, you'll constantly create new opportunities for expanding your business.

Follow these six steps and you'll be on your way to earning a substantial income from your freelance writing.

Try it!

For more writing tips, be sure to visit writebythesea.com and get your free subscription to The Morning Nudge. Once you're a subscriber, you'll also have access to a Private Resource Library for Writers.

Suzanne Lieurance is the author of over 35 published books, a freelance writer, and a writing coach.

A Critical Piece for Every Writer

By Terry Whalin @terrywhalin

Last week I spoke with an author about her book. While she had written the manuscript, she didn't have a “working title.” Another time a writer refused to tell me her title because it was a “secret.” Both of these are extremes but it shows the variety of author responses in this critical area of titles. Whether you are writing a book, a magazine article or an online article, your title will draw readers in seconds. They will either be enticed to read it or move on to something else (not what you want). The words in your title are a critical piece for every writer.

As a book editor--for fiction and nonfiction, I've repeatedly seen the importance of titles to draw the reader to the book. Titles for the book often happen early in the path to publication or on the publisher’s production schedule. Most nonfiction books are contracted from a book proposal, so often the writer hasn’t completed their manuscript. Yet the title needs to be determined for the catalog and sales copy to be created and the cover to be designed.

Titles should be one to five words and draw the reader into your article (enticing). The word limit is particularly important for books because most books are spine out in the bookstore. Your title has to be readable and fit that spine (along with your last name). A number of authors don't work hard on their titles because they believe their publisher will change them anyway. After writing more than 60 books for traditional publishers, I have a different perspective. If I create a terrific title for my book, I've seen it become the actual title for the book—even as it goes through the editorial process (different at every publishing house). My encouragement if for you to create a title along with a series of alternative titles for your book.

I've been involved in hours of title meetings where we have an entire white board filled with titles and are trying to select the right one for the book. What are we working with for this process? Often it's your original proposal. What have you provided the publishing house? Have you provided a single title or a title and a list of alternative titles? As the author, you know your book better than anyone else--and have the greatest passion for the topic. Make sure that passion shows up in your title and alternative titles. It will be significant. When I'm in a title meeting with my colleagues there is one critical person who is not in the room (the author). In your pitch, I encourage you to seize your opportunity to give input with your title and alternative titles.

Publishers work hard at the title--but don't always get it right the first time--and some times they change it in the process. For example, years ago the nonfiction book from Frank Peretti was first released as The Wounded Spirit and the publisher changed the title to No More Bullies. This book has been repositioned in the market with the new title.

Titles can make or break a book or magazine piece. Draw the reader or make them pass on to the next possibility. Put lots of energy toward this detail. Your title might just be the tipping point which makes a difference whether your book idea or magazine article is published or whether it catches lots of attention.

Do you put effort into your titles? Let me know your insights in the comments below.

Tweetable:

Whether you are writing a blog post, a magazine article or a book, there is a critical piece for every writer: the title. Get insights in this article from this prolific editor and author. (ClickToTweet)

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link
). He has written for over 50 magazines and more than 60 books with traditional publishers. His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. Get this book for only $10 + free shipping and over $200 in bonuses. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has 190,000 twitter followers.

Tips for Promoting Your Articles

Keep building your inventory. Rewrite sections of your book as segment posts or short stories. Collect your old writing pieces and rewrite, modify or revised them. Write about new things you learn and ideas you explore. Use descriptive details to make stories & articles resonate, then promote, promote, promote.
Like Carolyn Howard-Johnson says in The Frugal Book Promoter: Recycle your Creative Work!

Marketing and promoting our work is simply sharing what we love and find important with the people who appreciate hearing about it. We’re after attracting like-minded people who need or would enjoy our stories, articles and books. Marketing is not force-feeding: it’s sharing with those interested.

Marketing is about the reader. We need to know to whom we are writing, and what they are looking for. How will our article or book benefit the reader? This guides and helps us deliver our best work.

As a caregiver, I write stories for caregivers that will resonate and help them meet the needs of the day.

Ways to publish:
• Traditional publishing for books, in magazines and periodicals
• On Line opportunities range from Blogging, Websites, Facebook Pages and Videos, YouTube, etc.
   - The best advice I can give is to own your blog and website. Things change. You don’t want your hard work controlled by someone else. Owning essentially means paying for hosting
   - Plus, if you have an email list of readers, you want control of that information
   - If you choose to go the free route, there are several opportunities for websites and blogs available

Metadata is also a vehicle for promoting your work. Metadata is information about your book, the title, sub-title, sales description, categories and author bio. It helps bookstores and online retailers list your work in the best area(s) for visibility per your description. Metadata can also help optimize your website and blog SEO for readers searching for your work.

Find the perfect promo fit for you and your work. That way it will work for you.
To get online attention for your stories, articles and books consider using:
•   Posts on your own Blog Site, your LinkedIn page, Facebook page, or Medium
•   Posts, images and videos on Twitter, Facebook, LinkedIn, Instagram, Pinterest and more
•   Podcasts on iTunes, Sound Cloud and various audio platforms
•   Free webinars or collaborative summits
•   Newsletters and email blasts

Readers want personable, well-written works they can relate to, and find beneficial.
Write from the heart first, then polish for publication.

Book List:
*Successful Self-Publishing—How to Self-Publish and Market Your Book, by Joanna Penn
*The Frugal Book Promoter—How to Get Nearly Free Publicity on Your Own… by Carolyn Howard-Johnson

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/
Visit her caregiver’s website: https://deborahlyncaregiver.com/
Mom & Me: A Story of Dementia and the Power of God’s Love -- on Amazon

Facebook: Deborah Lyn Stanley, Writer https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour