Positioning Mom

Over the past three months my geographically-challenged mind has received a fresh set of eyes. Actually three sets.

It is a family joke that Mom can get lost anywhere.

Only a couple of months ago, I wasted over an hour trying to negotiate my way between the slacks section of an average-sized clothing store and the fitting room. Each time I arrived at one point, I lost my bearings to return to the other.

When my family learned of my pending book tour, as well as an increasing number of speaking appointments, they decided the time had come to address the problem.

The first phase came the day after a major car accident. We were at our eldest son's home about four hours from our own. He set up a GPS on my cell phone. I learned the initials GPS stand for Global Positioning System. Satelites in outer space would track where I was in the grand scheme of things. He showed me how to insert my desired destination into the gadget and explained that it would not only tell me how to get there, it would also show me the way home. This, he felt, was becoming increasingly necessary.

I hasten to explain I do not, as far as I know, suffer from senile dementia or Alzheimer's. I simply switch off and don't pay attention to my surroundings. I have a husband who never gets lost—so why do I need to pay attention? Unfortunately, he isn't always with me.

The following day, my husband and I set out for our home town of Port Elizabeth. Eager to experiment with our new toy, we set the cell phone to tell us how to find our home address. Sure enough, a pleasant sounding lady spoke out from my phone, telling us to turn left at the next corner. From then on, she gave us clear directions.

Once we got over the spooky feeling of being tracked by 24 satellites, we enjoyed knowing that "someone" knew where we were along the lonely South African highway.

The first hitch came when we turned off the national road to take a short bathroom break and drink some coffee. Our cell phone lady took it in her stride, however, telling us that she was "Recalculating . . ." A few seconds later she said, "Turn left and then turn left." That would get us back on track.

When we arrived in Port Elizabeth, we made a slight detour via the police station to sign forms in connection with the accident. I shoved my cell phone into my purse and we walked into the offices. As a tall policeman came up to greet us at the counter, his eyes widened as a bored-sounding voice announced, "Make a U-turn—now!"

One of the problems with using a GPS on a cell phone!

As writers, do we really need a GPS?

  • As writers we often get asked to speak or to attend a book signing in an unknown location. If you're like me, it doesn't even help if you live in the town. If it's a few miles from home, you've had it. 
  • As writers, we're regarded as professionals. The last thing we want to do is arrive at our location an hour late because we got lost along the way—even if the host's directions were faulty, as once happened to me. (No, I wasn't an hour late, but that was no thanks to her wrong directions that had me touring the suburb before getting directions from a passerby at a shopping mall.)
  • If you come across road works and need to take a detour, you can end up completely lost. The beauty of having the GPS on your phone is that even when you didn't anticipate needing satellite navigation, you're likely to have your cell phone with you. If you're on your own, pull over and enter your destination into your phone system. Then get instructions before you get even more lost. (I know you wouldn't use your cell phone while driving.)
  • If you're traveling alone, you can't drive as well as juggle maps and possibly a flashlight. Then again, if you're travelling alone you don't want to rely on a GPS on a cell phone. Maybe investigate other options, and read next month's thoughts on the topic.

How about a GPS for our writing?

  • Always carry a small notebook. You never know when you're going to want to jot down phrases, descriptions, words or even ideas before they get lost in your ever-busy mind. The notebook, plus a pen or pencil, needs to be small enough to slip into a purse or pocket. Unlike the cell phone GPS, you need to transfer the information to whatever form of storage you prefer (journal, notebook, computer file, etc) as soon as you get home.
  • Every publication, genre, or publishing house has its own GPS: its very own guidelines. Follow the instructions closely if you want to be sure of arriving at your publishing destination. Otherwise your prize-winning article won't even reach the slush pile.
  • You may be in familiar territory and think you can manage without the guidelines. Keep them available, and check in from time to time. The beauty of a GPS is if you go off track, it will help you find your way back onto the correct route. The guidelines do the same. But you can waste a lot of time by driving / writing blindly without following instructions.
  • There will be other occasions when you'll need to use your own initiative and intuition. In The Office, Michael Scott drives his car into a lake, because he's determined to follow instructions. (http://www.youtube.com/watch?v=BIakZtDmMgo) That's taking guidelines way too far.
I am grateful I now have a GPS on my cell phone. I haven't yet had to use it to find my way home from some obscure location, but I'm sure that's just a matter of time. Meanwhile, if you know of one I can use inside a department store, I sure would be grateful.

Please come back same time, same place, next month, and read Phase #2 in the GPS saga:"Driving Mom Right."

OVER TO YOU: Do you have a GPS on your cell phone? If so, do you love it, hate it, use it? If not, do you think it might be a good idea?

SHIRLEY CORDER lives a short walk from the seaside in Port Elizabeth, South Africa, with her husband Rob. She is author of Strength Renewed: Meditations for your Journey through Breast Cancer. Shirley is also contributing author to ten other books and has published hundreds of devotions and articles internationally. 

Visit Shirley on her website to inspire and encourage writers, or on Rise and Soar, her website for encouraging those on the cancer journey. Follow her on Twitter or "like" her Author's page on Facebook, and now that she has a GPS, she may even follow you back.

All Those Little Ideas


This last week I made the decision to "spring clean" my office, even though, in Arizona we are well into the summer already. Clutter be gone, I'd decided. Which meant it was an opportunity to review and organize everything. I always think this effort will take a few hours and then I open one drawer in my desk. We'll call it my idea drawer. It's where I keep the short stories I've written, but never rewritten, the snippets of conversations I've overheard at the store, the coffee shop or the park I've jotted down on receipts, napkins and envelopes. And suddenly, the moments turn to hours as I realize the wealth of  wonderful material I've squirreled away.

As a beginner, I remember experienced writers telling me not to throw any of my writing away. They told me to carry a notebook and pen and write down the ideas. Even after decades of writing stuff, I still have challenges remembering to write the thoughts down. I'm not always consistent. In fact, just the other day I came across an article in a journal. I read it in between some work I needed to get done. Now sitting here, I can't for the life of me remember what it was I'd read, and worse yet, what my amazing idea for a novel was.

Here are some tips to keeping and organizing your ideas:

1. Carry paper and pens, use the recorder in your phone, or find a really great electronic notebook to use to put your thoughts down.

2. Organize your thoughts into folders. Your files might be titled conversations, metaphors, and ideas for pieces.

3. Keep these files at your fingertips for ease of retrieval, whether it be in electronic format or paper.

4. Review whenever you find yourself stuck. You might not find what you are looking for, but you just might realize how creative you are and that might push you through.

______________________________________

D. Jean Quarles is a writer of Women's Fiction and a co-author of a Young Adult Science Fiction Series. Her latest book, Flight from the Water Planet, Book 1 of The Exodus Series was written with coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.  

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook



What is a Sidebar?

by Suzanne Lieurance

Many new freelance writers are confused or intimated by sidebars. But that’s usually because they just don’t understand what a sidebar is and what its purpose is.


What Is a Sidebar?

A sidebar is nothing more than a separate companion piece to a main article in a magazine or newspaper. Usually, a sidebar is set in different typeface from the main article, to set it apart. It may be boxed off and appear at the beginning of the article, within the article, or at the end of the article. A lengthy main article can even include several sidebars, if necessary.

What Is the Purpose of a Sidebar?

A sidebar can be used for several reasons. First, a sidebar can be used to encourage the reader to read the more detailed main article. For example, a sidebar can be made that lists the major points of the main article or asks questions about information that will be given in the main article as a way to entice readers to read the entire main article.

A sidebar can also be used to provide additional information that relates to the main article but doesn’t quite “fit” in the article itself. For example, if you write an article about healthy eating, and the article includes recipes for a week’s worth of healthy meals, a sidebar could be created from a list of ingredients needed to make these meals. The sidebar would be, basically, a shopping list for the reader.

Other Reasons for Sidebars

A sidebar also serves to make the information in the main article easier and faster for the reader to read. To keep a main article from being too lengthy or too complicated, the writer might include one or more sidebars that give additional information without overwhelming the reader. Since the sidebars should make sense on their own, readers can learn a lot from reading ONLY the sidebars to an article. In fact, many readers do read just the sidebars.

Here are some tips for creating a sidebar.

• List additional resources that relate to your main article in a sidebar.

• Create a sidebar with quotes from experts on the topic or main idea of your featured article.

• Create a sidebar to explain procedures mentioned in your main article. An article about quick & easy foods to serve at parties might include a sidebar with the recipe for a quick & easy party dip, for example.

• Create a quiz. An article about healthy eating might include a sidebar quiz called How Healthy Do You Eat.

Editors LOVE sidebars because they can make featured articles more interesting, more detailed, and more helpful to readers.

Now that you know all about sidebars, be sure to include a sidebar idea with your next magazine query.

Suzanne Lieurance is a full time freelance writer, author, speaker, and writing coach. Get your free subscription to her Morning Nudge for writers now at www.morningnudge.com.




A 'Not to Miss' JV Opportunity: List Building


This is a special Joint Venture (JV) opportunity for those who want to build their health and wellness lists, and have the opportunity for prizes and more. I joined for my site Health Tips to a Healthier You list and already started getting new subscribers.

Here are the basic details:

Stephanie Mulac, Carolyn Hansen, and Joe Rubino just unleashed the flood gate on their Healthy, Wealthy and Wise Gifts 3 list building launch and it’s really worth joining.

Last year this FREE list building event averaged hundreds of new subscribers for their JV Partners... and it attracted a record 27,000 members!

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This is a no-brainer that has NO risk. This is one list building opportunity you shouldn't pass on if you have a health and wellness site.

TO JOIN NOW: CLICK HERE

Here's To Your Summer of Success!

Karen

P.S. I do NOT get an affiliate commission for sharing this with you or if you sign up. It's just a great opportunity and worth sharing.

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If you haven't yet, please sign up for The Writing World newsletter (top right sidebar).

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ACX Update and a n audible.com Tutorial

The last known activity on both books - State of Successes and Finally Home - was that the books were submitted as finalized by me on June 4.  The note you get from ACX is that they have to validate the books.  I searched the site, al the FAQs and every place I could think of to search for the answer to the question, how long does it take to validate and go live with projects?, to no avail.  I finally emailed support and was given the answer of it takes 10 to 20 days to validate.  Suffice it to say, the process can be longer on their part than on the author's part once all the edits and revisions are made. 

Overall, if you are planning on going the audio book route with any or all of your books, expect the process from finding a narrator to approving and validation by ACX to take up to 3 months or longer, depending on the length of the book, the amount of editing/revisions needed, and of course the time you have to dedicate to get the book out there in another format. 

I did email my narrator for the state book to let her know that I had posted on my blog about the books, et cetera and she did get back to me stating that she has told all her friends and family, a good many of them who are teachers, and the responses so far has been that everyone is anxiously awaiting hearing/reading the books in the series.  I've also posted in several places about the books going live soon.  I hope this will generate some interest and that the series will start picking up.

I will start the process for another state book once the first one goes live, so hopefully before the end of June, State of Wilderness will be on its way to the narrator and by end  of August or the first part of September should go live barring any complications on my end. 

I know once the books go live they will be available on amazon.com, audible.com, and itunes.  Audible will set the retail price and the price will vary from all three depending on whether discounts are offered to members or if each site decides to price differently.  Remember that there is a good bit of work that goes into producing an audio book and that is why the price can be a lot more than print or ebooks.  The coolest thing about the audio books is that if you have a kindle (and this is true for all of them, not just the newer ones out) you can buy the ebook and the audio book and listen and read while the book is actually being narrated.  So for those of you who like both sensory stimuli, you can as long as the books are available in ebooks.  In the case of my state books, they are only available as print books and soon to be audio books for now.  Maybe when I get a sponsor or have more books out in the series, I will consider putting them up as ebooks.

How audible.com works:  Audible.com is a subscription service.  Basically, you sign up, start an account, pay the monthly fee (when I registered and started, my fee was $7.49 for the first 3 months and then will go up to $14.95 thereafter) and earn credits that are good towards the books available.  What I've seen so far in searching for various books in various genres is that no matter what the retail cost of the book you can get the books for 1 credit (which is basically your month's credit).  I picked up The Help which is an 18-hour+ recording for 1 credit while it retails for $26.60 and is available to members without credits for $18.62. As you can see, I got a $27 retail book for $7.49 or my 1 credit for the month of April.  Audible.com also runs specials like in April it was purchase qualifying books for $4.99 (I think you had to buy 4 during the 2-week period) and receive extra coupon monies (I don't remember what I purchased during that special deal but I have available to me 2 credits (May and June monthly member payments) as well as a $10.00 coupon.  I don't know if once my books go live that they will be automatically put in my library or if I have to "purchase" them or what, but once I know that, I will let you all know.

I hope my little bit of insight into the overall process of producing audio books has been helpful to all you authors out there who are thinking of going this route.  E :)

EARN TWO CHANCES FOR THE CROCHETED RED/WHITE/BLUE AFGHAN DRAWING:  For everyone who comments on this posting or any posting on either of my blogs (see below for links) between now and the end of June, you will receive 2 entries in the afghan drawing which will be done December 1, after all my events are completed for the year.  The chances normally sell for 2/$1 or buy a book and receive 5 chances, but I will put everyone's name who comments in the drawing.  Please make sure you provide me with an email address to be able to contact you for information on where to send your chances and/or afghan if you are the lucky winner.  Good luck to all.  E :)

--------------------
Elysabeth Eldering
Author of Finally Home, a middle grade/YA myster
Elysabeth's Blog
Elysabeth's website

Author of the Junior Geography Detective Squad (JGDS), 50-state, mystery, trivia series
Where will the adventure take you next?
JGDS blog
JGDS website

Guest Post: Sharing Your Life Story - Creating a Memoir



Memoirs: They’re Not Biographies by Dennis Milam Bensie

I just returned from the Saints and Sinners Literary Festival in New Orleans where I was a presenter. I, along with a couple of dozen other writers, was given the opportunity to do a ten minute reading from one of my published books (you were timed and honked if you went over ten minutes). 

This was a big weekend for me because I had never been to the three day festival, which took place at the famous Hotel Monteleone on Royal Street. The hotel was the perfect setting for a writing conference because it had been a hub of literary personalities. The literary guest list also included Tennessee Williams, WIlliam Faulkner, Ernest Hemmingway and more recently Ann Rice and John Grishman. Truman Capote claimed to have been born in the Hotel Monteleone (a fact that was disputed; his mother was merely pregnant with him while living in the hotel).

I write memoirs. Most of my short stories could be considered memoirs. One of the many panel discussions I attended at the festival was called From Life to the Page: Turning Memory Into Narrative. I took many personal notes during all the seminars last weekend, but the most important notes I took came from quotes I heard during this memoir driven class.

“...All memories are fiction.”

It’s true. Everything you remember is fiction because it is your unique perspective. Your memory of an event is as individual as a fingerprint. Truman Capote probably wasn’t intending to lie about the site of his birth. Is it too much of a stretch for the Capote to think he was born in the symbolic hotel? It’s a better image to think of him being born at the Monteleone, rather than in a nearby hospital. A writer of memoirs has permission to rethink the literal usage of the word “born”.

“...Worry about the truth. Not the facts.”

A memoir is not to be confused with a biography. Facts are sometime crucial but should not completely dictate the Art.

The two quotes I list completely resonate with me as a memoir writer. I am sometimes asked how I can write more than one memoir. It’s not that I have had a long life of travel and adventure. It’s tone, style and perspective on certain events that give birth to memoirs, not merely where I was and what I did on a certain day.

Another thing that was discussed in the memory discussion from Saints and Sinners was that sometimes the best writing can spring from the smallest of events. Its possible to write a wonderful memoir story from something as simple as watching your mother brush her hair or the neighbor child tying their shoe. It’s not always necessary to know what Mom’s hair or the kid’s really looked like in memoir writing. Save the facts for the biography.

I wrote my first memoir, SHORN: TOYS TO MEN more linear in style. Everything ties together without any breaks in the book’s theme. It’s approach to storytelling reads like a fictional novel. Not to say that it reads as untrue or false. I use an emotional tone to tell the story of growing up with abuse and mental illness. 

ONE GAY AMERICAN,  my second memoir, proved challenging. The book is a bunch of vignette’s about my life growing up gay in the USA. In a few passages I told the reader the same story from SHORN. But it was my job to write the overlapped stories in a different way for each book, despite the fact that the facts were the same. 

One of the biggest story overlaps in both of my memoirs surrounds my three year marriage when I was nineteen. I couldn’t just leave it out of the second book because I already wrote about it in the first. 

I spent a simple paragraph or two in SHORN talking about giving my wife a heirloom bride doll for our wedding. My approach in ONE GAY AMERICAN was to be more poetic or symbolic and concentrate on smaller details of the event. I got to elaborate and write more about what the doll meant. It turned out I was able to expand and turn the story of the bride doll into a whole vignette of it’s own in my second memoir using metaphors and other dramatic techniques that I didn’t bother with in the first book.

My biggest advice for someone who wants to write their memoir is to
find a great style of storytelling that suits your life and what you want to say. Try an experiment: 

Take one event or fact and write three treatments of the same story trying to make it as different as possible each of the three times. Don’t worry so much about the facts: worry more about what you want your reader to remember when they finish your story. A good memoir will stay with it’s reader a long time after the last page is read and inspire them to think and feel rather than teach them facts or information.

I happen to choose as my reading selection for the Saints and Sinners Literary Festival the haunting chapter from ONE GAY AMERICAN about the heirloom bride doll. I was impressed that all the memoirists that read from their books each had very different styles of telling their personal stories.

I wonder if Ernest Hemmingway or Tennessee Williams worked on or ever read their memoir at the Hotel Monteleone. The two author’s styles are, no doubt, very different. 

(Dennis Milam Bensie reading from ONE GAY AMERICAN at the Hotel Monteleone on Sunday, May 26, 2013)


About the Author: 
Dennis Milam Bensie grew up in Robinson, Illinois where his interest in the arts began in high school participating in various community theatre productions. Bensie’s first book,  Shorn: Toys to Men was nominated for the Stonewall Book Award, sponsored by the American Library Association. It was also a pick in the International gay magazine The Advocate as “One of the Best Overlooked Books of 2011″. The author’s short stories have been published by Bay Laurel, Everyday Fiction, and This Zine Will Change Your Lifeand he has also been a feature contributor for The Good Men Project. One Gay Americanis his second book with Coffeetown Press and it was chosen as a finalist in the Next Generation Indie Book Awards and the Indie Excellence Book Awards. He was a presenter at the 2013 Saints and Sinners Literary Festival in New Orleans. Dennis lives in Seattle with his three dogs.

You can find out more about Dennis Milam Bensie, his memoirs and World of Ink Author/Book Tour at http://tinyurl.com/lhtvxyt

Inexpensive Gift Ideas for the Literate Dad



Are you floundering over what to buy for dad this year?  I always buy books for my father (my mother too) - and this year is no exception.  Just knowing that I can pick something that fits his taste, and at the same time provides him with much needed relaxation, pleasure and intellectual stimulation is enough incentive for me to keep getting the same type of gift each year.  If you're wondering what to buy, books are great gift ideas and personalising your choice to your dad's taste is really thoughtful. 

If Dad isn't a big reader, then nonfiction is a pretty safe bet. You can buy manuals, guides or coffee-table books on almost any topic.  Biographies of people Dad admires or people from historical periods that Dad is interested in are also good.  If in doubt, go for award winners.  This year's National Book Critic winner for biography was Robert Caro's The Passage of Power: The Years of Lyndon Johnson.  This year's Pulitzer Prize winner The Black Count: Glory, Revolution, Betrayal, and the Real Count of Monte Cristo by Tom Reiss.  I think either of those would be a hit with most fathers - even those who don't normally hunker down with a book.   

For fathers who enjoy reading, you could do worse than picking an award winner in whatever genre they like.  for example, I got my own dad, a sci fi fan, the novel 2312 by Kim Stanley Robinson.  The book won the 2012 Nebula Award for Best Novel and the plot summary sounds like it's just up his alley (normally I pre-read the books I send him, but haven't read any sci fi this year). Why not tuck in (perhaps instead of a card), a poetry chapbook as well to really stimulate Dad's literary imagination.  Imagining the Future: Ruminations on Fathers and Other Masculine Apparitions is the book of poetry I co-authored with Carolyn  Howard Johnson and can be either purchased as a super-inexpensive e-greeting card or sent as attractive paperback. To get you in the mood, here's a poem from the collection:

Horizon Scanning


Your eyes squint at glare
wavering between dreams

imaginary lines
or clear delineations

from this point
it’s not possible to judge

take a stand from your degraded platform
speaker’s corner cardboard soapbox

microwave radiation
blocking your ears

you can shout your head off
until everyone gathers

it won’t change reality
or will it?

28 billion light years
one edge to the other

there you are
explorer without a map

scratching your head
the horizon problem flakes those broad shoulders

Atlas in messy hair
and bell bottoms

every mystery you solve
invokes another.

What are Project Mood Boards and Why Do You Need One?

by Suzanne Lieurance When submitting your manuscripts for possible publication these days, you’ll probably find that many agents and editors...