Writing, publishing, book marketing, all offered by experienced authors, writers, and marketers
National Novel Writing Month (NaNoWriMo)
Writing and Marketing with The Muse Online Writers Conference
While you might be thinking you can't afford a week-long conference, you'd be wrong.
The Muse Online Writers' Conference is absolutely FREE!
Whether you're a newbie or your experienced, whether your book is published or your just writing it, whether you're going the traditional route or the self-publishing route, there's something in this conference for you.
I co-instructed a marketing workshop last October with Maggie Ball and the attendees got some great information that they were able to use right away. All the workshops are geared to help you move forward.
The conference starts October 8th and runs through the 14th. So, if you're not registered yet, do it right now - the extended registration ends September 30th. Don't dilly-dally.
Just click on the link (registration is on the left sidebar):
http://themuseonlinewritersconference.com
Hope to see you there!
~~~~~~~~~~
To keep up with writing and marketing information, along with Free webinars - signup for The Writing World newsletter on the right top sidebar!
Karen Cioffi
Multi-award Winning Author, Freelance/Ghostwriter, Editor, Marketer
Writer’s Digest Website of the Week, June 25, 2012
Karen Cioffi Professional Writing Services
http://karencioffifreelancewriter.com/karen-cioffi-writing-services/
Jumping Head First into Publishing
Book signing Franklin Arts Center, Brainerd, Minnesota |
When was the last time you backed up your WIP?
What is Good for the Goose........
As a writer and full time nurse, wife, mother, grandmother, daughter, sister, friend, volunteer, aunt, and did I say grandmother ..... that my own writing performance might be improved by my own advice. The typical tips I offer parents are summed up in three points:
- Eat a healthy balanced diet
- Get enough sleep
- Don't over-schedule your child... allow your child to be a child.
When I am in the writing zone I may often just grab a few chips and a soda so I can keep at it. Would I not be more productive if I ate three times a day and had a fruit for a snack? It would get me moving so the muscle stiffness would improve and I can't believe that I might not actually have more energy.
And how about that sleep thingie? Working full time leaves me with many late hour nights to catch up on the writing. It is a five hour night of sleep more often than not. I am finding that working more hours with less sleep is not helping my productivity as much as one might think. Instead, I am rushing through some of the emails, social sites, or marketing items and calling it a night without finishing any productive writing because my mind is too tired to do anything more than flip through to see what others are doing and making a comment or two.
And the advice on over scheduling is a fact. If I am too busy with too many things, I truly don't do any of them well nor do I feel productive. If I am honest and look at my three major writing goals for the year many of the activities that I do online and otherwise may not be in my own best interest as a writer. Some of the social activities certainly don't always move my writing forward and that can be said for some of the volunteer jobs I do as well.
My new advice then must include these three things if I am to finish the year meeting some of my goals.
- Eat and exercise for overall health
- Get more sleep by doing less social media and marketing. After all if I never get those projects done there really is nothing to promote.
- Avoid overschuling, especially with the holiday season approaching. Less committments will hopefully leave me open to do more solid writing. More solid writing means more production and maybe a finished product to promote by the end of the year.
How about your writing goals for the rest of 2012? Are you following the advice you give to your students or your clients? Is your time being well spent on your writing goals or do you need to reconsider what is good for the goose?
Terri Forehand writes from her home in Nashville Indiana in the hills of Brown County. She is the author of a prayer book for those with cancer and a soon to be released picture book for kids with cancer. She does book reviews for kids and adults, and does a variety of editing tasks for several online sites. Visit her at http://www.terriforehand.webnode.com or http://terri-forehand.blogspot.com
A Little "Sniff"
The Lazy Way To Be A Great Writer
Guest Post By Dr. John Yeoman
Have you ever yearned for just one simple formula that will help your stories glow with magic and resonate with depth?
If everybody knew the secret, everyone would be a best-selling author - or rather, nobody would, because the formula would be a cliché. So it’s important that only you and I know this. Will you give me your solemn word that you will tell no one what I am about to reveal?
I can see your eyes narrow. Your lips are widening in a skeptical smile. What, you don’t trust me? I feel intensely hurt. After all, I don’t have to tell you. I’m simply trying to pass on to you, in good faith, what I have learned from judging more than 3000 entries at my Writers’ Village story contest these past three years.
How come some won cash prizes and others didn’t? Why did many hundreds of stories, otherwise excellent in their craft techniques, fail by a whisker?
The secret is worth the wait.
Trust me, I speak from 42 years of pain as a commercial writer. Yet you’re still not sure about me, are you? I can see you leaning back in your chair, fidgeting. I can almost hear you thinking: ‘Will my ‘secret’ be all puff, no punch line?’
And have you read the secret before?
Of course, you have. The ‘secret’ was in the structure of my last three paragraphs. And you’ve just read those paragraphs!
Please let me explain. A competent story might include sparkling dialogue, strong conflict, well chosen words, firm structure and a satisfying close. Yet still it can fail. Why? It lacks depth. The reader is not emotionally engaged in the ‘hypotext’.
Sometimes called a subtext, the hypotext is the story beneath the story. It’s what’s going on, privately, in the characters’ thoughts and feelings.
A simple formula
A passage with hypotext classically has three steps:
1. What is spoken or done (Dialogue or Action)
2. How the key character in the scene thinks and feels about that (their immediate Response)
3. What other characters think and feel about it at the time.
A competent author will have no trouble with steps one and two. For example:
‘“You’re wrong!” I said. Was I about to be charged with murder? I felt my mouth go dry.’
The narrator’s words have been dramatised by body language, reflection and emotional response. That’s fine, so far as it goes. However, few authors segue into step three: show how other characters in the scene are responding to that incident.
‘“I don’t think so.” Riley leaned forward, thrusting his grubby face within an inch of mine. His breath was a stewpot of garlic. “You left your fingerprints everywhere.”
The rookie behind him opened his mouth, startled. He looked at Riley then silently shook his head at me. My mind went cold.’
That may not be great writing but it has depth. Now we can feel the interplay of emotions in that room and know or suspect every character’s unspoken thoughts, the hypotext behind the surface narrative.
Read any good story that emotionally engages you and it will be underpinned by some variation of that formula. The better the writer, the more creatively they hide it. (Any passage of dialogue by Kathy Reichs is a master class in creative hypotext.)
Use the formula with any point of view (pov)
If your story uses an omniscient narrator, you can dart in and out of your characters’ minds at will. (That said, you might want to conceal their thoughts at times or deliberately mislead the reader.) Then the 3-step formula is a snap:
Action or Dialogue|Emotional Response of Key Character|Emotional Responses of Other Characters
But what if you’re telling the tale from a first-person pov? How can the key character - or reader - plausibly know what another character is thinking? No problem. Let them speculate.
‘Detective Riley was due to retire soon, I’d heard. It would crown his career to lock me away. His eyes gleamed like a cat playing with a sparrow. I was innocent. He knew it. And he didn’t care.’
Or the reader can draw inferences from a character’s actions or body language.
‘Riley lumbered to the window, turned his back on me and gazed at the Denver skyscape with every appearance of contentment. His body shook. He was laughing.’
Keep that 3-step process going throughout your story and the reader will be emotionally engaged whether or not they like your characters. They will feel the emotional tensions in every scene as if they were physically present. And your story will acquire depth.
That’s all there is to it. Truly. Just don’t tell anyone...
Dr John Yeoman, PhD Creative Writing, judges the Writers’ Village story competition and is a tutor in creative writing at a UK university. He has been a successful commercial author for 42 years.
Abstract
The article reveals a simple 3-step process that can add instant depth to any scene. While most competent authors know the first two steps, very few understand step 3 - the secret that can turn a mediocre story into a great one.
More on Writing
Writing Goals, Detours, and Opportunity Cost
The Many Faces of Murder
Submitting Manuscript Queries - Be Specific and Professional
Beginning Writers Do Get Published
By Terry Whalin ( @terrywhalin ) Over the last 20 years Greg Stielstra, author of Pyromarketing , marketed hundreds of Christian books inc...
-
Contributed by Margot Conor I started looking for alternative platforms for my creative writing process. Moving all my projects is a dau...
-
Contributed by Karen Cioffi You may be an author or writer who takes the time to comment on other websites. This is an effective online mark...
-
by Suzanne Lieurance Many new freelance writers are confused or intimated by sidebars. But that’s usually because they just don’t understa...