Writers On The Move

When it the best time to build an author platform?

There seems to be differing opinions about when or even if authors need a platform.

I cannot stress enough that with today’s digital world, the state of publishing, and the number of books written per year, the time to build a platform is before you begin writing your book.

Disagree if you wish, but publishers ask authors about their following, promotion, and willingness in helping market their book.

How do authors accomplish this? By the use of platforms, such as blogs, websites, social and network marketing, book signings, and the author finding bookstore shelf space on their own.

Publishing is no longer, as it was in the past. It is up to the author to be a publicist, marketer, and promoter for their book; or hire someone for all of this. Hiring someone is the easy way out for authors, but also expensive. Most authors cannot afford the cost of an agent, publicist, salesperson, and marketer, which would run thousands of dollars.

This leaves the author to do it all. Build a blog about your book project keeping the potential reader up to date with how the book is advancing. Build an authors page, use social media, make regular updates, and make a trailer for your book.

I may repeat this information, but it is only to stress that in today’s publishing environment, more is up to the author than ever before in publishing.

Many authors are opting to self-publish for more control over price and format. The author’s ability to create digital books for readers, and having their book edited by publishers in ways that go against ways the author intended the book. There have been title changes in publishing houses, changes from book to movie, and more.

Authors should have their book published the way they wrote it.

Robert Medak

Freelance Writer/Blogger/Editor/Reviewer/Marketer

http://www.authorsden.com/robertmedak

http://rjmedak.wordpress.com

http://twitter.com/freelancewrtr

If You Are a Writer, Do You Set Boundaries?

Setting boundaries is one of the most difficult tasks for me personally and I am betting it can be difficult for others striving to become published writers too. At this time I continue to work 60 hours every two weeks as a critical care nurse while trying to balance and build my writing career. I know other writers who must also supplement what they really want to do with what really pays the bills.

I know that I have to set boundaries with family, friends, and my employer, but I also need to set boundaries for myself so I avoid distractions like television, social media, and other activities that do not move my writing forward.

What about when you finally get a really good paying writing gig but it isn't exactly what you want to write about and there isn't time in your schedule to fit it in and do a good job? That is happening to me right now. It is good that I have clients contacting me but boy sometimes I don't feel ready.

This is what I am learning from this newest writing saga.

Think about the time it will take to do the job and be realistic and honest about your ability to finish it.
Be willing to miss activities, family time, and tolerate a less than spotless home. If you cannot do these things the assignment might not be right for your present situation.
Be honest with the employer and be flexible if they are willing to do the same. If you know in your heart that you cannot do the employer a great service, it may be better to decline with grace and leave your contact information for a later project.

The pay rate and timing for reimbursement for services is slow in coming, for most of the clients I work with it seems to be 30 to 45 days or longer allowing for revisions and final acceptances. This can be a long time for those who still need money on a more regular basis. It can be a writing goal to put money aside for these long times between paydays but in the mean time many of us keep our day jobs.

Writing is something we must to do as authors.... so to make life less stressful we can learn to set and abide by boundaries, be disciplined in using the time we have to be productive, and to also take time to relax and refresh. If we can manage all of these ideas it may just mean that we are writers.

The Write Setting

A few weeks ago, I found myself able to getaway from the heat of Phoenix, Arizona and dashed to Lake Tahoe for a restful weekend. For me, restful means fun-filled days of long hikes. This photo was taken high above the Echo Lakes. Lovely.

Coming out from our extended walk via a boat, we passed a nice little island, where a cute cottage nestled with a deck that extended all the way to the lake. A beautiful golden retriever sat at the edge, guarding his master, a women who sat writing. Oh, the writer's life.

Since that moment I haven't been able to get that woman out of my mind. Imagine a setting like that in which to write. Yet, when I consider where my writing really gets done, I must admit it isn't when I'm in that type of environment. Often my husband and I have secreted away, he to fish and me to write in some wilderness area. I always go with such good intentions, but never seem to be able to concentrate - to work. The muse escapes me.

I've heard others speak about how invigorating it is to write in coffee shops. While I love the interplay of people surrounding me, my muse is always AWOL there, too. I generally gravitate to coffee shops when my work is in the editing stages - a time when my creativity isn't quite as crucial.

No, for me, the best writing has always been done in my office. A room of rich rose color that stimulates, but not so much that I can't focus. A place where my special things are nearby if I need them, but have become a part of the background, so they don't intrude.

I have tried many other places to find my muse: a hammock, a bathtub, a chair by the pool. While thoughts come to me in those moments, the words are elusive when I attempt to write from them. So I figure I may be like so many others, sentenced to a desk and chair in a room, sitting alone writing. A place where my muse has settled in and will talk to me.

Where do you find the muse?

____________________________

D. Jean Quarles is a writer of Women's Fiction and Young Adult Science Fiction. Her latest book, Flight from the Water Planet, Book 1 of The Exodus Series was written with her coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook

Social Media Networking: Be an Active Participant with Relevant News, Articles, and Assistance

By Donna M. McDine

I haven’t forgotten my promise from my last post to discuss LinkedIn, but like many things my inner thoughts have taken over and my conscious is beating the heck out of my mind to chat about the importance of personal participation in social media networking.

The success for any type of social media networking is active participation. Yes, technology allows us to become automated in just about every aspect of postings through cyberspace. The convenience of scheduling blog posts to Twitter, then to Facebook, then to LinkedIn is a great time save, but we must set a daily reminder to become engaged personally in our social networking.

I admit with a red face I’ve been guilty of allowing my automation take over and have become absent as a live person via my social networking. I have given myself the good old slap upside the head and no longer will I allow myself to become the absentee marketer.

As of late, I’ve downloaded the Twitter application (app) to my Droid phone, providing me the opportunity while waiting for my daughter to come out of basketball practice or religion to engage with fellow Tweeters. This is proven to be a successful way of engaging for me and have connected with current and new colleagues, potential clients in the children’s publishing industry, and for those seeking out assistance with their social media campaigns. Twitter works perfectly on the Droid phone because of the rolling screen of Tweets. Thanks Twitter, for keeping tweets to 140 characters!

Luckily my family gave me an iPad several years ago and I’ve downloaded the Facebook and Twitter apps to further engage with others. I personally like the Facebook app on the iPad since it’s a much larger screen than my Droid phone.

Mind you, I do try to keep my personal social interaction down to 30 minutes per day so I’m not spending the majority of my time away from my valuable writing, editing, Author PR Services time, and of course my family.

Key attributes in becoming an active social media networker:

Share relevant information to followers, friends, and colleagues (whatever the specific social media network calls them). If you are a children’s book author share… the latest publishing industry news you’ve read about, your latest magazine article publication or book release, children’s book fair events, children’s book conferences (such as SCBWI by region), your experience in conducting school visits, etc. The list is endless. Important to note, don’t make it all about you. Shout out the successes of your colleagues.

Engage in online chats through social media networks. For example, on Facebook search groups you are interested in joining… such as, teachers, librarians, parents, schools. Participation is imperative, so I strongly suggest you do not join more than 1-2 groups per social media network you are a member of.

Offer tips and assistance from your expert standpoint. When a particular topic is being discussed and you have experience in said topic, join in the conversation and engage. You will be pleased and amazed on how much people appreciate your feedback and they will remember that in the future. You will eventually be known as the go to person in your field of expertise, which often times leads to much more than you ever provided.

Don’t fall into the “it’s all about me attitude.” This is a sure fire way to turn people off. Don’t chat about your specific book or product unless the conversation specifically lends to it.

Once you join a group on most of the social media networks you are able to set an email option to be reminded of the latest discussions in the group so you remember to participate. You can also set a reminder through your To Do/Tasks option in your email. I utilize Outlook for my email and I’m constantly updating and checking off my To Do/Tasks list, which by the way gives me great satisfaction in checking off the latest item. Yep, I’m a list person and love to see the list of checked off tasks! I tell my girls all the time, if it’s not on my list it won’t get done.

Happy networking and remember don’t overload yourself!

BIO: Donna McDine is an award-winning children's author. Her stories, articles, and book reviews have been published in over 100 print and online publications. Her interest in American History resulted in writing and publishing The Golden Pathway. Donna has four more books under contract with Guardian Angel Publishing, Hockey Agony, Powder Monkey, A Sandy Grave, and Dee and Deb, Off They Go. She writes, moms and is the Editor-in-Chief for Guardian Angel Kids and owner of Author PR Services www.authorprservices.com from her home in the historical hamlet Tappan, NY. McDine is a member of the SCBWI. Visit www.donnamcdine.com.

The Olympics and Writing

The Olympics and Writing
by Elysabeth Eldering

What do the Olympics and writing have to do with each other? I subscribe to a newsletter from Writer's Relief and this came in my email the other day, some inspiration on how the Olympics can help you in your writing career. The Olympics are about to wrap up for this year. The next Olympics will be the winter Olympics of 2014. Set your eye on the goal, focus and persevere and maybe by 2014 you will have reached gold (publication or the next chapter in your writing).

10 Things Olympians Can Teach Creative Writers

1. Focus is everything. (stay focused on the end goal and with all your hard work, you will achieve it)

2. When you hit a wall, push off it and get some new momentum. (this really says something about writer's block; find a different way to get whatever you are writing written)

3. The writing life is like the balance beam; you WILL fall off. Olympians get back up again (and again, and again, and again). (Writers don't fall off per se but we do have to keep reinventing the box or think outside the box)

4. You can’t get to the big leagues without putting in your time. Practice, train, get confident; then trust your talent and all your hard work to carry you through. (in other words, learn your craft, believe in yourself and work hard to get to the end goal)

5. When you’re competing at a high level, even the little things matter.

6. Listen to coaches you trust: Criticism isn’t personal when it’s productive.

7. Be so dedicated that dedication becomes habit, and the habit becomes who you are. Write regularly, read regularly, SUBMIT regularly.

8. Healthy competition will help you be the best you can be.

9. If you’re going to jump, jump as high as you can. If you’re going to swim, swim as hard as you can. If you’re going to write, write as hard and as intensely as you can.

10. Olympians don’t hesitate. They do not hoard their personal courage or save it for a rainy day. Every day, they give everything they have to give. Writers can too.

Whether you are writing for contests or for publication, remember that hard work, focus and perseverance will get you where you want to be with your writing. Don't give up on yourself. Hoping you all achieve your end goals and that you never give up. Keep reaching for the stars.

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Ms. Eldering is the award winning author of the Junior Geography Detective Squad (JGDS), 50-state, mystery, trivia series. Her stories "Train of Clues", "The Proposal" (available as an ebook), "Tulip Kiss" (available as an ebook), and "Butterfly Halves", all placed first, second, or runner up in various contests to include two for Armchair Interviews and two for Echelon Press (Fast and ... themed type contests). Her story "Bride-and-Seek" (available as an ebook) was selected for the South Carolina Writers' Workshop (SCWW) anthology, the Petigru Review. Ms. Eldering makes her home in upper state South Carolina and loves to travel, read, cross stitch and crochet. When she's not busy with teenaged children still at home, working her full-time job as a medical transcriptionist or participating in virtual classroom visits, she can be found at various homeschool or book events promoting her writing.

You can find out more from Elysabeth and her writing/JGDS series at the following places:
Elysabeth's Writing Emporium blog
Elysabeth's author website
JGDS series blog
JGDS series website

Writing Habit & Tips with Maggie Lyons

I’ve been reading about the writing habits of famous authors and feeling amazingly out of it because I don’t have any extraordinary or weird practices. All I do to warm up is jump on a vine and swing across the creek outside my house while scoffing down a blood pudding. Okay, I know some may think the blood pudding a bit weird, but in Britain, where I was born, this is standard fare—well, almost. At least it’s not a drug like the Benzedrine and Seconal W. H. Auden is said to have swallowed regularly during his most productive phase, along with vodka when the drugs woke him up at night. And while we’re on this subject, the literary landscape is replete with druggie writers from Elizabeth Barrett Browning and her opium to Jean-Paul Sartre and his amphetamines, which he claimed helped him to think faster. Jack Kerouac’s amphetamine binges would last for days and resulted in his famous scroll of 120 feet of taped sheets of paper that he constantly typed until he had completed On the Road.

And drugs are the least surprising of some writer’s habits. Henrik Ibsen hung a portrait of his rival August Strindberg on his wall to push himself to the limit in his writing. John Cheever admitted to writing many of his stories in his skivvies. Marcel Proust wrote in bed in a windowless room lined with cork. Capote claimed he couldn’t think unless he wrote—initially in longhand—lying down, puffing a cigarette and sipping a coffee. Vladimir Nabokov wrote most of his novels on 3 x 5-inch cards, and he stood up to do it, as did Hemingway. Gertrude Stein found poetic inspiration sitting in her parked Ford.

My writing habits can’t compete with all that weirdness—apart from my warm-ups on the hanging vine, that is. I sit at a desk in a room with windows to tap my computer keyboard as I drink ginger tea. When my prose begins to overwhelm me, I grab a handy tissue. If that doesn’t work, I go for a quiet walk down a rural lane, and if that doesn’t work, I leave the country.

Writing habits can be amazingly different for each individual, but one habit that appears to be common to all successful writers is practice. Talent is 10 percent inclination and 90 percent hard work. That goes for any skill. I taught piano for years, and told my students that daily practice was the key, even if it was for ten minutes only. For writers there’s another component to practice. You not only have to devote as much time as possible to writing, you have to feed your creative neurons by reading the best authors as often as you can. And you can make that as creative a habit as writing—sitting in your clunker waiting for the traffic to move, standing up in your skivvies in front of a portrait of your archrival … you get the idea.

___________

Maggie Lyons is a writer and editor who was born in Wales and crossed the pond to Virginia. With no regard for the well-being of her family and neighbors, she trained as a classical pianist. Then came a career of putting rear ends on seats—that is, orchestral management, marked by reams of marketing and fundraising writing and program note scribbling for audiences many of whose first priority was to find their names in the donors’ lists. Editing for academic publishers also brought plenty of satisfaction—she admits she has a fondness for nerds—but nothing like the magic she discovered in writing fiction and nonfiction for children. Several of her articles, poetry, and a chapter book miraculously appeared in Stories for Children Magazine and knowonder! magazine. She hopes her stories encourage reluctant young readers to turn a page or two.

A twelve-year-old boy named Vin, goes on a mission—reluctantly. He doesn’t share the optimism of the knights of old who embarked on impossible missions without a doubt they’d succeed. When magnetic compost heaps, man-eating bubble baths and other disasters erupt, Vin comes close to packing in the whole ridiculous business. He calls it Operation BS, his code name for a mission to introduce his sister to a boy she has a crush on. He doesn’t want to play matchmaker, but Meg’s promise to reward him with a David Beckham autographed soccer jersey is a decisive incentive.

Get a sneak peek of the book at http://youtu.be/Qtgtp_rnAZ4

Her middle-grade adventure story Vin and the Dorky Duet is available as an e-book at MuseItUp Publishing’s bookstore (MuseItYoung section), on Amazon at

http://www.amazon.com/dp/B008AK7ALE, and as a paperback at Halo Publishing International at http://halopublishing.com/bookstore/Maggie-Lyons.

Self Publishing Your Poetry – A Brief Primer

Self-publishing is an option open to everyone and it’s becoming easier and more powerful with different software and online options becoming available all the time. Why would you want to self-publish? Here are a few reasons:

There are no entry barriers. You don’t need a list of publications or any kind of awards to be considered, and your work can be on any topic.

You retain complete control over the look, quality, and promotion of your work.

You retain a far greater profit for your book. Most traditional publishers offer 10%, which isn’t a lot!

You learn a lot and it can be quite fun if you enjoy playing around with your computer and trying out new things.

But self-publishing isn’t all roses.You’ve got to do everything yourself and it’s hard work and often involves its own learning curve. You’ll have to learn about formatting, about graphics, about designing a cover, about ‘bleeds’, about document conversions,about distribution channels, about Amazon and other online stores and the list goes on and on. If all you want to do is write, then self-publishing is probably not for you (and believe me, it will take time that you would otherwise have been spent writing).

In addition, traditional publishing provides an important curation and editing function which you aren't advised to skip if you're going to self-publish. Instead, you'll need to curate yourself. That's not easy but it can be done. You can hire a well-respected editor, and manuscript assessor to ensure that your work is up to scratch, or you can work with a mentor - something that is particularly useful for poets in need of objective and valuable input. How do you self-publish? The easiest way is to just add a cover and copyright information to your book and save as a .pdf file. Lo’ and behold you’ve now got an ebook which you can sell from a website or blog. When you do this, 100% of your sales are profits, but you may not get many sales!

Or you can send your digital book to one of the big copy houses like Snap printing, Qwikcopy, or take a file into your local Espresso Printer and have them print out what you need when you need it. The print copy is very nice indeed for the Espresso machine, with quality comparable to any high street book. You can hand print and staple your work too, although it won’t be very professional looking. You can also go with one of the print on demand companies, who will produce a professional looking product for nothing or very little, but take a cut of each sale and may also charge you for expanded distribution. Many of them will also provide you with a barcode and ISBN and make the book available for sale at a range of online shops. You probably won’t make much through direct sales, but the book will be attractive, and often you can buy copies inexpensively and hand sell, which is probably the best way to sell poetry. Some of the more well known ones include:

CreateSpace: this is Amazon’s own publishing house and to my mind, it’s one of the best. It will take you a while to learn their particular formatting requirements, but everything is .pdf based, fairly straightforward, and they’ll give you all the templates you need. The cover maker is excellent and will give you a very nice lookng cover, with custom images. The one key advantage this one has over the others is that your book will be sold on Amazon once it’s complete for no extra (most of the other self-publishers offer Amazon only with a paid distribution package). Also their prices are pretty reasonably, especially if you want your own copies to hand sell.

Lulu: Self publishing / print on demand publisher. Lulu is very popular. You can sell your book directly from their website and they offer a pretty wide range of options including spiral bound, landscape, hardcover with dustjacket etc.

Cafe Press: Self publishing / print on demand publisher.

Smashwords: ebook only, but they do have allow you to distribute your book free and do all of the format conversions for you with their "meatgrinder". They also have some excellent promotional tools and get exceptional traffic. Note that, for poetry, conversions are not perfect and need to be fully checked on every device or you may end up selling something that is substandard (This happened to me. However, Smashwords is very responsive and will often help sort out any problems quickly.).

There are plenty of others out there and new opportunities/distributors appearing all the time. For a self-publisher, the intense competition has been a very positive thing. However, and this is very important, bear in mind that none of them will edit your work (some offer editing packages, but I highly recommend hiring a professional) or go through the rigorous and often difficult process of telling you what works best and what doesn't - something that is important with a poetry collection, and of course, none of these places will promote your work for you. All of that will need to be done by you, with help and support from clued up professionals, something that is mostly par for the course in traditional publishing. That said, you'll retain control over the finished product - with formatting, images, and the overall package completely in your hands. If any errors or problems should creep in, you can usually fix them easily - something that's not the case with traditional publishing. Also the speed to market can often be significantly faster. In any case, regardless of who you use, make sure you follow their instructions to the letter, and your book will end up looking as great as the poetry within it deserves.

Magdalena Ball runs The Compulsive Reader. She is the author of traditionally published books Repulsion Thrust, Quark Soup, Black Cow and Sleep Before Evening, and the self-published books The Art of Assessment, and, in collaboration with Carolyn Howard-Johnson,Deeper Into the Pond, Blooming Red,Cherished Pulse, She Wore Emerald Then, and Imagining the Future. Find out more about Magdalena at http://www.magdalenaball.com