Writing Habit & Tips with Maggie Lyons

I’ve been reading about the writing habits of famous authors and feeling amazingly out of it because I don’t have any extraordinary or weird practices. All I do to warm up is jump on a vine and swing across the creek outside my house while scoffing down a blood pudding. Okay, I know some may think the blood pudding a bit weird, but in Britain, where I was born, this is standard fare—well, almost. At least it’s not a drug like the Benzedrine and Seconal W. H. Auden is said to have swallowed regularly during his most productive phase, along with vodka when the drugs woke him up at night. And while we’re on this subject, the literary landscape is replete with druggie writers from Elizabeth Barrett Browning and her opium to Jean-Paul Sartre and his amphetamines, which he claimed helped him to think faster. Jack Kerouac’s amphetamine binges would last for days and resulted in his famous scroll of 120 feet of taped sheets of paper that he constantly typed until he had completed On the Road.

And drugs are the least surprising of some writer’s habits. Henrik Ibsen hung a portrait of his rival August Strindberg on his wall to push himself to the limit in his writing. John Cheever admitted to writing many of his stories in his skivvies. Marcel Proust wrote in bed in a windowless room lined with cork. Capote claimed he couldn’t think unless he wrote—initially in longhand—lying down, puffing a cigarette and sipping a coffee. Vladimir Nabokov wrote most of his novels on 3 x 5-inch cards, and he stood up to do it, as did Hemingway. Gertrude Stein found poetic inspiration sitting in her parked Ford.

My writing habits can’t compete with all that weirdness—apart from my warm-ups on the hanging vine, that is. I sit at a desk in a room with windows to tap my computer keyboard as I drink ginger tea. When my prose begins to overwhelm me, I grab a handy tissue. If that doesn’t work, I go for a quiet walk down a rural lane, and if that doesn’t work, I leave the country.

Writing habits can be amazingly different for each individual, but one habit that appears to be common to all successful writers is practice. Talent is 10 percent inclination and 90 percent hard work. That goes for any skill. I taught piano for years, and told my students that daily practice was the key, even if it was for ten minutes only. For writers there’s another component to practice. You not only have to devote as much time as possible to writing, you have to feed your creative neurons by reading the best authors as often as you can.  And you can make that as creative a habit as writing—sitting in your clunker waiting for the traffic to move, standing up in your skivvies in front of a portrait of your archrival … you get the idea.

___________

Maggie Lyons is a writer and editor who was born in Wales and crossed the pond to Virginia. With no regard for the well-being of her family and neighbors, she trained as a classical pianist. Then came a career of putting rear ends on seats—that is, orchestral management, marked by reams of marketing and fundraising writing and program note scribbling for audiences many of whose first priority was to find their names in the donors’ lists. Editing for academic publishers also brought plenty of satisfaction—she admits she has a fondness for nerds—but nothing like the magic she discovered in writing fiction and nonfiction for children. Several of her articles, poetry, and a chapter book miraculously appeared in Stories for Children Magazine and knowonder! magazine. She hopes her stories encourage reluctant young readers to turn a page or two.

A twelve-year-old boy named Vin, goes on a mission—reluctantly. He doesn’t share the optimism of the knights of old who embarked on impossible missions without a doubt they’d succeed. When magnetic compost heaps, man-eating bubble baths and other disasters erupt, Vin comes close to packing in the whole ridiculous business. He calls it Operation BS, his code name for a mission to introduce his sister to a boy she has a crush on. He doesn’t want to play matchmaker, but Meg’s promise to reward him with a David Beckham autographed soccer jersey is a decisive incentive.

Get a sneak peek of the book at http://youtu.be/Qtgtp_rnAZ4

Her middle-grade adventure story Vin and the Dorky Duet is available as an e-book at MuseItUp Publishing’s bookstore (MuseItYoung section), on Amazon at

http://www.amazon.com/dp/B008AK7ALE, and as a paperback at Halo Publishing International at http://halopublishing.com/bookstore/Maggie-Lyons. 

Self Publishing Your Poetry – A Brief Primer

Self-publishing is an option open to everyone and it’s becoming easier and more powerful with different software and online options becoming available all the time. Why would you want to self-publish? Here are a few reasons:

• There are no entry barriers. You don’t need a list of publications or any kind of awards to be considered, and your work can be on any topic.


• You retain complete control over the look, quality, and promotion of your work.


• You retain a far greater profit for your book. Most traditional publishers offer 10%, which isn’t a lot!


• You learn a lot and it can be quite fun if you enjoy playing around with your computer and trying out new things.
 

But self-publishing isn’t all roses.You’ve got to do everything yourself and it’s hard work and often involves its own learning curve. You’ll have to learn about formatting, about graphics, about designing a cover, about ‘bleeds’, about document conversions,about distribution channels, about Amazon and other online stores and the list goes on and on. If all you want to do is write, then self-publishing is probably not for you (and believe me, it will take time that you would otherwise have been spent writing).

In addition, traditional publishing provides an important curation and editing function which you aren't advised to skip if you're going to self-publish. Instead, you'll need to curate yourself. That's not easy but it can be done.  You can hire a well-respected editor, and manuscript assessor to ensure that your work is up to scratch, or you can work with a mentor - something that is particularly useful for poets in need of objective and valuable input. How do you self-publish? The easiest way is to just add a cover and copyright information to your book and save as a .pdf file. Lo’ and behold you’ve now got an ebook which you can sell from a website or blog. When you do this, 100% of your sales are profits, but you may not get many sales!

Or you can send your digital book to one of the big copy houses like Snap printing, Qwikcopy, or take a file into your local Espresso Printer and have them print out what you need when you need it. The print copy is very nice indeed for the Espresso machine, with quality comparable to any high street book. You can hand print and staple your work too, although it won’t be very professional looking. You can also go with one of the print on demand companies, who will produce a professional looking product for nothing or very little, but take a cut of each sale and may also charge you for expanded distribution. Many of them will also provide you with a barcode and ISBN and make the book available for sale at a range of online shops. You probably won’t make much through direct sales, but the book will be attractive, and often you can buy copies inexpensively and hand sell, which is probably the best way to sell poetry. Some of the more well known ones include:  

CreateSpace: this is Amazon’s own publishing house and to my mind, it’s one of the best. It will take you a while to learn their particular formatting requirements, but everything is .pdf based, fairly straightforward, and they’ll give you all the templates you need. The cover maker is excellent and will give you a very nice lookng cover, with custom images. The one key advantage this one has over the others is that your book will be sold on Amazon once it’s complete for no extra (most of the other self-publishers offer Amazon only with a paid distribution package). Also their prices are pretty reasonably, especially if you want your own copies to hand sell.

Lulu: Self publishing / print on demand publisher. Lulu is very popular. You can sell your book directly from their website and they offer a pretty wide range of options including spiral bound, landscape, hardcover with dustjacket etc. 

Cafe Press: Self publishing / print on demand publisher.

Smashwords: ebook only, but they do have allow you to distribute your book free and do all of the format conversions for you with their "meatgrinder". They also have some excellent promotional tools and get exceptional traffic.  Note that, for poetry, conversions are not perfect and need to be fully checked on every device or you may end up selling something that is substandard (This happened to me. However, Smashwords is very responsive and will often help sort out any problems quickly.).

There are plenty of others out there and new opportunities/distributors appearing all the time. For a self-publisher, the intense competition has been a very positive thing.  However, and this is very important, bear in mind that none of them will edit your work (some offer editing packages, but I highly recommend hiring a professional) or go through the rigorous and often difficult process of telling you what works best and what doesn't - something that is important with a poetry collection, and of course, none of these places will promote your work for you.  All of that will need to be done by you, with help and support from clued up professionals, something that is mostly par for the course in traditional publishing. That said, you'll retain control over the finished product - with formatting, images, and the overall package completely in your hands.  If any errors or problems should creep in, you can usually fix them easily - something that's not the case with traditional publishing.  Also the speed to market can often be significantly faster. In any case, regardless of who you use, make sure you follow their instructions to the letter, and your book will end up looking as great as the poetry within it deserves.


Magdalena Ball runs The Compulsive Reader. She is the author of  traditionally published books Repulsion Thrust, Quark Soup, Black Cow and Sleep Before Evening, and the self-published books The Art of Assessment, and, in collaboration with Carolyn Howard-Johnson,Deeper Into the Pond, Blooming Red,Cherished Pulse, She Wore Emerald Then, and Imagining the Future. Find out more about Magdalena at http://www.magdalenaball.com

Use Freewriting to Find Peace & Balance in Your Writing -- and in Your Life!

by Dallas Woodburn

Where did the summer go?? I just can’t believe it’s already August. The fall semester of teaching starts up for me again in just two weeks. It seems like I can close my eyes and it is the beginning of summer again, when the fireflies were just starting to appear and a long path of sunny days stretched out before me. What happened?? Where did it all go?

Do you ever get those same feelings? It floors me how quickly time passes! Sometimes it feels like time is a river rushing past me so fast and I’m sitting there in a little boat, struggling to get a grip on the oars, not even enjoying the beautiful scenery flowing past. It makes me feel overwhelmed and frustrated, like I’m wasting or not appreciating enough the most precious commodity we all are gifted with: time.

I am also guilty of something I’ve come to think of in myself as productivititus: trying to fit waaaaaay to much into my daily to-do list, and then feeling like a failure when I don’t accomplish everything I’ve set out to do. This is not a good habit because I don’t want my summer, or my life, to be nothing but a giant to-do list of tasks I’m checking off. As my idol John Wooden often said, the most important words in the English language are love and balance. Work is important, but so is time for play! Balance, balance, balance is so crucial.

Something that is helpful to me when I am feeling off-balance, especially by the incredibly fast-flowing river of time, is to go to a  quiet corner of the room and spend a few minutes freewriting.

I always use freewriting in the creative writing courses I teach to help students break through writer’s block. However, I think freewriting is something that can benefit everyone! It is such a great tool for not just writing, but also your mental health, sense of empowerment, and overall happiness.

Here’s how freewriting works: set a timer for a certain amount of time — I’ve found 8 minutes works well because it’s not too long or too short — and start writing. The only rule is that you cannot stop until the timer dings! It is a tool to keep you from self-editing or second-guessing or worrying that what you are writing is not “good” enough. Instead, just let the writing pour out of you. You will find yourself tapping into your subconscious, which can help you unlock all sorts of dreams and ideas and even solve problems that are nagging you. For me, freewriting is a way to re-find my center of balance. It unclutters my mind and makes me feel at peace.

You don’t need a fancy journal or expensive pen to freewrite. All you need is a blank piece of paper — even scrap paper works! Some people like to freewrite on the computer, which is certainly all right. I personally enjoy using a pen and paper because it makes the writing feel more open and less intimidating somehow — more unharnessed. Something that is just for me.

Here are some freewriting topics I’ve been using lately as jumping-off points:
- My favorite memory I made this summer was …
- Three things I am grateful for in this moment are …
- I will wring out every last drop of fun from my last couple weeks of summer by …

What are your plans for these final weeks of summer? Does anyone else use freewriting as a way to alleviate stress and find balance? Any other tips or suggestions for slowing down the pace of life and savoring the time we are blessed with?

Dallas Woodburn is the author of two award-winning collections of short stories and editor of Dancing With The Pen: a collection of today's best youth writing. Her short fiction has been nominated for the Pushcart Prize three years in a row and her nonfiction has appeared in a variety of national publications including Family Circle, Writer's Digest, The Writer, and The Los Angeles Times. She is the founder of Write On! For Literacy and Write On! Books Youth Publishing Company and is currently pursuing her Master's degree in Fiction Writing at Purdue University, where she teaches undergraduate writing courses and serves as Fiction Editor of Sycamore Review. Many of her short stories are compiled online here.

How Do I Procrastinate?

I hereby dub myself “Queen of the Procrastinators.” How do I procrastinate? Let me count the ways.

Instead of working on my WIP:

·         * Yesterday I baked bread.

·        *  Today I cleaned my keyboard.

·        *  Once I even cleaned my stove!

·        *  I go grocery shopping.

·        *  I check e-mail.

·        *  I have lunch.

·           *  I do dishes.

And on and on…

I even took a class on procrastination once. No, not how to, but how to avoid doing it. I think I need to re-read my notes!

One thing the instructor recommended was to make an appointment with yourself. Every day from 9 to 10 a.m. (or whatever time you designate) I will write. Period. Nothing should interfere with this appointment. This is creating a habit, and most likely you will end up working longer, because you’ll find you’re on a roll.

Reward yourself for doing this. Even something that seems as silly as putting a sticker on your calendar each day that you write is a huge thing. I did this a few years ago and I found that if I had a day that interfered with my writing and I couldn’t put up a sticker, I was disappointed. I became determined to fill my calendar with stickers every day (except Sunday. It’s OK to give yourself permission to take a day off).

Some writers set a daily word goal. And maybe the reward for that is to check e-mail AFTER you’ve accomplished this goal. Or to go for a walk (that results in a number of rewards, mentally and physically). Or meet someone for coffee.

How do you procrastinate? And how do you overcome it?

~~~~~
Heidi M. Thomas
 

Summers End

Summers End

August reminds me of digging potatoes on my aunt’s farm, the smell of late peaches and swimming in the pond after farm chores were done.  The weather was always hot and dry and the earth parched from the sun.  By that time of year, I was also parched by the sun and ready for the cooler days of fall.  August was the last month of freedom before school and long days were spent playing, playing and did I say playing.  Today, with the demands of a busy schedule, teaching, writing, consulting, I think I sometimes forget to play.  Life becomes so scheduled that I don’t find the moments to free my mind, engage my body and laugh; not just laugh but let loose with real belly laughs.  Since preparing to write this post, I have been more intentional about adding play to my days.  I hope that as you prepare for the change of seasons, you enjoy the last lazy, hazy, crazy days of summer and dance or play the night away.

Martha Swirzinski

www.MovementPlus.com

An Interview with Margaret Fieland

An Interview with Margaret Fieland

Basic Writing : From Pre-Writing to Editing

Basic Writing : From Pre-Writing to Editing

Pre-Writing

Concept/Idea (Brainstorm about chosen idea. Write everything that comes to mind.)

Conflict/Problem (Without a problem there is no story. Be sure the problem is solvable.)

            Possible Conflicts: man vs man, man vs nature, man vs self, man vs society, man vs circumstances

Characters (No more than 7 main; the story becomes unmanageable and readers lose track.

 Devise: Names, Personalities, Relationships, Appearances, What makes them special.)

Plot (Devise 3 attempts to solve the problem. Then figure out why they won't work?)

Solution/Climax (How does the main character solve the problem? Is it reasonable as you’ve written her/him?)

Conclusion (Wrap up loose ends with all of the characters.)

Also Pre-Writing

Opening-be sure your beginning snatches the reader’s attention (pull action from within the story then go back and begin at the beginning to catch the reader up)

1^st Plot Point-main character discovers there is a problem

2^nd Plot Point-main character feels threatened but unsure what to do

3^rd Plot Point-problem is at its worst and seems hopeless THEN main character figures out what to do

Climax-problem or antagonist pulls out all the stops to ‘get’ main character

Denouement-main character about to give-in then finds courage and knowledge to solve the problem

Resolution-main character ends the problem for good then wraps up loose ends with other characters

Writing

There are two main types of writers, although many of us fall into combo categories:  Planners and Pantsers.

Planners don’t write until they have a basic outline of how the story will unravel. Some even outline each chapter. Planning doesn’t mean you can’t change something, or add more while writing a chapter. It simply helps you remember everything you wanted to include in the story. (This is how I write.)

            Pantsers (writing by the seat of your pants) begin writing and don’t stop until the story is told. This technique is very popular but requires extreme editing and revising. It also allows for free flow of imagination and creativity. (This is how Odessa came out and why it needed (and still needs) so much revising/editing.)

New paragraph for each new thought or idea or speaker.

Use quotation marks around the “words” spoken by the character. Instead of dialogue tags (he said, she remarked) use action. (His gaze flicked away from her face. Her voice dropped so low he could barely hear her.)

Each speaker requires a new paragraph.

Watch verb tenses: if you start in the past keep all of your verbs past tense; if you write in the present tense make sure they are all present tense verbs.

            Right-He ran down the road then stopped at the intersection.

            Wrong-He ran down the road then stops at the intersection.

Present tense is seldom used. I find present tense confusing and disarming. You are telling a story that occurred in the past, so use past tense verbs.

Watch out for point of view (POV).

            POV confuses a lot of beginning writers. It means knowing what a character is thinking or planning. Knowing their viewpoint.

            Many MG stories are generally told in third person while many YA books these days are in first person. HOWEVER, there is no rule about this. Write the story in whoever's point of view you wish--just keep it balanced.

 If writing in the first person (I, me, my , we, our) you CANNOT know what others are thinking or planning.  It takes a lot of dialogue to understand others’ thoughts or desires.

·        The only way to know what everyone is thinking is to use third person omniscient.

·        But be careful because even that gets tricky.

·        If you switch POV, be sure to designate it with a space or asterisks *****.

·        Never change POV inside the same paragraph (called mind hopping, it becomes very confusing).

Beware of ‘Purple Prose’. This is highly descriptive writing that may sound awesome but sometimes does nothing to promote the story. You should have some description so the reader can visualize what the character is sensing, just don’t go overboard.

Every word, action or dialogue should propel the story forward. If you have chapters or even paragraphs for character development alone, remove them. Chapters with too much description of surroundings or too much backstory/history get boring and readers will skip ahead anyway so edit down to only what is necessary to tell the story.

Don’t tell too much of the story up front. Let out the line slowly, keep most of the story as a mystery with clues until the climax when you can reveal more. Too much too soon and the reader loses interest in the story.

Revising

Don’t be afraid to revise, revise, revise. Get feedback from others and make changes to your story that YOU think will improve it. NO ONE writes the perfect story the first time.

My first book, Odessa, was revised about 8 times and even after publication I'm itching to revise it again because by five books later my writing has improved so much I'm no longer happy with Odessa.

Let your story sit on a shelf for several weeks or a month. Work on another project. Then reread the story and errors, misspellings, weak characters, weak plot lines, etc will jump out at you.

Editing

Once you have the story to a level you are happy with it is time to edit.

Remove as many adverbs as possible and replace them with stronger verbs. To locate adverbs easily, highlight them using the ‘replace’ box in the ‘editing’ box of MS Word. Highlight –ly and most adverbs will appear. Read through and eliminate as many as you can.

Highlight the following words in the entire manuscript then go through removing or replacing them with more powerful words/phrases:

AND

THAT

SAID (or ANY speech tags-replace with action)

any word you see repeated often

Remove as many adjectives as you can. Do not use duplicate adjectives such as “very beautiful”. If something is beautiful that is enough. Very becomes redundant. Better yet, describe HOW it is beautiful without using the word. Beauty is subjective.

WEAK: The river was beautiful that morning.

BETTER: Sun rays leaking through the early morning mist, lent the river a mystic quality.

Use Spell Check and look-up words that are misspelled.

Pay attention to punctuation. If you’re not sure about its usage this website will help  http://owl.english.purdue.edu/owl/resource/566/01 .

Probably MOST IMPORTANTLY--learn from your editor. My first book, Odessa, looked like a dying warrior after a lengthy battle with dragons--it was covered with red gashes. My latest book, ending edits now and soon to be released (Harpies Book Two of Seraphym Wars Series) looked as though it had taken a short walk through nice woods--a couple of little scratches! Even my editor was surprised and happy with my writing progress. So the bottom line is this--make notes of your mistakes then PRE-EDIT after your final revision. You'll save your editor a lot of time and frustration and yourself money and embarrassment. 

Here's a little blurb about Harpies. Watch my website for its release: Under the Hat of MG/YA Dark Fantasy Author Rebecca Ryals Russell

Harpies, Book Two, Seraphym Wars Series

Transported to a planet he'd never heard of was the least of fifteen-year-old Griffen's problems. Learning to control his suddenly increasing strength and new ability to pull lightning from the sky takes some getting used to.  Angry preteen Seth joins the quest; meanwhile discovering his combusting ability as a fire-starter. Driven to find the last Vigorio, a young girl able to experience others' emotions, they journey together toward their destinies as warriors against Narciss, Ruler of Tartarus and his Legio of demon-dragons. Narciss’s Harpy henchmen have other ideas, however.