Pacing is important
to writing. And no, I don’t mean walking back and forth, trying to figure out
ways not to sit down at the computer and write!
Pacing is used to control the
speed of the plot. Pacing is
manipulating time. Most writing gurus these days advise to “arrive late and
leave early.” By this, they mean, start in the middle of the action or with an
element of suspense that will help prompt the reader to keep reading.
You don’t need to
set up the scene with lots of description and backstory. We don’t necessarily
need to know what this person’s history is and how he/she got there, just to
know that he/she is in some kind of problem or crisis and needs to solve it.
A crisis moment has
to be in what I call “real time”—written as if it is happening right now (even
if you are using past tense). Summarizing or including it as a backflash does
not create the same amount of tension. Summarizing is simply “telling” us what
happened, rather than showing our character in trouble. Backstory has already
happened, so that makes it less active. The reader knows it has already
happened and what the outcome is, to a certain extent, because our hero is
still with us. So it’s not as “immediate.”
Summary certainly
can be used effectively. It covers a longer period of time in a shorter
passage. You don’t need to write paragraphs or pages describing the trip from
one point to the other. Using summary in this case, helps with pacing, and
speeds up the story by “leaving out the boring parts,” as Elmore Leonard
advises.
You can control
pacing with sentence structure. Long,
flowing sentences can slow down the action. Short sentences build tension by
propelling the reader forward.
Dialogue and internal monologues
can affect pacing, by changing the rhythm . Short interchanges of dialogue
between characters increase the reading speed. Long speeches by a certain
character will slow it down. If you feel like the story needs to pick up the
pace, look for areas with too much dialogue, internal monologue, or exposition.
Or vice versa, not enough.
Does each paragraph serve to move
the story forward? Could you cut or condense that paragraph (or line or page)
and still preserve the meaning? Can you cut your first and last paragraphs in a
scene and keep the meaning.
Does anyone have other pacing
tips to add?
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A native Montanan, Heidi M. Thomas now lives in Northwest Washington. Her first novel, Cowgirl Dreams, is based on her grandmother, and the sequel, Follow the Dream, has recently won the national WILLA Award. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of Northwest Independent Editors Guild. She teaches writing and edits, blogs, and is working on the next books in her “Dare to Dream” series.
A native Montanan, Heidi M. Thomas now lives in Northwest Washington. Her first novel, Cowgirl Dreams, is based on her grandmother, and the sequel, Follow the Dream, has recently won the national WILLA Award. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of Northwest Independent Editors Guild. She teaches writing and edits, blogs, and is working on the next books in her “Dare to Dream” series. 
