Writers On The Move

Elysabeth's Writing Emporium: End-of-School Year Bookworm Special

Cross posting my end of the school year special deal on my bookworms. Those who have won them can attest to how cute they are and how the kids, teachers, school staff, et cetera will like them. This offer is open to everyone, not just teachers or librarians - E :)

Elysabeth's Writing Emporium: End-of-School Year Bookworm Special: Teachers, are you looking for a small gift idea to give your students for the end of the school year? Librarians, would you like to show yo...

Mother's Day Poetry (and freebie)

It's almost Mother's Day (or Mothering Sunday if you're in the UK). Here in Australia, Mother's Day is Sunday the 13th of May. Since I'm both mother and daughter, I've managed to convince my poetry partner (also a mother and daughter) Carolyn Howard-Johnson to let me giveaway our motherly poetry book She Wore Emerald Then. From now through to May 14th (US time) you can grab a copy of She Wore Emerald Then from Smashwords for the budget-smashing price of $0.00. Just use Coupon code KT98C at checkout. You can even use the code to 'gift' the book to someone. Following is a poem from the collection that I wrote for my first child. If you prefer a hard copy, you can get a copy at Amazon. Happy Mother's Day to all you fantabulous mothers out there.

Whorl

From this point
everything begins.
He comes out crying
no need for a smack
eyes wide
fighting the light and shocks
slippery, red and incredibly solid.
From this point it all begins.
The whorl
where superfine hair grows
like one of those spiral galaxies
Andromeda or Triangulum
full of stars
and the promise of real life
different from anything we have known
but starting at the same point.

Magdalena Ball runs The Compulsive Reader. She is the author of the poetry books Repulsion Thrust and Quark Soup, the novels Black Cow and Sleep Before Evening, a nonfiction book The Art of Assessment, and, in collaboration with Carolyn Howard-Johnson, Deeper Into the Pond, Blooming Red, Cherished Pulse, She Wore Emerald Then, and Imagining the Future. She also runs a radio show, The Compulsive Reader Talks. Find out more about Magdalena at http://www.magdalenaball.com

Feeling blocked? Take a walk!

Ever since I’ve been focused on making my Mondays {and every day} marvelous, I’ve been able to appreciate them much more and find moments to cherish and be grateful for even in the midst of busy days. Still, sometimes life feels even more chaotic than normal. Sometimes when I hear the alarm blaring on Monday morning, truly signaling the end of a fun & relaxing weekend, it’s hard for me to wake up and seize the day. Sometimes we all have those tired/headachey/blah days that feel like a series of one spilled-glass-of-milk after another.

This past Monday was an especially busy Monday for me. My “to do” list included: finish up my grading, pack to head home to California for my brother’s college graduation, and get ready for my Fifth Annual Youth Writing Camp coming up in a couple weeks, not to mention regular end-of-semester stuff like meeting with students, saying goodbye to friends who I’ll miss for the summer, and squeezing in loads of laundry and dishes so as not to leave my apartment a gross mess while I’m away for a month in California…

So my prince charming boyfriend swept me away in a magical pumpkin of sorts. He took my hand, pulled me off the couch and away from my overheated laptop, and took me for a walk around the neighborhood.

There’s something really peaceful about walking through quiet, darkened streets in the summer air. The streetlights hum, the crickets chirp, and the air is fresh and cool against my skin. I’ve always loved staying awake late — it feels like a magic time, when the rest of the world is asleep but I am still awake. It is my favorite time to daydream, think about characters and story ideas, mull over new writing projects, get outside my own head and into the world of my fiction. It was the perfect marvelous ending to an otherwise crazy-busy day!

Are you feeling blocked? Feeling burned out? Instead of pounding away in frustration at your keyboard, maybe try getting up and taking a walk. Breathe in the fresh springtime air. Roll back your shoulders. Stretch your arms above your head. Move your body and see if you feel better. I bet you will!

What are some of your favorite de-stressing or inspiration-boosting techniques, especially on those inevitable crazy-busy days?

Dallas Woodburn is the author of two award-winning collections of short stories and editor of Dancing With The Pen: a collection of today's best youth writing. Her short fiction has been nominated for the Pushcart Prize three years in a row and her nonfiction has appeared in a variety of national publications including Family Circle, Writer's Digest, The Writer, and The Los Angeles Times. She is the founder of Write On! For Literacy and Write On! Books Youth Publishing Company and is currently pursuing her Master's degree in Fiction Writing at Purdue University, where she teaches undergraduate writing courses and serves as Fiction Editor of Sycamore Review.

How to Handle Flashbacks

Once the reader’s interest is caught, after the storyline is firmly established, the reader may want to know that past history that brought the character to where he is today. If a girl’s going to slap a boy’s face, then he in turn knocks her down, let the reader see that first before you explain the background of their quarrel.

WAYS TO HANDLE FLASHBACKS:
1. Recollection. The character goes briefly into a memory within a couple of sentences or a paragraph.

2. True Flashback—A trigger—a song, a smell, something reminds the character of something or someone and sends him/her back into the past. Then trigger the character back into the present (the song ends, someone asks a question, etc.)

3. Introspection. Be VERY CAREFUL. It should be exceptionally quirky or an exceptional reason to write this way. Make introspection a small percentage of the novel.

4. Summary. A way to introduce back story. Example: The Book of Ruth, Jane Hamilton, gives a tour of the town, giving little tidbits of info about places & people.

5. Prologue. A haunting incident or piece of info that continues through the story.

6. Dialogue. You can explain past action in a short discussion. Again, don’t start the story with it. See if you can figure out a way to show the event itself, instead of having people talk about it.

7. Memory. You can use an inner monologue to take a short trip down memory lane. Example, from Ann Tyler’s The Accidental Tourist: Just when the reader is fed up with Macon’s bad-tempered dog Edward, Tyler lets us know why Macon insists on keeping the dog. The dog had belonged to his son Ethan, who had been murdered the previous year. “Once upon a time, Ethan had brushed him, bathed him, wrestled on the floor with him, and when Edward stopped to paw at one ear, Ethan would ask, with the soberest courtesy, ‘Oh, may I scratch that for you?’ The two of them watched daily at the window for the afternoon paper, and the instant it arrived, Ethan sent Edward bounding out to fetch it—hind legs meeting front legs, heels kicking up joyfully.”

8. Frames. Only two flashbacks, one at the beginning and one at the end. For example, an older person introduces the story, then we leave her and go directly into the main story—that of the 20-year-old. Then you end with the older person again. It’s kind of a prologue and epilogue form.

To Think About:
• Look at your flashbacks.
• How often are you interrupting the forward flow of your story?
• Do you have flashback at more than one level—flashbacks from flashbacks?
• If you spend a lot of time in the past, take a look at each flashback individually. If it were cut, would the present story be harder to follow? Or, can you rewrite it into a more present, or real-time scene?

The Month of May

May Day, Mother’s Day and Memorial Day.

All three days are days of celebration and days of remembrance.

The Maypole, decorated with flowers, celebrates the beginning of May, which ushers in earth in full bloom.

Mother’s day honors mothers both living and dead. I remember each Mother’s Day dad would buy me a red rose to wear to church signifying that mom was alive and he would wear a red rose in his label. I remember the Mother’s Day that the color of his rose turned to white. I am still thankful that I wear a red rose in honor of my mom.

Memorial Day seems to have gotten less important but it shouldn’t because it is on that day that we honor those men and women who gave their all for our nation’s freedom. I am writing and you are reading this post because we can because they did.

I have an idea: each day in May begins with an M; May 1^st, May 2^nd, May 3^rd etc so let’s make every day in May a day of celebration and remembrance: 31 days to fill with fun, hope, joy, thanksgiving and special memories.

Books are a great way to teach our children about these holidays. Below is a list of websites that offer some reading recommendations.

May Day: http://www.apples4theteacher.com/holidays/may-day/kids-books

Mother’s Day: http://holidays.kaboose.com/mom-books.html

Memorial Day: http://www.theholidayzone.com/memorial/books.html

Enjoy the holidays!

Martha Swirzinski

www.MovementPlus.com

Get Your Fantasy Story Published: Insider Manuscript Submission Tips From an Editor

I was recently contacted by a rep at Writer's Digest Books & Magazine. If you are not familiar with this awesome writer's resource, be sure to check it out after reading this guest post written by Scott Francis, a Content Editor. Then go to my website and check out the page they sent me about writing YA Fantasy.

Ask anyone. The biggest question when you're a writer is likely "how do you get published?" Some writers start thinking about it way before they should—before they've focused their attention on improving their craft and writing a good story. In my opinion that should always come first and if you're serious about getting published, well, then that's your first step, isn't it? Make sure your writing is good and write something worth reading.

That said, when you are ready to get published, what do you do? There's plenty of advice on how to get published out there—volumes and volumes written on the subject. But within all that wealth of information that's available, how do you know which advice is right for you, especially if you write within a specific genre like fantasy (or an even more specialized niche like fantasy YA or say paranormal YA romance)? The key (aside from having a really great manuscript) is in being detail oriented and communicating well. Sounds easy enough, but if you've been writing for any length of time at all, then you know it can be tricky. Here are a few tips that I hope will help you in your search for publication.

Do Your Research

Before you approach a book publisher with your novel submission make sure you research the kinds of books they publish—you don’t want to send your futuristic cyberpunk novel to publisher looking for dragons and swordplay.

Obviously you should know the subject matter they deal with (and you can often find this out easily enough from their website or a market listing). But beyond that, I recommend dipping into a few of their books. See what the voice of the writers they tend to publish is like. What tone do their books have? It may sound obvious, but if you like what you are reading, then it's more likely that your book will be a good fit. If something about the books turn you off then maybe your writing isn't a good match for what the publisher is looking for. It doesn't mean your writing is bad—only that you're not compatible. As with dating, maybe it's best to just be friends.

This applies to short fiction as well. Before shopping your short story around make sure to read the publications you intend to submit to. Reading other stuff out there will help you zero in on the right publications to target your stuff to, and chances are it will also help your writing. After all, to write well you should read a lot.

Read the Fine Print

I can't stress enough the importance of carefully reading the submission guidelines. Everything you need to know about the way a publisher (or publication) wants to see material submitted will be outlined there. If you don't read them, you're setting yourself up for failure. It's like showing up for a test in school without having studied. Sure, you might skate through somehow, but the odds are definitely not in your favor. Guidelines exist for a reason. Read them. Follow them.

Query Letters

The query letter is your admission ticket. This gets you through the gate, so it's important to do it right. The best way to do that is to keep it short and to the point. The agent or editor who reads your letter wants to know in the fewest words possible what your book is about. Period. My advice is this:

address the agent or editor by name
deliver a short sentence or two that tells them who the main character is and explains the crux of the plot
offer any relevant details about yourself (this should be short and only be included if it seems like something that might be helpful in selling the book)
and finally ask them to contact you if they are interested in seeing a submission package

For short fiction you can ignore this last point since for most short stories you'll be submitting the piece itself along with a cover letter. (All of the above info works just as well for a cover letter as it does a query.)

Submission Package

Your submission package is what you send when you get a positive response from your query, asking to see more material. This may vary from publisher to publisher (which is why it's important to read the submission guidelines). Some publishers may want to see a synopsis (a short summary of the entire book's plot), some may want sample chapters, some may want the first 50 pages or so, and some may want the entire manuscript. Their response (or their submission guidelines!) should outline what they'd like to see. Follow those directions as closely as possible.

Submitting Fantasy Stories

So, what is different about submitting a fantasy, science fiction, or paranormal story?

The real answer is “not much.” The process is the same. The kinds of materials, the types of correspondence, the attention to detail—all of these things are pretty much the same no matter what genre you write in.

However, one important thing about fantasy stories is that there is often a great deal of information that needs to be conveyed in order for the story to make sense. After all, in many instances you've built an entire world that is different from our own, or you've invented a system of magic that has an intricate set of rules, or maybe you've created an entire culture or belief system. Such large concepts can be difficult to convey concisely, but that's exactly what you have to do. You need to boil down your fantasy world's setting or the natural rules that govern your characters' supernatural powers to a simple description.

Agents and editors have short attention spans (they have to do a ton of reading). Your fantastic planet filled with seven different warring races that are unlike anything known to mankind may sound amazing to you, but to an agent or editor it can sound like the other 10 projects that crossed their desk just this morning. What makes yours special? What the essential thing about your story that makes you want to tell it? If you can answer that question, then you have what you need to put in your query letter (hint: it usually comes down to your main character and his or her internal or external conflict). The other details are secondary and you should explain them in a way that is short and to the point, leaving out anything that might confuse matters or bog down your pitch.

………………….

Scott Francis is the editor of Novel & Short Story Writer's Market, the premiere resource dedicated to helping writers get published and find a literary agent. He is an editor for Writers Digest's writing books where he works to develop resources to help writers advance their writing careers in numerous ways including: improving writing skills and writing techniques, getting published, building an author platform, and learning to be a better writer. He is also the author of Monster Spotter's Guide to North America and co-author of The Writer's Book of Matches.

You Need What King, Grisham and Roberts Have!

If your name isn't Stephen King or John Grisham or Nora Roberts you've probably already figured out that you need a publicist. That publicist can be you or someone else, but somebody's got to do it if you want your book to sell. Your publisher won't spend much, if any, time or money on your publicity (except in the above three cases, of course!)

I have a publicist friend who is also an author. He rightfully claims that he could never find a PR person who would do the same kind of job he does, including the time he spends on his own PR. How could anyone argue with that? We all are our own best publicists, even if we hire someone else.

But what if we don't have the time or expertise?

We can learn to do it ourselves. After all, we are writers. We should be able to grasp the knack of how to write a release.

But the best way to do it is to learn a lot about the marketing of books and then partner with expert publicists or people who can help you with specific projects like online book tour specialists. (I suggest resources for these specialists in The Frugal Book Promoter.) If you decide to do that here are some starter recommendations:

1. Join an organization for publishers and authors. That could be Small Publishers Association of North America or IBPA. Yes, even if you are not self-published or subsidy published. Attend their seminars—online and off. You'll learn more about promotion and your own industry than you can possibly imagine. Not only that, but you'll get over your natural reticence to promote yourself and your book. After all, if you don't believe enough in yourself and your book to do a good job of it, who will?

2. Subscribe to my favorite publicity guru's newsletter. Her name is Joan Stewart; her letter is called The Publicity Hound. She does a print version and a free web version. Contact her at jstewart@publicityhound.com or go to her site: publicityhound.com. Tell her I sent you.

3. Take a class in Public Relations. The only way I know how to avoid drastic mistakes in choosing a class is to patronize your local college.

But what if you decide to hire a publicist? You should know that even if you hire one, you’ll need to know some of this stuff to partner well with her.

Here is the one most important rule for finding a good one:

When you hire a publicist, you are buying her Rolodex; and I'm not talking about a list she gleaned from a directory. You could get that at the library from Barron's Directory for less than what it costs to hire a publicist for one month

What I'm talking about is a Rolodex of personal, working relationships with editors, hosts, etc. Those relationships must be—to a great extent—contacts who might have an interest in a project like yours. A book publicist who has had mostly experience with mystery writers, deals mostly with books stores that dedicate themselves to stories about crime, and has a huge file of names of reviewers interested in psycho/thrillers probably won't be able to do you much good if you write literary novels. And if you write mysteries, well! The people she will put you in contact with will be a Trojan horse for you well into an entire career of writing.

Am I speaking from experience? You betcha. And lukewarm results were not the fault of my publicist. She did a great job with what she had. She just didn't have what I needed!

You may wonder why I selected her. The price was right and I thought that with my PR background and a reasonable amount of time at my disposal (until I figured out the plot for my next novel) that I could supplement her efforts effectively. It didn't work out that way. First of all, I didn't have a lot of effective contacts in the book world (it was my first book) and the same rules apply to me, as an author cum PR partner. You gotta know some people.

If you're considering hiring a pro this is one way to go about finding Mr. or Ms. Right:

1. Join a list-serve of authors who write in your genre. Pick their brains.

2. Do a Google search on "book publicists + lists." Keep varying those search keywords until you find something that seems to fit your needs.

3. Then check out what you find with your new friends at the list-serv or organization you just joined. Or your social network. Or your critique partners. Or your writing teachers.

Contacts, contacts, contacts. Contacts can't be warmed up overnight; it takes lots of sincere tact, warmth, and effort. But it’s a skill you will use long after you’ve published your book and after you’ve hired a publicist.

To hire or not to hire is not an easy decision. It isn't an easy process to find the right publicist if you decide to go that route. Warning! Steep learning curve ahead! But the ride will be fun.