When You Can't Attend A Writer's Conference

We've all heard the advice that writers need to attend writer's conferences. I don't disagree with that advice. However, for the last two years my budget and family schedule have. So I've wondered if other writer's have the same dilemma. What options does a writer have when they simply cannot attend a "live" conference?

One option is to purchase session tapes/CDs from a past year's conference. First, it's a lesser monetary investment. Second, you can take much better notes from it because you can stop and restart wherever and whenever you want. Third, you can chose the ones that will most help you at this juncture in your writing career. Another similar option is to review any CDs you currently own from conferences you previously attended. Generally these are CDs from sessions you could not sit in. If you have enough, you can create your own personalized conference right in the comfort of your own home. I've done that with a set of CDs from a conference I attended two years in a row. I'm still getting mileage from those CDs.

Another idea is to attend an online conference.The one I try to attend every year is The Muse Online Writers Conference. It's as good as if not better than conferences you need to travel to. There are teaching sessions, chats and even agent and publisher pitch sessions. Did I mention that it's free? Check out the website and sign up for next year's conference. You'll never regret it. There are a few others that I've listed below you might also want to check out.

http://writeoncon.com/
http://jillwilliamson.com/2011/07/nextgen-online-writers-conference-free/
http://christianwritingconference.com/2011/


Finally, don't underestimate the value of online writing classes, workshops and webinars. Most magazines geared toward writers offer classes. One example is Writers Digest.  Classes range from genre based to grammar related to writing mechanics. Some universities also offer online classes. I've listed a few resources to get you started.


http://www.writers.com/classes.html
http://www.thewritersworkshop.net/onlineclasses.htm
http://www.writersonlineworkshops.com/
Christina Katz Classes
http://www.writerstudio.com/pages/page_cn.php?page=online
https://continuingstudies.stanford.edu/courses/onlinewriters.php




So even if your budget or schedule won't allow travel to a conference, don't give up hope. There are plenty of other options available. Choose what works for you and enjoy conferencing at home!


About the author:
 Marietta "Mari" Taylor is the the author of Surviving Unemployment Devotions To Go and is monthly blogger for the GoAskMom blog at wral.com. Find out more about Mari at her blog or her website, www.mariettataylor.net.

Interview with Gretchen Maurer, author of Mary Tudor, “Bloody Mary”



Gretchen Maurer's writing has been published in Frances Mayes' The Discovery of Poetry, and in Adventure Cyclist and Highlights for Children magazines. She also co-wrote a short film, Alma, that has won multiple awards. Mary Tudor, "Bloody Mary" is her first picture book. She lives in Northern California with her family.

Could you tell us a little about yourself?

Gretchen: I live in Northern California with my husband and three kids. I’ve taught high school and college English, and my writing has been published in The Discovery of Poetry and A Cup of Comfort for Mothers to Be. I co-wrote the screenplay, Alma, a short film that has screened in film festivals throughout the country, and I’ve written for several magazines, including Adventure Cyclist and Highlights for Children. Mary Tudor "Bloody Mary" is my first picture book. It’s a biography for 9 to 13-year-olds, published by Goosebottom Books.

Describe your desk/workspace.

Gretchen: My big, white, Ikea desk, just off the kitchen, is my base. But when no one’s home, I prefer to write with my laptop at the kitchen table, because I like the view of the trees and the valley below. I used to share an office in town, and I loved that, but I gave it up a few years ago because I couldn’t justify the expense. Sometimes, when I really need to concentrate and I’m getting distracted in my house, I park my minivan in a shady spot somewhere in town and work from my car. It sounds crazy, but until my neck starts to seize up, it works.

Do you have a favorite quote?

Gretchen: This quote by Ira Glass is long, but I find it encouraging and motivating: “Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
 
What are you currently reading?

Gretchen: State of Wonder, by Anne Patchett

What is the best advice you've ever received?

Gretchen: I’ll go with my mom’s mantra: Be Yourself. It took a while to know who that was, but I always knew it was something to shoot for. I’ve realized that it’s essential to Be Yourself as a writer, too. See the world as only the way you see it, and share that—your perspective; your take on a person, character, or event—the way only you can.

If you could have coffee with anyone (living or dead, real or fictional), who would it be and why?

Gretchen: I’d want to meet my maternal great grandmother. She lived in Norway and raised my grandfather there before she and her husband, my grandpa, and his siblings moved to Minnesota (I think my grandpa was six at the time). When my grandpa was in his nineties, he slipped and fell. His brain swelled, and the doctors found fluid in his brain. I visited him in the hospital, and to my shock, he spoke to me Norwegian—on and on, something about the free church. I’d never heard him speak Norwegian before, so listening to him was interesting and upsetting at the same time. Later, I started thinking more about what my grandpa’s childhood must’ve been like, and wishing I could meet his mother—to talk with her, sleep in her house, and taste her lefse and fish cakes.

What are your top three favorite books and why?

Gretchen: It’s hard to pick three favorites, but here’s three off the top of my head: The Beet Queen, by Louise Erdrich, because there are some scenes in that novel that are just perfect; East of Eden by Steinbeck, because of the characterization and setting; and The Girls Guide to Hunting and Fishing, by Melissa Bank, because of Banks’ humor and restraint.

What was your favorite book as a child and why?

Gretchen: The Velveteen Rabbit. I loved imagining that rabbit coming to life, and thinking about the question the story poses, What is Real?

What would you say is your most interesting writing quirk?

Gretchen: I don’t know if it’s interesting, but I’m co-writing a novel right now with a friend, and now that we’re at the editing stage, we’ve noticed that our characters tend to breathe and nod too much. We’re in the process of editing a lot of it out, to keep our book from being hijacked by hyperventilating bobbleheads.

Do you write full-time or part-time?

Gretchen: part-time.

What are your current marketing strategies for Mary Tudor, “Bloody Mary”?

Gretchen: I’ve been giving talks and doing book signings at bookstores, book fairs, and literacy conferences. I will soon be visiting classrooms, too and I look forward that. I also have a Facebook page for my book: http://www.facebook.com/MaryTudorBloodyMary. There’s also information about my book and the other books in the series, including the link to the publisher’s facebook page, at www.goosebottombook.com.

Could you share about any current writing projects?

Gretchen: I’m finishing up a novel I’m co-writing with a friend, targeted at the women’s fiction market. We’ve been at it for a while, so I cannot wait to complete it and send it off.

What would be the best way for readers to contact you?

Gretchen: They can contact me directly by email: gretmau@yahoo.com.
They can also check out my Mary Tudor “Bloody Mary” Facebook book page: 

Where can people find your book?

Gretchen: You can click here to order Mary Tudor “Bloody Mary” from the publisher’s website: http://goosebottombooks.com/site/BookDetail_s2b3.php, or the distributor’s website: www.ipgbook.com. You should also be able to find my book in your local bookstore. The bookstore can order it from their distributor if they don’t already have the book on their shelf

Is there anything else you'd like to share?
  
Gretchen: Thank you!

Natasha Yim’s current book, Cixi, The Dragon Empress and Gretchen Maurer’s current book, Mary Tudor, “Bloody Mary” are two of the six books (all written by different authors) in Goosebottom Books’ series, The Thinking Girl’s Treasury of Dastardly Dames. The series profiles six women in history who have earned dastardly reputations.

You can find out more about Natasha Yim and Gretchen Maurer’s World of Ink Author/Book Tour schedule at http://storiesforchildrenpublishing.com/YimandMaurer.aspx. There will be giveaways, reviews, interviews, guest posts and more. Make sure to stop by and interact with Yim and Maurer, along with the hosts at the different stops by leaving comments and/or questions.

In addition, come listen to Blog Talk Radio’s World of Ink Network show: Stories for Children at http://www.blogtalkradio.com/worldofinknetwork. The hosts VS Grenier, Kris Quinn Chirstopherson and Irene Roth will be chatting with Natasha Yim and Gretchen Maurer about their books, writing, the publishing industry and experiences with virtual tours. Yim and Maurer will also be sharing writing tips and trials, and tribulations of the writer’s life. The show will be live November 14, 2011 at 2pm EST.

Rewriting Completed Stories?

Rewriting Completed Stories for a Totally Different Audience
by Elysabeth Eldering


Once a story is written, is changing the story from one genre to another or from one audience to a completely different one a good idea?

When I had a vision of a house one day a few years ago, I wrote two pages of a story that was supposed to be a past lives/metaphysical story for adult readers. I put the two pages aside for a couple of years. When I came back to it, the secret passages and the secret messages kept urging me to write the story. I created secret coded messages and urged my character to follow the paths and find the clues as to why the house was so important to her. I finished the story. I had worked long hours and many nights on the codes and secrets of the house. When I felt it was ready for my editors to give me their feedback (at the time I had two friends who are also writers who were big sources of encouragement as well as being great editors), I sent them the story. The first comments I got back were, "The story is too complicated; I stopped reading about a third of the way through." "I got bored with the details of the codes and all that stuff you had there." The second editor said I needed to turn the story into a children's story, in other words, completely change my thinking on the story and rewrite it. When I got those comments back, I felt like the story wasn't worthy of being told. So, again, the story went on the back burner for a year or so.

During the time the story had been brewing or maybe it was stewing, I started on my state stories. I was at the beginning of my publication route when I decided to pick Kelly back up and think about rewriting her story. I had been participating in NaNoWriMo as a cheerleader and source of encouragement for my friends for several years, not really tackling the task of writing my own novel during that time. (And for those of you not familiar with NaNoWriMo or National Novel Writing Month, it is basically the month of November where the goal is to crank out 50,000 words of a novel or several stories in 30 days. We are almost halfway through the month at the time of this writing and there are some impressive numbers being posted on the NaNoWriMo site. This is a time when writers from all over the world keep their heineys in the chair and just write like the dickens during the month. But don't let that 50,000 word goal throw you off, you can set your own personal goal, which can be less or more, but you will not receive the winner's certificate at the end of the month if you don't write at least 50,000 words during the month. This isn't my reason for participating in NaNo; rather, my thinking is to hobnob with other writers and hope to be inspired to write a novel one of these days.) In November of 2008, after having had my first state mystery published and taking on my big promotion task (this meant traveling to different events trying to get my name out there) and sort of participating with Mr. Hughes' class during the little bit of time I could spend with the class at the beginning of November, I decided to rewrite Kelly's story.

I didn't start rewriting the story until the middle of November and completed it 30 days later, with the awesome cheerleading skills and encouragement of my two editors, topping out at about 56,000 words. Wow! I wrote a novel or 50,000 words in 30 days. That was a major accomplishment for me since all my previous stories for contests and even my state stories had not been longer than 10,000 words, and maybe not even that long (I think my longest story at the time was just over 8,000 words). I was very proud of how the story turned out. Yes, I totally started over so none of those 56,000 words were part of the original story other than the character's name staying the same and the house being full of secrets and enticing Kelly to find out what the secrets were. The theme was there; it was no longer a "past life" story but it did involve a ghost of sorts. And I totally went from a story geared for adult readers to a story geared for the young adult reader.

What, you may ask, did I come up with? A YA paranormal mystery called Finally Home. I took Kelly from being a 30something-year-old going into a house that she had been in before in a previous life to a 14-year-old who is uprooted when her father's company moves them to a podunk town and she is immediately attracted to a house across the street from where they are living. There is something in the house that beckons Kelly and with the help of Emma, the nosey busybody neighbor kid, Kelly finds out all the secrets. The house is more than an eyesore that needs to be torn down and Kelly finds out why. Did I make the right decision in rewriting my story for a totally different audience? I feel I did.

I finally finished the revisions on Finally Home (see last month's posting on this blog about revising) and submitted to my illustrator/graphic designer for her magic and received my first proof copy two days ago. I have gone through the proof copy and made some requested changes, sent them back to Heather and she has done her magic fixes. The ms is now back at the printers (I use createspace to self-publish my stories now) for review (usually within a few hours or a day or so, I get a notification that the book meets their specifications or not and then have Heather fix, if necessary, or go ahead and order a proof copy). I am now waiting for the review to be completed so that I can order the second proof copy, and barring no errors that I can detect on the read through (I will find them after I release the book I'm sure, so if you order a copy and find any errors, it's okay to let me know - lol), Finally Home will be released to the public, just in time for the gift giving season. I am taking preorders now so that as soon the book is released I can just place the order and have copies in your hands before you plan to give to someone as a gift. Orders may be made on my website. Copies are just $15 and that includes shipping.

See you all in the postings - E :)

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ABOUT THE AUTHOR: Ms. Eldering is the award-winning author of the Junior Geography Detective Squad (JGDS), 50-state, mystery, trivia series. Her stories "Train of Clues," "The Proposal", "Tulip Kiss", and "Butterfly Halves" all placed first, second, or runner up in various contests to include two for Armchair Interviews and two for Echelon Press (Fast and ... themed type contests). Her story "Bride-and-Seek" was selected for the South Carolina Writers' Workshop (SCWW) anthology, the Petigru Review. Ms. Eldering makes her home in upper state South Carolina and loves to travel, read cross-stitch and crochet. When she's not busy with teenaged children still at home, she can be found at various homeschool or book events promoting her state series and her YA paranormal mystery, Finally Home.

Elysabeth's everything blog
Elysabeth's other writings website
JGDS Series blog
JGDS Series website

Optimising Social Networking for Authors

I know that all of you are social media mavens. I know that you've all got Facebook, LinkedIn, a range of Ning accounts, use Shelfari, Library Thing and Goodreads, and are Twittering regularly. But is it enough? Are you maximising the value of these tools in order to draw in more readers and create a permanent network of fans, colleagues and associates who will be part of your 'clan' for the long run? If you're like most people you probably worry about it, so here are a few tips for optimising your social networking.

Quality outweighs quantity. I know there are people out there, like Ashton Kutcher, who not only disagree with me, but have proven me wrong. But we don't all have the Kutcher's genes or the luxury of a full time publicist. For the rest of us mortals, we need to draw in friends who can help us grow, who can draw us into wider and relevant networks - link with the socially adept, the successful, and seek them out in your networks. That doesn't mean you have to be choosy or refuse friend requests, but you can at least focus your targeting efforts on those who you want to emulate and whose networks fit your messages, your books, your focus.

Don't spread yourself too thinly. Yes, I'm guilty of this and you probably are too. It's better to pick a few highly visible networks and post on them regularly networking strongly there than do tiny, sporatic bits and pieces all over the place. There are so many networks, and new ones are springing up all the time - touting to be the new facebook for writers, asking you to post regularly, to blog there, to participate. If you try and keep up with it all you won't get any writing done. So pick a few and give them a little extra love. I tend to focus my energy these days on Facebook (especially my author page - http://www.facebook.com/pages/Magdalena-Ball-Author/154205247984373), Twitter (http://twitter.com/magdalenaball), LinkedIn: http://au.linkedin.com/in/magdalenaball, and Good Reads http://www.goodreads.com/author/show/700078.Magdalena_Ball.  That's plenty for me!

Give at least as much as you get. Answer other people's questions. Congratulate other people's successes. Support your fellow writers by retweeting their information, commenting on their blogs, and sharing their links. it isn't all about sales - it's also about creating global community and when the time comes for you to gather in the support you'll find that what you've given out comes back to you in spades.

When social networking works well, it's a global village where we all work together for the sake of meaning making. In the words of Sarah Blasko, the burden's not just your own. If you're authentic and really, truly connect, then you'll find that your promotional, and indeed even your writing task, is made easier. You'll be stimulated and supported by people who have become more than just tenuously linked strangers.

About the author: Magdalena Ball is the author of Sleep Before Evening, Repulsion Thrust, Quark Soup, and a number of collaborations and anthologies. Find out more about Magdalena and grab a free copy of her book The Literary Lunch at www.magdalenaball.com.

Feeling Stuck? Try These Writing Prompts!

Sometimes all it takes is a little boost to get your creativity in gear. Next time you're in a writing rut, here are some prompts to try:

• Write down a memory of a time you had a conflict with someone else. This could be with a significant other, child, sibling, parent, friend, or any other conflict that comes to mind. Now, write the same scene again, but this time from the point of view of the other person.

• Pick one ordinary household object. It can be anything: an egg timer, a reading lamp, a vacuum, a blender. Next, imagine a world in which that object is unknown. Create a character that stumbles onto this object and try to describe it in a new way, as they would view it. See where the story takes you.

• Have you ever read a book or seen a movie and wondered what happened to the characters after it was over, or before it started? Now is your chance to find out, because YOU are going to write it yourself!

• Write a song about ... well, about anything you want! Set it to the tune of your favorite song, or make up your own tune.

• What if something out of the ordinary happened on an ordinary day? What if it snowed in Vegas? What if a 2-ton whale washed up on the beach? What if a family with eight children moved in next door?


Dallas Woodburn is the author of two award-winning collections of short stories and editor of the new anthology Dancing With The Pen: a collection of today's best youth writing. Her short fiction has been nominated for a Pushcart Prize and the Dzanc Books "Best of the Web" anthology and has appeared in many publications including Monkeybicycle, Arcadia Journal, and Diverse Voices Quarterly. She has also published 70+ articles and essays in outlets including Family Circle, Writer’s Digest, The Writer, The Los Angeles Times, and more than a dozen Chicken Soup for the Soul series books. Dallas is the founder of Write On! For Literacy, a nonprofit organization that empowers kids and teens through reading and writing. She frequently teaches creative writing workshops, mentors young writers and artists, and organizes an annual Holiday Book Drive that has donated more than 12,000 new books to underprivileged and at-risk youth. She is currently pursuing an MFA in Fiction from Purdue University, where she also teaches undergraduate writing courses and serves as Assistant Fiction Editor of Sycamore Review. Her website is www.writeonbooks.org and she frequently posts writing prompts, articles, and interviews with writers at her blog: http://dallaswoodburn.blogspot.com. Follow her on Twitter @DallasWoodburn and @WriteOnBooks.

What are Project Mood Boards and Why Do You Need One?

by Suzanne Lieurance When submitting your manuscripts for possible publication these days, you’ll probably find that many agents and editors...