What Is Near Future Sci-Fi?

Steampunk is a recent sensation and is a sub-genre of science fiction and speculative fiction that often incorporates elements of fantasy. The setting is usually late 1800s Victorian Britain.

Futuristic inventions and innovations are powered by steam and introduce conflict that help drive the stories and often lead to alternate historical paths.

Steampunk generally tends to be less dystopian than its literary cousin cyberpunk.

H. G. Welles and Jules Verne were masters of using fictional machines that took their audiences on a magical mystery tour without having to leave the comforts of their home. These writers were far ahead of their time.

Today we see an emerging genre similar to Steampunk called Near Future Sci-fi.

Instead of using futuristic steam powered machines in the present setting, we see potential breakthroughs in physics, technology, biochemistry, and nanotechnology leading the way.

Near-future science fiction is set in the present day or in the next few years.

Elements of the setting should be familiar to the reader, and the technology may be current or in development. Stories about theoretical physics, nanotechnology, genetics, and techno thrillers often fall into this category.

Example: 

Einstein-Rosen Bridges, or wormholes as they are commonly known. In a nutshell, wormholes are theorized and predicted portals though the space-time continuum. The term ‘wormhole’ gets its inspiration from the idea of a worm traversing from one side of an apple to the other side. The idea is that if a worm could tunnel through the apple to the other side, then a shortcut would be established.

In the same sense, a wormhole through the space-time continuum could theoretically allow matter, including people, to be transported through a hole from one point to another such as Los Angeles to Boston. For now, wormholes are filed under theoretical physics as a proposed theory, something physicists believe may be true about our universe but have yet to prove it in a laboratory under rigorous conditions.

Hollywood likes to fantasize and sensationalize wormhole concepts and place the setting in the future, develop strange characters with pointy ears, and (gulp) use wormholes for time travel, which simply is not a practical or realistic use of wormholes. But they make for a good story nonetheless.

However, using a wormhole to punch through the fabric of space (length, width, and height) is far more realistic. In fact, governments, militaries, universities, large global conglomerates, and the guy working in his garage have committed larges sums of time and resources to discovering a breakthrough in practically using wormholes to travel through space, even if it’s a short distance such as from one side of the laboratory to the other side.

We know space is already curved. If space can be folded like a piece of paper, then punching a hole through the two pieces can make a shortcut, or a wormhole.

Wormholes (also called Star Gates and Jump Points in fiction) are seen everyday in children’s TV programs such as Pokeman, Dragon Tales, Dinosaur Train, and Fairly Odd Parents and shows like Stargate, Sliders, and the Star Trek series among countless other shows. They’re also in popular movies such as Déjà Vu (Denzel Washington), Jumper (very cool movie), the Terminator series, and Contact (Jodie Foster).

After a cursory glance of my kids DVDs I see two movies with wormholes: Princess and the Frog and Meet the Robinsons.

Author: Stephen Tremp.

Publicity is FREE: 15 Commandments for Getting In on the Ride

By Carolyn Howard-Johnson

An Excerpt from THE FRUGAL BOOK PROMOTER:

HOW TO DO WHAT YOUR PUBLISHER WON’T

A huge retailer once said that advertising works, we just don’t know how, why, or where it works best.

What we do know is that advertising’s less mysterious cousin, publicity, works even better. It is the more reliable relative because it is judged on its merit alone and carries the cachet of an editor’s approval. It also is surrounded by the ever-magic word “free.” The two are easily identified as kin.

These two often walk hand-in-hand and yet they can be incompatible. The editors of good media outlets will not allow the advertising department to influence them. Still, in an effort to be completely impartial they reserve the right to use advertiser’s stories editorially if they deem them newsworthy.  That is why it is helpful to use advertising in a vehicle that plays to the audience you would like to see standing in line for your book. This paid-for exposure then becomes an entrée to the decision-makers. A contact in the advertising department may be willing to put a news release on the desk of one of his editors, maybe even encourage her to look at it.  There are no contracts, but it does sometimes work. If you’re going to try this route, choose a “little pond”, a bookish brochure or an “arty” weekly so that the dollars you spend will be noticed.

Sometimes a magazine or newspaper will run a special promotion called advertorial.  These are sections where you pay for an ad and then the newspaper assigns a reporter to cover the story you want told. The article carries some of the prestige of editorial copy—that is the general reader may assume the article has been chosen only on its merits because of its copycat character. The writer or editor you meet will can be approached when your have something exceptional.

Still, advertorial isn’t exactly FREE. If FREE sounds more like the fare that will serve your needs, carve out some time to do it yourself and follow these 15 commandments:

Educate yourself: Study other press releases. Read a book like my The Frugal Book Promoter: How To Do What You’re Publisher Won’t (www.budurl.com/FrugalBkPromo). Be sure to find the sample media releases and other writer’s tools in the Appendix.

Read, read, read: Your newspaper. Your e-zines. Even your junk mail, a wonderful newsletter put out by the Small Publishers of North America (www.spannet.org) and one called The Publicity Hound (www.publicityhound.com.)  My daughter found a flier from the local library in the Sunday paper stuffed between grocery coupons.  It mentioned a display done by a local merchant in the library window. My second book, HARKENING: A COLLECTION OF STORIES REMEMBERED, became a super model in their lobby and I became a seminar speaker for their author series. Rubbish (and that includes SPAM) can be the goose that laid the golden egg.

Keep an open mind for promotion ideas: Look at the different themes in your book.  There are angles there you can exploit when you’re talking to editors. My first book, THIS IS THE PLACE is sort of romantic (a romance website will like it) but it is also set in Salt Lake City, the site where the winter games were played in 2002 and, though that’s a reach, I found sports desks and feature editors open to it as Olympics © fervor grew and even as it waned because they were desperate for material as the zeal for the games wound down.

Cull contacts: Develop your Rolodex by adding quality recipients from media directories. The Web site http://www.gebbieinc.com/ has an All-in-One Directory that gives links to others such as Editor, Publisher Year Book, and Burrell’s. Some partial directories on the web are free and so are your yellow pages. Ask for help from your librarian—a good research librarian is like a shark; she’ll keep biting until she’s got exactly what she wants.

Etiquette counts: Send thank-you notes to contacts after they’ve featured you or your book. This happens so rarely they are sure to be impressed and to pay attention to the next idea you have, even if it’s just a listing in a calendar for your next book signing.

Partner with your publicist and publisher: Ask for help from their promotion department—even if it’s just for a sample press release.

Publicize who you are, what you do: Reviews aren’t the only way to go. E-books are important promotion tools and Twitter is big news right now (find me at www.twitter.com/frugalbookpromo). Katy Walls, author of “The Last Step,” coordinated an “anthology” of recipes from authors who mention food in their books (yes, some my family’s ancient recipes from polygamist times are in it). It is a free e-book, a promotional CD, and great fodder for the local newspapers. If you’d like a copy, e-mail me at HoJoNews@aol.com. Use it as a cookbook and as a sample for your own e-book promotion.

Think of angles for human interest stories, not only about your book but about you as its author. Are you very young? Is writing a book a new endeavor for you? Several editors have liked the idea that I wrote my first book at an age when most are thinking of retiring, that I think of myself as an example of the fact that it is never too late to follow a dream.

Develop new activities to publicize:www.MyShelf.com. Get charities involved. Think in terms of ways to help your community.

Send professional photos with your release: Request guidelines from your target media. Local editors won’t mind if you send homey Kodak moment--properly labeled--along with your release. Some will use it; it may pique the interest of others and they’ll send out their own photographers. It’s best, however, to send only professional photos to the big guys.

Frequency is important: The editor who ignores your first release may pay more attention to your second or twenty-fifth. She will come to view you as a source and call you when she needs to quote an expert.  This can work for novels as well as nonfiction. I received a nice referral in my local newspaper because I am now an “expert” on prejudice, even though my book is a novel and not a how-to or self-help piece.

Follow Up: Shel Horowitz, author of Marketing Without Megabucks (http://www.frugalfun.com ), reports that follow-up calls boost the chances of a press release being published. Voice contact builds relationships better than any other means of communication.

Keep clippings: Professional publicists like Debra Gold of Gold & Company do this for their clients; you do it so you’ll know what’s working and what isn’t.

Evaluate: One year after your first release, add up the column inches. Measure the number of inches any paper gave you free including headlines and pictures. If the piece is three columns wide and each column of your story is six inches long, that is 18 column inches. How much does that newspaper charge per inch for their ads? Multiply the column inches by that rate to know what the piece is worth in advertising dollars. Now add 20% for the additional trust the reader puts in editorial material.

Set goals: You now have a total of what your year’s efforts have reaped.  New publicist-authors should set a goal to increase that amount by 100% in the next year.  If you already have a track record, aim for 20%.

Observe progress: Publicity is like planting bulbs. It proliferates even when you aren’t trying very hard. By watching for unintended results, you learn how to make them happen in the future.

Carolyn Howard-Johnson is the author of THE FRUGAL BOOK PROMOTER: HOW TO DO WHAT YOUR PUBLISHER WON’T (www.budurl.com/FrugalBkPromo ), now in its expanded second edition. For a little over 2 cents a day THE FRUGAL BOOK PROMOTER assures your book the best possible start in life. Full of nitty gritty how-tos for getting nearly free publicity, Carolyn Howard-Johnson shares her professional experience as well as practical tips gleaned from the successes of her own book campaigns. She is a former publicist for a New York PR firm and a marketing instructor for UCLA's Writers' Program. Learn more about the author at http://HowToDoItFrugally.com .

How I wrote my novel

How I Wrote My Novel, mostly sitting at my computer, plus a relatively small portion of it by hand in a succession of notebooks …

I just signed a contract with MuseItUp Publishing for my tween sci-fi novel, “Relocated,” so this feels like an appropriate time to talk about how I came to write it.

I am a 'way back sci fi fan. I selected Robert A. Heinlein's “Farmer in the Sky” for my tenth birthday, and at that point I was already a fan. I've continued to read copious amounts in the many years since. In spite of that, I had backed away from attempting to write my own sci fi story.

Last September I decided that I would write a sci fi novel for NaNoWriMo, which takes place every November. I decided to write a novel for kids, and I made my main character fourteen. Then I had to plan my novel and build my world. Or, in my case, build my world and plan my novel.

I'm always telling myself stories in my head, and some of them took place on alien planets. I'd done a fair amount of thinking about my alien society, and a couple of things had really sparked my imagination: shared responsibility and mutual support rather than rules and laws, and four-person relationships. I did a lot of thinking about the spiritual life, diet, landscape, literature, art, and music. Why, you might ask? Because I like that stuff. In fact, I ended up writing 30 poems “by” an ancestor of one of the characters in the book as part of Robert Lee Brewer's November poem-a-day chapbook challenge. Eight of them ended up in the novel itself. I also wrote a story, sort of a folk tale that I managed to work into the book as well.
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For various reasons, I wanted my aliens to be close to humans in appearance. I made them tall, slender, and dark skinned. I wanted them to look distinctive, and I was tired of pale, beautiful aliens. I wanted dark, beautiful aliens.

After that, I made notes about the novel itself. I made notes about the setting, my main character's motivation and character arc. Most of that was good. I ended up renaming his father, as an early reader told me his original name was too much like that of the main character. The plot and most of the secondary character went out the window once I started writing; I kept a lot of the direction of the story, but the details ended up quite different. The nature of the plot that Keth uncovers changed. The adult characters involved in the Terran/Alien romance changed. Dad's character changed, as did that of his boss, Brad. All of the kids other than the main character were new. I had fifteen plot points, I threw all of them out the window.

And after Nano was over, I let the novel sit until January. Then I started revising. And revising. And revising... but, hey, that's what happens when you start writing without much of a plot outline.

Writing for Children: Submissions to Contract to Book Promotion to Career Part 1

The foundation of writing for children, or any genre for that matter, is to learn the craft of writing. In regard to being a children’s author you will need to learn the specific rules and tricks to create appropriate stories with age-appropriate words and storylines.

Once you have taken the time to hone your craft and have critiqued, revised, and edited your manuscript to a polished state, it’s on to the next phases of the traditional children’s writing path: submissions, promotion, and a writing career.

1. Submissions

Before you think about submitting your work anywhere, be sure you’ve completed the necessary steps to learn the craft of writing. You’re manuscript needs to be as polished as you can possibly get it.

Submissions can fall into two categories: those to publishers and those to agents. In regard to submitting to agents, in a Spring 2011 webinar presented by Writer’s Digest, agent Mary Kole advised to “research agents.” This means to find out what type of agent they are in regard to the genre they work with and the agent platform they provide: do they coddle their authors, do they crack the whip, are they aggressive, passive, involved, or complacent. Know what you’re getting into before querying an agent, and especially before signing a contract.

Here are a couple of sites you can visit to learn about agents:

http://agentquery.com
http://www.guidetoliteraryagents.com/blog/

The same advice works for submitting to publishers also; research publishers before submitting to them. Know which genres of children’s books they handle and the type of storylines they’re looking for.

Whether submitting to a publisher or an agent, always follow the guidelines and always personalize the query. There may be times the guidelines do not provide the name of the editor to send the query to, but if you can find that information, use it.

According to Mary Kole, it’s also important to know how to pitch your story. This entails finding the story’s hook. Agents and publishers also want to know what the book’s selling points will be and what successful books it’s similar to. In addition, they will expect to be told what your marketing strategy will be. It’s a good idea to create an online presence and platform before you begin submissions; let the agents and publishers know you will actively market your book.

Along with the story’s hook, you need to convey: who your main character is and what he/she is about; the action that drives the story; the main character’s obstacle, and if the main character doesn’t overcome the obstacle, what’s at stake.

Ms. Kole recommends reading “the back of published books” to see how they briefly and effectively convey the essence of the story. This will give you an idea of how to create your own synopsis.

When querying, keep your pitch short and professional, and keep your bio brief and relevant. You will need to grab the editor or agent and make them want to read your manuscript.

Here are four tools you can use to help find a publisher or agent:

•    Writers Market: Where and How to Sell What You Write
•    Children’s Writer’s & Illustrator’s Market: Over 700 listings for book publisher’s, magazines, agents, art reps, and more
•    Guide to Literary Agents: Where and How to Find the Right Agents to Represent Your Work
•    WritersMarket.com: Online resource to help you sell what you write

Karen Cioffi is an award-winning children's author and children’s ghostwriter as well as the founder and editor-in-chief of Writers on the Move. You can find out more about writing for children and her services at: Karen Cioffi Writing for Children.

Check out the DIY Page and don’t forget to sign up for the Newsletter that has great monthly writing and book marketing tips.

And, get a copy of WALKING THROUGH WALLS (a middle-grade fantasy adventure set in 16th century China. Honored with the Children’s Literary Classics Silver Award.

Buzzing Your Book

by Shelby Patrick

I spent a week in New York City recently attending ThrillerFest. While there, I went to several workshops and my favorite was on "Buzzing Your Book". The presenters were very professional and full of knowledge. After providing an introduction, they asked for volunteers to stand up and tell everyone what their book was about in one sentence, then the presenter was asked a few questions, and afterward the workshop instructors brainstormed FREE ideas to market their book. I'd like to share a few with you here now.

M.J. Rose, one of the instructors, told us of how she got a new puppy and started frequenting an online forum for the breed of dog she had. At the end of every post, she would put in a simple tag line (M.J. Rose, author of Lip Service). She posted a lot and after about six months time, someone on the board finally asked her what Lip Service was. When she responded, 400 books were sold overnight. Wow! That would be nice, wouldn't it? Posting to forums is a tried and true method of getting the word out; however, don't go in there with the intent to advertise straight out. Do it subtly, in a small signature line.

Another idea, as pertains to fiction, is to create short stories centered around each of your characters. People will get more involved with the overall book if other stories use those characters. Popular books and movies do it all the time with their fan fiction. Readers love to see their favorite characters in other settings outside the original one.

Once you have tried that, or even if you prefer not to, then let's move on. Try picking five things from your book that catch your eye. For example, in my upcoming novel Behind the Masque, I might choose the following: University of Michigan, The Whitney Restaurant, Society of Former Special Agents of the F.B.I., Alcoholics Anonymous, art history majors. Then do a search online using those terms. Find places, organizations, forums, etc. where interest might lie in those subjects and get involved, once again subtly advertising your book.

Books don't get sold by themselves and most of us probably can't afford an expensive advertising budget or to hire a PR firm, so we have to find easy and cheap ways of getting the word out ourselves. It's not as hard as one would think. If you can write, you can come up with new and exciting ways to market yourself. Good luck!

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Shelby Patrick, author of When Angels Sing and The Fear Within.
Website: http://www.shelbypatrick.com/

Email: blackwidow@shelbypatrick.com
Follow me on FaceBook and Twitter (@shelbypatrick)

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My Brother the Frog: A Fun and Creative Approach to Sibling Rivalry

Today we welcome Kevin McNamee, who is thrilled to be talking abut his latest children’s book, My Brother the Frog.  This is Kevin’s sixth children’s book published with Guardian Angel Publishing.

Kevin, what is this story about?

This book focuses on sibling rivalry between two brothers.  Sibling rivalry can be a problem in any family.  But in this story, a little brother deals with this dilemma in a most unusual way.  He changes his brother into a frog.  He does have a bit of trouble changing him back though.  He manages to change his brother into a variety of animals until he finally gets it right.  Meanwhile, he starts to realize how much he cares for his brother, and how much his brother cares for him.

How did you come up with this story?

I wanted to come up with a wacky story that would be a lot of fun to read, and be something that boys would relate to.  In my humble opinion, there are not enough books for boys out there.  So I was happy to contribute one.  The basic idea was: What if a boy could change his brother into a frog?  What would happen then?  I was thinking about using animals, but I’m not sure why I chose a frog as the first animal.  Maybe it’s because frogs are funny and My Brother the Frog is an interesting title.  But even though this book was a lot of fun to write, I wanted it to have a serious message.

What was the hardest part about writing this book?

To me, the hardest part was the pacing.  In a picture book, every word counts.  So it was a particularly difficult challenge to keep the action moving along using a minimal amount of words, while still being able to tell a complete story.  Alexander Morris’s illustrations are top notch and really helped to tell the story.  So I think that together, we were able to put together a story that both kids and parents will love.

Is there anything else that you would like to add?

Relationships with siblings may not always be perfect, but this book points out some very good reasons to love your family … warts and all, especially if your brother just happens to be a frog.

 

This book is available as a print book, an E-book, or a book on CD from the Guardian Angel Publishing Children's Bookstore.

Books are also available from amazon.com, barnesandnoble.com, or ask your local bookstore.

Kevin McNamee is a writer and poet living in Yonkers, N.Y., and has never, ever changed anyone into a frog, although there were times that he really wanted to. 

Other books by Kevin include: If I Could Be Anything, The Sister Exchange, Lightning Strikes, The Soggy Town of Hilltop and What Is That Thing?    

Kevin’s poetry has been published in the collection, An Eyeball in My Garden: And Other Spine-Tingling Poems. 

To find out more about Kevin, please visit his website at www.kevinmcnamee.com or his blog at http://www.kevinmcnameechildrensauthor.blogspot.com/. 

Where Does One Begin in Creating a Media Kit?

Where Does One Begin in Creating a Media Kit?


By Donna McDine

Media Kit? Why would I need a media kit, I’m not even published yet? To be quite honest with you it’s never too soon to start. To begin now will make it much simpler to add to as you move forward in your writing career. The essential components in creating your media kit are:
About the Author or Writer (Bio): This one pager consists of your current bio, education, current work-in-progress, and contact information (email, blog and website addresses). After you become published update your bio to reflect each success.
Appearances: Appearances may include volunteer reader at your local library and/or school visits and later on as you become published you will be known as the local children’s author which then will open up doors to school visits.
Interviews (online and in-person): Before I became published - myself and fellow aspiring writers interviewed each other for our blogs to get our names out there. It’s fun and simple. Contact a fellow writer and exchange questions and there you have your first finished interview.
Awards and Publishing Credits: This may be blank for now, but create the page with this heading and you can fill in your information as you go along. Your publishing credits include no-pay, low-pay, and paying markets both online and print.

Media Releases: Even without publishing credits you can create a media release about upcoming interviews and book reviews on your blog and of course tying in with interviews make sure you write up a media release about your personal interviews. It’s important you send out your media release to your network and post on free media release sites such as www.prlog.com. For a more detailed list of the services I utilize visit: http://donnamcdine.com/dynamicmediareleases.html. 

Book Reviews: Yes, even if you don’t have a book published yet do not forget this important part for when you do so you can place excerpts of book reviews for easy reference.
Some of your pages will be blank for now, but you will be surprised how quickly they will fill up. All of my pages started out blank and are now filling up. My book review page is still blank and I’m eagerly awaiting reviews to fill in below the title. The saying from the movie The Field of Dreams… “Build it and they will come” is true for your media kit too. The intention and creation of blank titled pages will bring it to fruition. Oh and yes, working at your writing craft is essential too.

If you have any questions I’d be happy to help. Feel free to email me privately at donna@donnamcdine.com. You may also view my media kit at http://donnamcdine.com/mediakit.html. 
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Donna McDine is an award-winning children's author, Honorable Mention in the 77th and two Honorable Mentions in the 78th Annual Writer’s Digest Writing Competitions and Preditors & Editors Readers Poll 2010 – Top Ten - Children’s Books category – The Golden Pathway.

Her stories, articles, and book reviews have been published in over 100 print and online publications. Her interest in American History resulted in writing and publishing The Golden Pathway. Donna has two more books under contract with Guardian Angel Publishing, The Hockey Agony and Powder Monkey. She writes, moms and is the Editor-in-Chief for Guardian Angel Kids, Publicist for the Children’s Writers’ Coaching Club and owner of Dynamic Media Release Services from her home in the historical hamlet Tappan, NY. McDine is a member of the SCBWI and Musing Our Children.
The Golden Pathway ~ August 2010 ~ Guardian Angel Publishing, Inc. http://www.guardianangelpublishing.com/pathway.htm ~ Global e-Book Awards Nominee
Donna’s Website: http://www.donnamcdine.com/

Write What Inspires You Blog: http://www.donna-mcdine.blogspot.com/

The Golden Pathway Blog: http://www.thegoldenpathway.blogspot.com/

Write What Inspires You! FREE Newsletter: opt-in @ http://www.donnamcdine.com/ and receive FREE e-book “Write What Inspires You Author Interviews”

Don't have time to write and post your media releases? Contact: Dynamic Media Release Services: http://www.donnamcdine.com/dynamicmediareleases.html