5 Tips to Writing Your Author's Bio

Writing your first novel is an endeavor that takes perseverance, but writing your author’s bio can cause the most loquacious of authors to freeze. What should you include? What can be left out? And most important of all, what do your readers want to know and that will encourage them to buy your book?

Here are 5 tips to writing your author’s bio.

1. Write your bio in the third person. While writing your novel you probably struggled here and there with the invisible critic that seems to be ever close. That critic rears up again when the time comes to write your bio, which is why it’s best to write your bio in the third person. This will create some distance and you may find it easier to talk yourself up.

2. Figure out what facts are relevant to your story. Where you were born or raised is probably only important if you are writing about that particular area. Telling about your previous or current career will also only be important if it ties somehow to what you have written. Degrees and education should be dealt with in a similar fashion. If they lend you credibility for your writing mention them, if not, leave that information out.

3. Always be sure to mention any awards, contests, or achievements related to your writing you have acquired. No matter how insignificant you may feel they are, they will show you are serious about your craft.

4. Are your characters quirky? Is that what brings them to life, if so use that same quirkiness when writing your bio. If you have a sense of humor that comes through your writing, find a way to share something humorous.

5. Your bio should be accompanied by your author’s photo. Give your photo some careful thought. For many of your readers, your photo will come to represent your brand. Do you want to be perceived as knowledgeable? Thoughtful? Funny? Brave? You may want to consider hiring a professional photographer and discussing the impression you wish your photo to give to your readers before you sit for your picture.

You will need two or three bios: a short one for queries and such, a longer one for your book cover, and sometimes just a one or two liner. Read the bios of other authors before you begin and see what stands out to you about each. Which ones compel you to check out their work? Then write several versions and share them with other authors who can also help give you feedback. And remember, just like a resume, your bio should be updated regularly.

_________________________________

D. Jean Quarles is a writer of Women's Fiction and the co-author of a Young Adult Science Fiction Series. Her latest book, House of Glass, Book 2 of The Exodus Series was written with co-author, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Perception, Rocky's Mountains, and Fire in the Hole. The Mermaid, an award winning short story, was published in the anthology, Tales from a Sweltering City.

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website: www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or find her on Facebook.

Bring Your Characters to Life with Character Dictionaries

by Suzanne Lieurance, the Working Writer's Coach

Before you start writing your first or next novel, take some time to create a character dictionary for each of your characters. You can add to these dictionaries as you’re writing your first draft of the story. These dictionaries will help you bring each of your characters to life.

What is a Character Dictionary?

A character dictionary is a list of words and phrases that reveals how your character uses language. These words will help you make your characters as authentic within their identities and worlds as possible. For example, let’s suppose you’re writing a book about a 10-year-old boy growing up among the surfing community in southern California. This boy’s vocabulary would probably be much different from a 10-year-old boy growing up at a prep school in New England. Here are some words that might be included in the dictionary for your surfer character:

• Dawn patrol
• Leash or Leggy
• Foamies
• Going Off
• Locked In
• A-Frame
• Getting Worked

Just imagine how these terms used in your character’s dialogue could help set him apart from other characters in your story and bring him to life for readers.

How to Find Words and Phrases for Your Character Dictionaries

So how do you find words and phrases to add to your character dictionaries if you’re creating characters who are very different from yourself?

Well, you do a little research, of course. And it can be fun!

Read books by other authors whose characters match yours in some ways.

Go online and google terms that apply. For example, when I googled “surfing terms” all sorts of online surfing dictionaries popped up.

Rent movies that include characters like yours and make notes about the words and phrases the characters use.

Visit online forums that apply and read comments in these forums and jot down specific terms and use of language you find there.

Find “meetup” groups in your area that your character would most likely join. For example, if your character is an artist, attending a local meetup group for artists will help you learn some of the terminology artists are using these days. You can find all sorts of meetup groups by visiting meetup.com.

Sit in the park or go to a coffee shop and listen to the way people speak. Parks are perfect if you need to get a feel for how moms today speak to their kids or how kids speak to each other. Coffee shops will help you learn what teens, young adults, and business professionals (who often do business in coffee shops) are saying these days.

Character dictionaries can be especially helpful if you wish to write in the voice of a character from a race and ethnicity different from your own. Your character dictionaries should include:

• Individual use of diction (word choice) and syntax (sentence structure)
• Vocabulary
• Metaphoric language
• Idioms, sayings, and dialogue tags

For more tips and information about creating powerful character dictionaries, read Manuscript Makeover, Revision Techniques No Fiction Writer Can Afford to Ignore by Elizabeth Lyon.

Try it!

Suzanne Lieurance is an author, freelance writer, certified professional life coach and writing coach, speaker and workshop presenter. She has written over two dozen published books and hundreds of articles for newspapers, magazines, and other publications. She publishes The Morning Nudge, a free e-mail for writers delivered every weekday morning.

Story Ideas Are Tiny Treasures

I was 12 when my grandmother died, and when my dad and I went through her photo albums, he casually mentioned, “Your grandma rode steers in rodeos, and she competed with Marie Gibson (a world-champion bronc rider from Montana in the 1920s and ’30s).”

That was a surprise to me, although I knew she loved riding the range and preferred the back of a horse to a dustmop any day. But I thought that was pretty cool, to have a rodeo-riding grandmother.

I stored that tidbit of information away in the back of my mind for many years. I went on to a career in journalism (when I figured if I ever wrote a book it would be non-fiction), several years as a freelancer, and a non-creative 13 years as a 9-1-1 dispatcher. When I hungered for creativity in my life again, I took a class in writing for children, just to see if I still liked to write. I did.

The instructor told us that biographies were great for kids, and they didn’t need to be about famous people. My cowgirl grandmother immediately came to mind. But the idea still needed several more years to gel.

When I was ready to try my hand at writing a book, I tried writing vignettes for a straight biography. But it wasn’t working. Grandma hadn’t become a world-champion bronc or bull rider, and my characterization was coming off too flat. I was too close to the subject.

When I gave myself permission to write her story as fiction, it came alive. I was able to fill in the gaps, create emotion and conflict, and write a character that was well-rounded, likeable and active. The result has been a trilogy: Cowgirl Dreams, Follow the Dream, and Dare to Dream.

After all the research I did for my three novels, based on my grandmother’s life, I had enough information to try my hand at that non-fiction book. Cowgirl Up! A History of Rodeo Women has just been released.

From a casual conversation and one tiny bit of family history has come four published books!

You never know what treasure an idea will become. Where have some of your book ideas come from?

-----------------------------

A native Montanan, Heidi M. Thomas now lives in North-central Arizona. Her first novel, Cowgirl Dreams, is based on her grandmother, the sequel, Follow the Dream, won the national WILLA Award, and Dare to Dream rounds out the trilogy. In addition a non-fiction book, Cowgirl Up! A History of Rodeo Women has just been released. Heidi has a degree in journalism, a certificate in fiction writing, and is a member of the Independent Editors Guild. She teaches writing, edits, and blogs.

7 Ways to Educate and Motivate Your Muse

"7 Ways to Educate and Motivate Your Muse” by Joan Y. Edwards

What can you do after you've submitted a manuscript to a publisher or agent?
What can you do when you're not working on marketing your work?

I believe this is the time to educate and motivate the muse within you. Here are 7 ways to educate and motivate your muse:

1. Experience Life, attend workshops, take courses.

a. Bake cakes.
b. Go on a tour of an Historic house.
c. Attend a weekend workshop.
d. Volunteer at a homeless shelter for children.
e. Take a writing course at a community college or other learning institution.

2. Read three books about the craft of writing.

a. Darcy Pattison: Novel Metamorphosis
b. Donald Maass: Writing the Breakout Novel Workbook
c. James N. Frey How to Write a Damn Good Novel
d. James N. Frey The Key: How to Write Damn Good Fiction Using the Power of Myth
e. Karl Iglesias: Writing for Emotional Impact
f. Margaret Lucke: Schaum’s Quick Guide to Writing Great Short Stories

3. Read three best-selling books in your favorite genre.

4. Watch three movies in the genre you write.

5. Study the websites of three best-selling authors.

Here is a list of many to choose from or search for your favorite online.
Best-Selling Authors for Children
James Patterson
Rick Riordan
Jeff Kinney
Victoria Kann
Jane O’Connor
Suzanne Collins
J. K. Rowling
Best-Selling Authors for Adults
John Grisham
George R. R. Martin
Catherine Coulter
Janet Evanovich

6. Study and find three matching three publishers and agents for your manuscripts:

a. Jeff Herman’s Guide to Book Publishers, Editors, and Literary Agents 2011: Who They Are! What They Want! How to Win Them Over! by Jeff Herman
b. Sally Stuart’s Christian Writers’ Market Guide
c. Children’s Writer’s And Illustrator’s Market, Writer’s Digest Books
d. Writer’s Market by Writer’s Digest Books
c. Visit the Preditors & Editors website to check out the editors and agents you’ve chosen. It’ll tell you if they are legitimate or warn you about them. http://pred-ed.com/
f. Check the submission guidelines of the websites of the publishers and agents of three of your favorite books.

7. Write.

Pub Subbers from my website will recognize these as activities for Week 4. I hope these ideas lead you to the right experiences to educate and motivate the creative muse in you. Believe in you. I do.

Please leave a comment with other ideas to activate the creativity within you.

Celebrate you now.

Never Give Up

Joan Y. Edwards
Copyright © 2014 Joan Y. Edwards

Flip Flap Floodle, the Never Give Up duck.

Joan’s Elder Care Guide, Release Early 2015 by 4RV Publishing

Website
Twitter
Linked in
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For more articles to inspire you and help you market your writing, read Joan's Never Give Up Blog

Midwest Review's Selected Titles for Writers

Midwest Review’s Top Books for Writers
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
In a recent article in his newsletter, Jim Cox, founding guru of the Midwest Review, includes his suggested titles for writers and I'm flattered (and glad to be one of them). I thought the readers of this Writers On The Move blog might want to select one or two for the betterment of their careers in 2014.

Jim said, "There are a lot of excellent how to instruction manuals and guides available to the novice publisher and the newly self-published author on what has been termed 'guerilla marketing' strategies offering a wealth of tips, tricks, techniques, and strategies for those of limited financial means. You will find them reviewed and listed at:

http://www.midwestbookreview.com/bookbiz/pub_shlf.htm"

"There you will find such informative and "every author/publisher should read this" titles like:

"1001 Ways to Market Your Books by John Kremer
52 Ways To Sell More Books! by Penny C. Sansevieri
The Author's Guide To Publishing And Marketing by Tim Ward & John Hunt
Book Marketing De-Mystified by Bruce Batchelor
Book Promotion Made Easy by Eric Gelb
Brilliant PR by Cathy Bussey
The Complete Guide To Book Publicity by Jodee Blanco
The Economical Guide To Self-Publishing by Linda F. Radke
The Frugal Book Promoter: 2nd Edition, by Carolyn Howard-Johnson
Grass Roots Book Marketing by Rusty Fischer
Grassroots Marketing For Authors And Publishers by Shel Horowitz
Grassroots Marketing: Getting Noticed in a Noisy World by Shel Horowitz
Grumpy's Guide To Global Marketing For Books by Carolyn Mordecai
Maverick Marketing by Lisa Messenger & Mel Carswell
Maximum Exposure Marketing System by Tami DePalma & Kim Dushinski
Mosquito Marketing for Authors by Michelle Dunn
Musings Of An Online Bookseller by John Landahl
Online Book Marketing by Lorraine Phillips
Publicize Your Book! by Jacqueline Deval
Publishing For Profit by Thomas Woll
Red Hot Internet Publicity by Penny C. Sansevieri
Sell More Books! by J. Steve Miller & Cherie K. Miller
Sell Your Book Like Wildfire by Rob Eager
Selling Books as Premiums & Incentives by Marilyn & Tom Ross
The Selling Of An Author by Bruce E. Mowday
Simple Guide to Marketing Your Book, by Mark Ortman
The Step-by-Step Guide to Self-Publishing for Profit! by C. Pinherio & Nick Russell
Why, When, Where, & How To Write, Publish, Market, & Sell Your Book by Bill Thurwanger
Write, Publish & Market Your Book by Patrika Vaughn
You Can Market Your Book by Carmen Leal

"There are a lot more titles where these came from. I take a justifiable pride in the Midwest Book Review web site as having the largest writing/publishing bibliography data bases in all the world!"

Naturally, I thought I'd pass his suggestions on to you. I always say, "One book on the writing and marketing of books is never enough."

Subscribe to Jim's newsletter at http://www.midwestbookreview.com.

You'll also find my personal list of helpful books for writers in the Appendix of The Frugal Editor, 2^nd Edition, (presently only as an e-book).

----

Blogged by Carolyn Howard-Johnson. She has a large section of Resources for writers on her Web site at http://howtodoitfrugally.com.

Finding Appropriate Literary Magazines For Your Stories

If you’re submitting short stories to literary magazines, doubtless you’ve read in submission guidelines things like this: “To get a feel for our editorial style, read several issues of the magazine before submitting.”

This is excellent advice, not only for finding good fits for your stories. Reading many good short stories from different literary magazines will also help your craft. However, it’s extremely time consuming if you do it in a scattershot, luck-be-with-me sort of way, finding a magazine at random, reading back issues, and only then deciding it’s not a great fit.

Instead, narrow your search first. One way to do this is to buy or check out recent short story collections that pull from various literary magazines. Two good ones are The Best American Short Stories and The Pushcart Prize; Best of the Small Presses. If you’re a genre writer, you may find similar anthologies in your field, like The Year’s Best Science Fiction. These anthologies generally list which magazines the stories first appeared in. When you find a story you like, and feel it might fit with your writing, put that magazine on your short list. Research your short-list magazines to make sure your first impressions were right. Then, of course, submit exactly how the magazine wants, according to their guidelines. Then submit again. And again.

* * * * *

Melinda Brasher has sold short stories to several magazines, including Ellipsis Literature and Art and Intergalactic Medicine Show. You can read her most recently published story, "Passcodes," free at The Future Fire. She's currently living in the Czech Republic and loving the nature (and the wild blueberries and raspberries for dessert during her hikes). Visit her online at http://www.melindabrasher.com/

Blogging Smart

By Karen Cioffi

It’s a give-in that you need to blog to make connections, to gain readers, to increase visibility, to increase your authority, to increase ranking, and to become the go-to person in your niche.

But, did you know that as of early September 2015, there are 1 BILLION websites online. That's a lot of noise . . . and competition. So, blogging smart is even more important than ever.

But, how do you blog effectively and smart? What does that mean?

To blog smart, you want to ‘prove’ to your visitors and subscribers that what you’re writing about or doing actually works.

How do you do this?

Simple. Show them.

For example:

A blog post at Karen Cioffi Writing and Marketing (site has since been deleted) on email marketing and spam got over 3700 views in just a couple of days.

This is blogging smart.

The image below is a screen-shot of that particular post's views in less than 24 hours - a couple of days later it was over 3700. A little after that it was at 3841. I haven't checked since then to see how far it has gone.

Okay, I’ll admit that sometimes it’s the ‘luck of the draw’ or the ‘right content at the right time,’ but if you’re not blogging smart to start, it’s unlikely you’ll get that far.

So, some things you should be including in your posts are:

•    Screenshots to aid in comprehension and prove what you’re saying
•    Links to relevant content bringing the reader deeper into your web pages, further demonstrating your knowledge in the niche
•    Links to other useful information that will further benefit the reader
•    Tips on what you should and shouldn’t do and why
•    Strategies that work for you and proof
•    Problems you’ve overcome and how
•    Doable step-by-step guides
•    Personality (a bit of personal tidbits)
•    Videos
•    Audio
•    Images
•    Call-to-action (CTA)

These are the elements you should be including in your blog posts, obviously not all at the same time - mix it up. This is blogging effectively and blogging smart. And, this strategy will motivate the reader to model your processes. This is one of the best compliments.

Even more important, it will motivate the visitor/reader to say YES to your CTA and SHARE your content.

Note: Images and CTAs should be included in everyone of your blog posts. And, in regard to images, at least one image should be at the top of the content. It's this image sites like Pinterest will pick up when you share the post.

Another part of blogging smart is to optimize your blog posts. Part of this includes using:

Grabbing titles
Keywords
Tags
Categories
Descriptions
Sharing your posts to your social media networks

Get started today and watch your website traffic increase.

~~~~~

More on Writing and Marketing

Creating 3D Covers in Microsoft Publisher
Strategies to Get Book Reviews
You Know You’re a Writer When

Revision, Part 1: An Early Fiction Checklist

My backpack-on-wheels travels everywhere with me. In it I schlep my old, heavy laptop, my iPad, if I stack them right quite a few books and my Kindle, at least one three-ring binder and my trusty pencil bag, which includes a highlighter, pencils, erasers and a pencil sharpener; different color pens, a mini-stapler, small post-its for note-taking, a flash drive, and paper clips. I'm ready to work, either electronically or on paper, at the drop of a #2 pencil.

Writing on the Run
Deep in the throes of revision while having to go on a recent short trip, I had to face that writing time would be hit or miss; normally squeezed in whenever there's a free moment. To really dig in, though, I wanted to take more than could possibly fit in my catch-all bag: a dictionary, my thesaurus, reference books, as-of-yet unread writing books, etc., etc. Knowing this was impossible, I took a break to think about what I could realistically get accomplished on the trip, sat back and read an article, "4 Tips for Writing Scenes," by Ingrid Sundberg, http://ingridsnotes.wordpress.com/2014/07/01/4-tips-for-writing-great-scenes/.

Sundberg's article changed everything. Maybe I couldn't have all my tools, but I was at a place in my story where a preliminary check would be helpful. After a cursory look at my WIP with Sundberg's advice in mind, I made a startling discovery. The drama and emotion I thought I'd poured into my draft--heart, gut, and soul--didn't have the impact I'd envisioned. An editor might even call my scenes downright flimsy! I chose three areas that Sundberg suggested need to be present in each scene and decided not to wait until the end of the entire draft to consider them, but to review them early in the draft and see what would happen.

Three Scene Booster Musts
I backtracked to Chapter One and evaluated each scene according to Three Scene Boosters suggested in Sundberg's post. In each scene, I isolated these three areas:

Significant Emotional Change: Does your character go through some sort of emotional change?

After a thorough scrubbing this is what my I came up with: In Chapter 1, my character is sleepy and bored after starting out in the wee hours of the morning on a long ride home from a camping trip. Her grandfather's VW Bug starts to pick up speed. She stiffens as his car careens down a narrow mountain road, faster and faster. She is thrown side to side clinging to her stuffed animal, her only comfort. Her short life flashes before her, like the car's headlights that are sweeping ever faster past a thick forest of trees. These minutes--seconds--could be her last.
Revised emotional change: I needed to show a starker contrast between my character's boredom and fear.

Dramatic Action: What action does your character take to get out of the bind she finds herself in?

Her grandfather shouts, "Hold on!" She grabs the door handle. He taps the brake but the wind whistles even louder past her ear. She shouts, "Quick, do something!" He pulls up on the emergency brake--the skinny little lever next to her seat--and the little VW Bug shudders and shakes. Her palms are slippery but she hangs on, with only her stuffed animal for comfort.
Revised dramatic action: As the car picks up speed, I needed to show how frightened she is more clearly, which was to show how helpless she feels.

Scene Summary: What is the main action in the scene? At the end of the scene go back and look at your character's main action(s).

Stuck in the car; realizing it's out of control flying down a narrow mountain road. All she can do is hang on to the door handle, her palms slick, her arms hurting from holding on so tight.

What is your character's main emotion(s)? Fearing for her life.

Though likely not my last run-through, these early scene boosters have strengthened my scenes by looking for my character's emotional change, how dramatic her action(s) is, and giving her the maximum emotional punch. This technique has helped make my scenes more exciting and dramatic. The bonus? This effort should save time later during the final editing stage. That will be when most of the polishing is complete and each run-through is to make sure all the other essential story elements are in place.

Just think, if another short trip comes along I won't have to take so many writing tools in my backpack. All I'll need is a pencil, eraser, colored pen, post-its, and extra paper. Oh, and a book to read in my spare time!

See if this plan works for you: In coming months more revision highlights will be explored to help narrow down important areas in your manuscript, one at a time.

Linda Wilson, a former elementary teacher and ICL graduate, recently completed Joyce Sweeney's online fiction course. She has published over 40 articles for children and adults, six short stories for children, and is currently developing several works for children. Follow Linda on Facebook.

Gearing Up for September

Around here, September marks a fresh start. After 3 months of fun in the sun, it will feel good to get back into a routine. It's also a good time to review the year, reflect on successes, and make changes if necessary.

Photo credit: Canedfish / Foter / Creative Commons Attribution-NonCommercial-ShareAlike 2.0 Generic (CC BY-NC-SA 2.0)

Here are some tips that will help you cross the finish line of meeting your goal(s) at the end of the year:

Work Space - Do you need to do some filing and organizing? Are there outdated post-it- notes stuck around your space? Is your chair comfortable? Do you have enough room? How is the lighting? I recently moved my desk to another part of the room and it really made a difference.
Supplies - School supplies are being sold everywhere at some really good prices. Now is the time to stock up! I like the composition notebooks (used come only in black and white) that now come in lots of colors. I use one for each project I'm doing. Every idea, deadline, contact, etc., goes in the color-designated notebook. I've found this works best for me instead of a file folder for current projects.
Schedule - How is your writing schedule working? Are you taking ground? Even if it feels slow and steady, it counts! Are you trying to work in the morning, when you do your best at night? Have you been able to balance your personal life with your professional life? Take a good look at your writing routine. If you're not producing what you had planned, it's a good indication something needs to change. Don't be afraid to do it.

While practical tips are important for success, are you enjoying the journey? Are you pacing yourself so you don't miss the "little things"? Or are you sprinting to the finish line and the scenery has been a blur?

Ralph Waldo Emerson said, "Life is a journey, not a destination." Isn't it true we can be so focused on where we need to go that we are not enjoying how we're getting there?

As summer ends and a new season begins, I hope you'll review your year thus far and be energized in the coming months. But mostly, I hope you're enjoying the process!

~~~

After raising and homeschooling her 8 children and teaching art classes for 10 years, Kathy has found time to pursue freelance writing. She enjoys writing magazine articles and more recently had her story, "One of a Kind", published in The Kids' Ark. You can find her passion to bring encouragement and hope to people of all ages at When It Hurts - http://kathleenmoulton.com

Refocusing after a Vacation from Writing

In my July post, I shared that I was going to give myself a writing vacation. No writing blog posts, revising manuscripts or developing first drafts. I have a lot of writing projects at different stages of development, but I was not anxious to work on any of them. My writing time was going to be reallocated to summertime fun and travel. I was going to give the written word a rest.

During my writing hiatus, I visited with friends, went to museums, read more and travelled. I also spent way too many hours stuck in airports—travelling over 15,000 miles in the month.

In an attempt at full disclosure, I have to admit that I did jot down some notes during the month. As I traveled the country or roamed my hometown, I jotted down ideas, quotes, and books that piqued my interest. These ideas may become seeds of a new project or tidbits added to a manuscript I need to finish. Even my impatience with airport delays was somewhat alleviated by observing fellow travelers whose antics became scribbles in my notebook.

As writers, I think it is important to allow the space and time for new ideas to be sprinkled into one’s life. When dealing with the pressures of deadlines or the struggles of revision an occasional writing vacation can help generate new ideas.

After a writing break, try the following tips to get back on track.

Summarize any notes from the writing vacation and save them in a file
Read your unfinished writing projects
Assess the next step for each project
Prioritize your writing projects
Establish and track your writing goals.
Try using a goal setting/tracking app.

This fall, I’ve decided to try lifetick, a new goal tracking app. I let you know if it helps me re-focus and stay on track.

Mary Jo Guglielmo is writer and intuitive life coach. For more information check out:

http://theadvantagepoint.wordpress.com

http://twitter.com/do_north

http://facebook.com/DoNorth.biz

Marketing as a Beginner

The shop of the bookdealer Pieter Meijer Warnars--Johannes Jelgerhuis (1770-1836)

Rijksmuseum, Amsterdam

With a new fiction novella out in October, I have been brushing up on marketing techniques. As far as I can see, the only certainty is that there is no certainty. What proves successful for one author may not work for another.

My publisher has listed the need for Facebook and Twitter and I'll set up new accounts for my author persona. But social media is continually evolving and the new algorithms always tend to favor the website creators. FaceBook changes have made it more difficult to spread your news and views to all the friends on your list. And not all authors can afford or wish to afford paid ads.

In a new article suggesting how to stop wasting time with marketing, Tom Buford notes that 90% of his business comes from just two strategies: peer endorsement meaning recommendations from friends--this may perhaps include
affiliates?-- and using education based webinars to sell his products.

With a two step strategy in mind, I am considering slideshare and an infoproduct how-to course as a thankyou gift for purchasers of my book.

To work on my website, I'm following Tiffany Lambert's day by day blog--One Year in a New Niche.

Her blog may not be everyone's cup of tea but she's a great marketer and her openness and techniques are built for selling.

That said, here at Writers on the Move we have some of the best book marketers in the business. I have my copy of Carolyn Howard-Johnson's award-winning Frugal Editor and the Frugal Book Promoter and a folder of helpful ebooks from Karen Cioffi-Ventrice.

Blogpost of the Month

This one has so much help and information that I'm still dipping into it weeks after publication. Cynthia Lindeman writing for Boost Blog Traffic lists

101 Writing Resources That'll Take You from Stuck to Unstoppable. I don't know how unstoppable I shall be as I'm still having such fun with the list that I haven't quite got started.

* * * *

Next month I'll report back on my marketing plans and updates.

In the meantime, any help and advice in the comments below on which book promotion strategies work best for you will be greatly appreciated. :-)

Anne Duguid is a freelance content editor with MuseItUp Publishing and she passes on helpful writing,editing and publishing tips from time to time at Slow and Steady Writers

Writing Games

Have you used any of the writing games that are sold by various retailers? I have one of them, The Storymatic®. There are three versions. I have the Classic edition. It’s made in the USA, by The Storymatic Corporation of Vermont and has been around for several years.

My writers group played with The Storymatic recently. The box is filled with cards of two different colors. One color is about characters, the other color is about situations. There are nine suggested games within The Storymatic to choose from, but you do not have to use any of them.

At our meeting we tried “Add to It.” Each person takes turns drawing cards and adding to the story that the first person started. You can go as long as you want. My group took turns telling a story about a couple out on a date. An engagement ring, a paramedic, an ambulance, a Chihuahua, a baby elephant, and a veterinarian hospital were involved. I have forgotten what else was thrown into the story. It was very funny! We were meeting in a public place, so our laughter generated some looks from other customers. We decided to play again sometime, but in the “safety and comfort” of a member’s home!

To generate new ideas and have some fun, I recommend The Storymatic. If you want to learn more about this game, two websites that contain additional information are http://thestorymatic.com/ and http://archive.wired.com/geekdad/2012/02/storymatic/. The latter site includes an interview with the man who created The Storymatic.

Have you tried a game to get new ideas or to break writers block? Please post about your experiences here.

Have fun playing and writing!

Debbie A. Byrne has a B.S. in Mass Communication with a minor in History. She is a member of the Society of Children’s Book Writers and Illustrators (SCBWI) and is working on her first children’s book.

There's a Gorilla in the Phone Booth! - The dangers of flashbacks

by Shirley Corder

The fog was closing in. Marsha dashed across the road to the phone booth to call her husband to come and fetch her. With relief, she pulled open the stiff door and slipped inside. She peered towards the phone dial, and instead her eyes focused on a gigantic dark hairy chest. Fearfully she looked up, and up . . . until she made out the terrifying features of an adult gorilla. There was a gorilla in the phone booth!

His immense mouth opened and she gazed in horror at his vicious-looking teeth. She was about to be devoured by a raging primate. It reminded her of the time when she and her husband had gone to see the film, “Gorillas in the Mist.” It was a beautiful evening, their first real date. They had sat and eaten popcorn and drank soda. When they ran out of popcorn, Robert slipped his hand across and gripped hers. The rest of the film was a blur. All she remembered was what happened on their walk home . . .

Okay, this is a variation of a common theme for writers. You’ve created an exciting scenario. A gorilla is a massive animal, renowned for its phenomenal strength. We can think of the well-known advert of King Kong as he rips apart the jaws of a T-Rex, or of him wreaking havoc in New York City. He is not a creature to tangle with. And he’s certainly not something you want to share a phone booth with.

Why did the author put the gorilla in the phone booth in the first place? Because it’s a tiny enclosure. There’s no way anyone can win a battle with a gorilla in a phone booth. The victim would be ripped apart in no time. The tension is unbearable. The reader holds his breath.

And then he’s transported to the cinema. On a trip down memory lane. What a letdown.

What was the writer thinking? He’s created a breathtaking scene, and then left the reader hanging while he explores another part of the heroine’s life. It’s called a flashback, but it’s a dangerous technique. If the author doesn’t want to lose his reader, a flashback has to be handled wisely.

For writers, the lesson is: Stay with the gorilla in the phone booth! The story needs to keep moving forward. The reader doesn’t want to know about the time at the cinema. He wants to know how Marsha is going to handle her ordeal in the phone booth.

There are times for flashbacks, but less is more. Think twice before you leave your reader stuck indefinitely in a phone booth with a gorilla. It's not a nice place to be.

OVER TO YOU: How do you feel about flashbacks when you're reading? Any authors that do them well? Do you use them in your own writing? Leave a comment below.

FURTHER READING:

SHIRLEY CORDER lives on the coast in South Africa with her husband, Rob. Her book, Strength Renewed: Meditations for your Journey through Breast Cancer contains 90 meditations based on the time she faced a gorilla in the cancer valley.

Please visit Shirley through ShirleyCorder.com, where she encourages writers, or at RiseAndSoar.com, where she encourages those in the cancer valley. You can also meet with her on Twitter or FaceBook.

Two Things You Must Do if You Want to Make Money Blogging

by Suzanne Lieurance, the Working Writer's Coach

Whether you’re a full time freelance writer or a published author, you probably have at least one blog (or you should have anyway).

You probably have a mailing list, too (or you should have).

But you may not realize how your mailing list affects your blog traffic.

In his e-book, List Building for Bloggers, Phil Hollows includes a short note from Internet guru, Seth Godin. In this note, Godin says "I get ten times more response to my blog from my email subscribers than I do from anyone else."

That just shows how powerful a mailing list can be. It can drive traffic to your blog.

But here's the rub. It's good to have visitors to your blog and people on your mailing list, but in order to make money from your blog, there are two things you need to do: optimize and monetize.

What does that mean?

It means that each and every blog post has a clear call to action for your readers.

It means that most of your blog posts include your affiliate links to relevant products and/or services.

It means each blog post is keyword rich, with the exact keywords people are using to search for the kind of information you're providing in those posts.

It also means your blog content is aimed at your target market, and this is where so many bloggers miss the mark. They either don't have a specific target market in mind or, if they do, their content isn't directed at this target market.

Today, instead of creating new content for your blog, go back to some of the archived content. Make sure it is optimized (keyword rich for starters) and monetized (includes links to affiliate products or at least some clear call to action). Also, be sure the content is directed toward the specific target market you are trying to attract to your blog.

Once you've monetized and optimized your site, you'll be ready to grow your email subscribers - those people who will be most responsive to your blog and purchase the products and services you blog about.

Try it!

Suzanne Lieurance is an author, freelance writer, certified professional life coach and writing coach, speaker and workshop presenter. She has written over two dozen published books and hundreds of articles for newspapers, magazines, and other publications.

For more ways to make money from your blog, download The Freelance Writer's Guide to Affiliate Marketing by Suzanne Lieurance.

A Blank Canvas - Your Characters

The last couple of months have been spent packing and moving from our 'retirement home' in Phoenix to our new 'retirement home' in Minnesota. I'm well aware that's not usually the direction one goes to retire. My parents had left me a home and my husband and I decided that for the next however many years we have, we are going to spend them in the Midwest enjoying a slower pace.

Moving into one's family home is a bit of a challenge. I remember well how my mother had arranged furniture and art. Each day more memories crop up and distract me. But each day, too, I'm working on creating a new and different home, one that reflects the people my husband and I are. Part of the decisions we've already made are to paint, carpet and change all the window coverings. Think blank canvas.

A blank canvas allows you to find your own place in the world.

A blank canvas encourages exploration.

A blank canvas drives one to a new level of creativity.

And a blank canvas might be the best place to begin when writing your newest character(s). Part of the enjoyment of writing fiction is the unknowingness of the process. You begin with a character or a scene, or maybe only a setting. Somewhere down the road you may know where you want to eventually end - the statement you wish to make with your story. But everything in between is yours and your characters to create. Allowing your mind to be open to your character's possible reactions and thoughts is one great way to keep your readers engaged. Readers like surprises - and if you are like me - you do as well. Creating characters that, well, act out of character is fun. And just like the blank canvas above, it will drive you to a greater level of creativity, it will push you to explore your options and finally, it will help you to create characters that will find their own place in the world of literature.

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D. Jean Quarles is a writer of Women's Fiction and a co-author of a Young Adult Science Fiction Series. Her latest book, House of Glass, Book 2 of The Exodus Series was written with coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook

Writers On The Move