A New Tool for Submitting Your Work

For all you writers out there submitting short stories, non-fiction, flash fiction, or poetry to literary magazines, I thought I’d share a new tool I found. It’s a (relatively) new feature on Submittable, and it’s called “Discover.”

What's Submittable?

If you submit your work a lot, you almost certainly already have a Submittable (formerly Submishmash) account. Skip to the next paragraph. For those of you who don’t know about Submittable, it’s a submission platform that many literary magazines use nowadays. On their website they’ll link to their Submittable page, and if you’re already logged in, you just need to fill in some basic information, paste in a cover letter if required, and upload your document. It also gives you a handy dashboard of all your submissions, the dates, results, etc. Accounts are free and some magazines will only accept submissions this way.

The New Tool:

The new Discover feature lists magazines that use Submittable and have open calls for submissions.  The listings don’t have quite enough information for my tastes. For example, they don’t break it down into paying and non-paying markets. You can’t filter by type of submission or other important factors, such “for locals only” restrictions or calls for the visual arts. It also includes opportunities such as writer's residencies. There are quite a few markets that charge reading fees or contest entry fees. So it’s a bit laborious. 

Why it's Cool:

Despite its limitations, the key is that these markets are all currently OPEN, and the listings clearly indicate when they close. Since temporarily closed markets are one of the big obstacles I run into when submitting my work, I think this is useful.

Check it out and see if you like it:

https://manager.submittable.com/login

Here's a little screen shot of calls closing today:

Melinda Brasher's fiction appears in Nous,  Electric Spec, Intergalactic Medicine Show, and other magazines  For an e-book collection of some of her favorite published pieces, check out Leaving Home.  

Her newest book, Cruising Alaska on a Budget; a Cruise and Port Guide helps budget travelers plan a trip to majestic Alaska.  Visit her online at http://www.melindabrasher.com.

Write What You Know or Write What You Love?

When they say write what you know, do you feel energized or stuck?

Sometimes the things we know best aren’t really the things we want to write about as authors. Take me for instance, I worked as a Licensed Mental Health Counselor for 10 years and always knew I wanted to be a published author. I, at first, considered writing a Self Help book because I was trying to follow the old adage of writing what I know. Maybe it would have been a very helpful self-help book and a best seller but it just wasn’t my passion (helping people is my passion but not writing a self-help book).

Anyway, I then changed professions slightly and became a High School Guidance Counselor. This fit in better with my family life and I enjoyed having summers off with my daughter. Again, I could write a book about the 7 Sure-Fire Ways of Getting Your Child into the College They Want but it’s not my passion. I love helping kids get into the college of their dreams, mind you, but not writing about it.

I was lost as to how to write what I know. So, I just mucked around for a while.

One day a kind friend encouraged me to write what I love. Ah—there you go! It’s all about the passion, not the head knowledge. Well, at least for me it is. And lo and behold a book idea came to me one night or early morning just as I was waking up called The Lilac Princess. I wrote as fast and as furious as I could and completed the essential story in a couple of hours. Let me just say I write children’s books—they’re not super long.

What was really incredible to me about this is that the story just flowed out of me. Not only that but it has a very positive message embedded in a fun magical adventure story—the message of forgiveness. I found my way to help people (the little ones we call children). I had gotten unstuck! All because of one simple change—moving from writing what I know, to writing what I love.

You can get unstuck too. 

Think about what really excites you, what makes you happy, and what you enjoy reading yourself. Make a list of all the things that you are passionate about. I’m sure a fabulous story will bubble up from inside you that has been buried there because you were trying to do something that just didn’t fit for you.

Find your passion, find your story! Do it today.

Please share with me your ideas, insights, and passions.

Wanda Luthman has her Masters of Arts in both Mental Health Counseling and Guidance Counseling from Rollins College located in beautiful Winter Park, Florida. She has worked as a Licensed Mental Health Counselor, Adjunct Professor, and Hospice Counselor for teens. She’s currently a Guidance Counselor at a local High School. She is an award-winning, best-selling, international author who has self-published 4 children’s books (The Lilac Princess, A Turtle’s Magical Adventure, Gloria and the Unicorn, and Little Birdie). She belongs to the National Pen Women Organization in Cape Canaveral; the Florida’s Writers Association; Space Coast Authors; and Brevard Authors Forum. She presently resides in Brevard County Florida with her husband of 22 years and 2 dogs. Her daughter is away at college, like Little Birdie, she has left the nest. To download a free ebook, visit Wanda Luthman’s website at www.wandaluthmanwordpress.com and follow her on Facebook at https://www.facebook.com/wluthman.

Hoping to Inspire You to Give Back to the Publishing Industry

Early Year Resolutions: 

Tis the Season for Supporting the Industry

By Carolyn Howard-Johnson

Aha! You may not not be aware of it, but it's resolution time!

It's resolution time so you don't miss an opportunity to support the book industry.

I love to give authors advice on setting goals for the New Year. Here’s the thing: I’ve done that and—in the doing of it—realize that no one author can help another set goals because each author and each title is so different. And I also realize that it's easier if we start thinking about how we can help now,

rather than on January 1st.

I gave authors a whole book of possible resolutions when I finished the second edition of TheFrugal Book Promoter. I got general and told authors to pick and choose their goals from the book. That they wouldn’t be able to do everything that is in it to help themselves and their industry--and that they shouldn’t. I mean the whole idea behind writing that book was to keep other authors from falling in the same potholes I did. I advised them to choose promotions based on their personalities, the titles of their books (different books call for different kinds of marketing campaigns!), and the health of their pocketbooks.

The same goes for your early resolutions. Each of us is different. Still, I’m tackling this subject because I do think there is one thing that almost every author could and should put on his or her resolution list. Are you ready?

Number one is: Buy books!

I often get e-mails from authors saying that their fellow authors don’t buy their books. And I do understand how that can happen. The longer we’ve been writing, the more author-friends we have and, at some point it’s impossible to support them all. Having said that, we as authors shouldn’t expect fellow authors to buy books that don’t interest them. Books they don’t have time for. Or books that aren’t published the way they want to read them (paperback or e-books, anyone?)  That’s why we promote rather than just depending on friends and relatives—which, after all, isn’t the biggest pool of buyers in the world.

Still, we authors should buy some books each year and I think we should set aside a budget for that. It’s about Zen. It’s about supporting the industry that we expect to support us. I even tell authors that they shouldn’t limit themselves to buying only my book on, say, editing or book proposals or wordtrippers or the marketing of books. Even authors who have read extensively on a particular subject may very well get new ideas from a book on a similar subject or be inspired by it.

But there are other ways to support our industry besides buying books we want to (or need to) read. Authors on strict budgets should find books make relatively inexpensive gifts for holiday giving, for hostess and thank you gifts, for birthdays, and even to give to business associates on appropriate occasions.

We all know that we tend to get lax with our resolutions. So, to make your “Buy Books” resolution work all year, go to your gift-giving list for last year and see how many people on that list could get the gift of reading in this year instead of something that will be promptly tossed in the Goodwill bin or re-gifted. Staple your gift list to your resolution list. And then make another resolution to read your resolutions and that attached list of gift-giving idea list at least once a month.

Heck, you could even give your own book to folks on that list. You are proud of it, aren’t you?

If every author gave books as gifts, I could see a bright, shiny year ahead. A year where agents take on more clients because more publishers are selling more books. And when that happens, just think! Books will be the gifts that keep giving. Books will be the gifts that give back!

Here's another, less expensive gift to the industry. Nominate a few helpful websites, blogs, and newsletters for a Writer's Digest 101 Best Websites nod. I would love it if you'd include mine among them but there are many other great ones, too.

One of my favorites is Joan Stewart’s Publicity Hound (Letting you know about it is sort of my holiday gift to you. It offers ideas from other industries that authors can easily apply to their own campaigns.) 

Here are Writer's Digest suggested categories for nominations, just to help you get your thinking cap on:

Agent Blogs
Writing Communities
Publishing Resources
Jobs and Markets
Creativity and Challenges
Genres/Niches
General Resources
Fun for Writers
This WritersontheMove blog

Send comments and nominations for next year’s list to writersdigest@fwmedia.com with “101 Websites” in the subject line (deadline is Jan. 1, of each year. Learn more at http://www.writersdigest.com/101-best-websites-for-writers-archive/101-best-websites-for-writers-2009

My SharingwithWriters.blogspot.com is a 101 Best Website pick and Ithank readers who support the industry for that. If you read or just love to pile sweet-smelling books on the stand near your bed, a nomination like this is one of the best gifts you can give.  Second only to reviewing a book you love or think will help others on Amazon.

Please let me know if you buy books, nominate literary websites for awards, or pass along books you love via reviews. I would like to thank you and mention your favorites in my newsletter.  It's part of the marketing fun, part of helping one another, part of the way to keep our marketing efforts rolling along. Part of our industry-aiding resolution putsch.

Carolyn Howard-Johnson is the author of the multi award-winning series of HowToDoItFrugally books, a series for writers and a series for retailers. Learn more about them at http://HowToDoItFrugally.com. You can subscribe to her #SharingwithWriters newsletter in the

window at the top right of nearly every page on the website.

And yes, she does give books for gifts. She often gives her how-to books to clients. She gives her poetry chapbooks on most any occasion, from Christmas to Valentine’s to Mother’s Day. And, she does buy others’ books for her own shelves or Kindle reader but only when she actually yearns to read them or needs to read them.

So, I Hear You’re a Writer?

How does that feel when someone at a party asks you? Do you own up to it proudly, or, change the subject?

I’ll admit I haven’t written a novel, but I am a writer. I’ve written countless short stories and poetry. I haven’t let my creative juices stop flowing.

Are you ashamed because you haven’t written a book? You shouldn’t be! I have been published and it has brought me joy. Would I like to make a lot of money writing…Yes? Who wouldn’t?

You are a writer if you’ve written something and posted it somewhere. Do you have a blog you are writing for? That’s a great step in helping your writing career. I used to be the assistant editor of Long Story Short ezine with Denise Cassino. We helped many new writers get published. I hope there are other ezines that do that, I just don’t know. I replied to every submission, whether to accept or not. The ones we thought needed a little bit of help, we helped them flesh out the story.

Here are a few facts that can help or harm your writing thinking:

1.    Are you getting any encouragement from your family or friends? A lot of families believe it’s just a hobby for you. Right? Do they take any interest in what you wrote? No? Get over it and write. If that’s your passion then nothing will stand in your way.

2.    Are you easily hurt by rejection letters or by family and friends? You need to realize that rejection is part of the writing game. I say game because then you must write and figure where this story or article would best be placed. Then you contact that magazine and see if they are interested. Stephen King was rejected 30 times for his book, Carrie.

3.    Join a writing group. This is important if you’ve had trouble with acceptances. I used to run a writing group where I would give out 4 topics to choose from and write about. Then members had to read each other’s stories and give critiques. Sometimes your own eye will miss a misspelling or grammar mistake, and the group will most likely find them. It helps to hear from other authors what might work in your story. Remember, don’t change your own voice to someone else’s in the group. And always leave the writer with something positive.

4.   Write what you know. Have you heard that before? I personally think research and reading can give your mind a boost and help you write about something you never knew before. Train your mind to discover new things. YouTube is an interesting place to find different subjects to write about. Use that part of your brain to learn more things. Don’t let your mind go numb.

5.   Write every day. Now, this is a phrase you hear a lot from writers. I work promoting author’s books, so I do some writing every day. It’s not the kind of writing like I do here. I really don’t write a story or article every day, but when I do, it feels good. I feel like I’ve accomplished something worthwhile. I hope it’s worthwhile to you readers. I hope what I am writing is helping you, the reader.

The purpose of a writer is to connect with our readers. I like helping others. If you have a question about anything, I hope you leave a comment. Maybe there is something specific you want to know about. I’ll do my best to answer you.

Just remember, you are a writer when you put pen to paper, fingers to your keyboard, or voice to a recorder. Don’t worry about what other people think, keep writing. Even if it is a hobby, so what!  Do what you enjoy doing.

Your writing friend.

Linda Barnett-Johnson is a Virtual Assistant for authors and enjoys writing poetry, short stories, and making up quotes. Many of her articles and poetry have been published. She’s a former editor, former assistant editor of Long Story Short ezine, former administrative director of Long Story Short School of Writing. You can locate her website here: www.lindabarnett-johnson.com She also posts new books, writing articles and author interviews on her blog:  http://lindabarnett-johnson.blogspot.com/  Always looking for guest bloggers that would post writing tips, articles and anything to do with writing.

What Makes a Good Fiction Story? Plot Driven vs. Character Driven

Stories can be plot driven or character driven, so which is the best formula to use when writing a story? Knowing a little about both methods should help in making a decision.

Plot Driven Story

A story’s plot moves the story forward, from point A to point B. It doesn’t necessarily have to be in a straight line; in fact a course that twists and turns is much better. This type of plot creates movement and interest. It’s the twists and turns that will keep the forward momentum fresh, as well as creates anticipation. Anticipation will hold a reader’s attention.

The plot also provides reasons and explanations for the occurrences in the story, as well as offers conflict and obstacles that the protagonist must overcome to hopefully create growth. These elements create a connection with the reader. It entices the reader to keep turning the pages. Without a plot it is difficult to create growth and movement for the protagonist. It might be comparable to looking at a still photo. It might be a beautiful photo and may even conjure up emotions in the viewer, but how long do you think it would hold a reader’s attention?

Along with this, the plot molds the protagonist. It causes growth and movement in the character. Assume you have a timid woman who through circumstances, the plot, transforms into a brave, strong, forceful hero. Where would the story be without the events that lead this timid woman to move past herself and into a new existence?

Character Driven Story

On the other hand, a character driven story creates a bond between the protagonist and reader. It is the development and growth of the character, the character’s personal journey, which motivates the reader to connect. There doesn’t need to be twists and turns, or fire works. The reader becomes involved with the character and this is all the enticement the reader needs to keep reading.

In addition to this, the character works hand in hand with the plot to move the story forward. As the character begins her transformation the plot moves in the same direction.

In some instances, such as short stories, a character driven story can work amazingly well, such as in The Story of an Hour by Kate Chopin. In cases such as this, the connection developed between the character and the reader can be more than enough to satisfy the reader. But, all in all, it seems to be the combined efforts of a well plotted and character driven story that works the best.

The Best of Both Worlds

According to science fiction and fantasy writer, L.E. Modesitt, Jr., “The best fiction should be an intertwined blend of character, plot, setting, and style.”
I agree. All elements of a story working together create stories that will be remembered.

All the aspects of a story should complement each other, should move each other forward to a satisfying conclusion, and should draw the reader in. If you have an action packed plot driven story, but it lacks believable and sympathetic characters, you’re story will be lacking. The same holds true if you have a believable and sympathetic character, but the story lacks movement, it will usually also fall short. As with all things in life balance is necessary, the same holds true when writing a story.

What do you think makes good fiction?

Karen Cioffi is an award-winning children’s author and children’s ghostwriter/ rewriter. For tips on writing for children OR if you need help with your project, contact Karen at Writing for Children with Karen Cioffi.

And, you can follow Karen at:
Twitter  http://twitter.com/KarenCV
Facebook  https://www.facebook.com/writingforchildrenwithkarencioffi/
GoolgePlus  https://plus.google.com/+KarenCioffiVentrice/about


MORE ON WRITING AND BOOK MARKETING

Book Marketing - Use Internet Radio Shows and Podcasts
Helping Children Find the Main Story Idea
Writing Skills - Spread Your Wings

Tips on Revision: Do a Verb and Word Check

No revision is complete without a thorough check of the verbs in your manuscript. You want to make your verbs clean. You want to make your verbs sparkle. And if you love words, as I do, it won't be a chore to highlight each one, take a moment to decide if it works or not, and then either keep it or change it. My quest to make my verbs sizzle and pop has blossomed into contemplating nouns, ridding my manuscript of most adjectives and all no-no adverbs, and what's been the most fun: rephrasing many parts of sentences, indeed, often changing entire sentences. I've even found inaccuracies I've somehow missed. This is after a thorough sweep of my project by more than one expert editor! Lesson learned: the buck stops at the author. No one else can fine-tune your work the way you can and no one cares as much as you do.

Use the "Find" Function in Word
I'm on the Rs. That's right, almost done. My process:

• Click on the "Find" function in Word
• Type in the word in question
• Click on "Find in"
• Click Main document
• Word will give you the number of this word that you have used
• Click Highlight All
• Go through the text and decide whether to keep or change the word
• Use your own and online dictionary and thesaurus 

I split the screen in two, one side a tally of the words I am working on, and the other, my manuscript. My tally sheet is eight pages long: the words are listed in one long column in order to use the "alphabetize" function. My goal is a minimum of three to avoid too much repetition, unless the word is repeated for characterization purposes or simply works best.

The List
The list I've compiled for this post consists of the most troublesome repeats: the first number is the repeats first found, the second is the whittled-down version. The latter number shows the actual number of those words used now. Some words, such as ran and sat, are part of bigger words and don't count as being repetitive, and are listed in the first number, but not the second.

down 146:15 (Yikes!)
dropped  24:5
fell  19:8
glanced  31:4
grabbed  28:3
headed  12:3
holding  14:3
hurried  7:6
just  49:6
kept  20:4
let/let’s/letting  89:11
look/looked/looking 46:5
minute  24:8
moved  21:7
peered  12:3
picked up  17:5
pointed  28:2
pulled  33:7
ran  95:10
reached  27:8
rose  13:7
sat  35:10
stood  53: Eek!
took  55: Help!

A Few Examples

• Too many "slips": A boy slipped in next to the woman. v A boy peeked out from behind the woman. 
• Too many "slids": He ignored them, continued to the next hive, removed that frame,--v slid that frame out,--and inspected it. 
•  . . . and placed (v slid) the silhouettes in the back seat. 
• Too many "lowereds": While dabbing at the inky black hair sticking out from under her hair band, sunglasses still lowered, she eyed Jess. v While dabbing at the inky black hair sticking out from under her headband, sunglasses now hovering somewhere around the groove between her nostrils and her upper lip, she eyed Jess.

Whittling Down the Words
How did whittling down these words change my manuscript?

• The wording often changed, and often the word in question was deleted altogether.
• I found the most delicious verbs and alternate thought patterns that feel fresher than my original wording.
• Some changes came in the form of adding more actions by the characters and showing more emotions. The Emotion Thesaurus: A Writer's Guide to Character Expression by Angela Ackerman & Becca Puglisi is the main resource I'm using, though Google searches are a big help, too. 
• Zeroing in on a sentence or phrase allowed me to find ways of using alliteration and figurative language more.
• Found opportunities for more feedback from characters to each other and to the main character.
• Weeded out superfluous words.
• I believe my language is much more colorful now.
• Has helped to tighten scenes.
• Caveat: It has gotten more difficult to find fresher words as I draw closer to Y (no Zs, yet anyway).

The Finish Line

This pursuit has become a game: How many interesting words can I collect and jot down for The List? When I'm finished, I plan to print the pages, cut them so only the column of words is showing, and tape the columns together on fewer pages for easy access for future projects. Funny how collecting words like this hasn't struck me until now after many years of writing. But I've got the bug now and I can see the writing on The List: it will keep growing and growing and growing! 

Image courtesy of: https://www.freeclipartnow.com

My writing partners and me in the
mountains gathering inspiration.

 Linda Wilson, a former elementary teacher and ICL graduate, has published over 100 articles for adults and children, and six short stories for children. Recently, she has completed her first book, a mystery/ghost story for children 7-11 years old, and is hard at work on Book Two in the series.  Follow Linda at www.lindawilsonauthor.com.

Tips for Writer's Block

I imagine every writer feels blocked or stalled at some time.  Are we intimidated because our goal is too big? Writing in short bursts, a paragraph or one scene at a time could well bring the flow back. We need to make a friend of adjusting our goals to doable levels. It’s not a failure; it’s smart. 
 
Periods of heightened stress and anxiety exhaust our energy and disrupt creativity. Take a break, visit a museum, arboretum, or kick back at a coffee shop—overheard conversations may spark ideas,.
Tip Suggestions:

• Set aside more time to read; read a lot, read what you like and what inspires you.

• For a few weeks write a little every day but for you only—forget production, just write and love it.

• Instead of “blocked” think “stuck”. Stuck is fixable. Refer to “A Writer’s Book of Days” by Judy Reeves pages 142-148. Judy wrote about boxing ourselves into a corner, caught rehashing the same things over, and over, and drained of ideas. She makes suggestions for the way out. It’s fixable.

• Plan projects in bite size pieces and write whether you want to or not.

• Consider switching to write, to outline or to research one of your other projects.

• Try free writing.

• Listen to music. Create a play-list for writing—classics for background, movie themes for high action, or sentimental songs for story.

• Exercise—get moving. 

• Reset by playing a video in your genre or one of your favorites.

• Ask yourself “What If” questions and note your answers.

• Do some people watching at the park or coffee shop far enough away that you can’t hear their conversation. Interpret their body language and write that scene.

• Make a list of the reasons you write.

Many of you have a favorite “unstuck” method. Please share with us in the comments section. Thanks

Deborah Lyn Stanley is a writer, artist, and editor.  She is a retired project manager who now devotes her time to writing, art and caregiving mentally impaired seniors.  Deborah writes articles, essays and stories. She has published a collection of 24 artists’ interviews entitled the Artists Interview Series.  Careful editing preserves each artist’s voice as they share their journey. The series published as monthly articles for an online news network, can also be found on her web-blog: Deborah Lyn Stanley - Writers Blog.  Her “How-To” articles have appeared in magazines. 

“Explore, Dream, Discover”

Move Around Your Writing Barriers

By W. Terry Whalin

Not long ago, I was driving into downtown Denver for breakfast with a Morgan James author. There are many one-way streets in this section of the city. Suddenly the street where I was going was blocked off and had a detour. Without even a second thought, I turned and followed the detour and soon was back on track heading toward my meeting place. I did not let the detour throw me off from my destination. I did not get put off and quit and return home but found the way forward. My response comes from years of driving experience and understanding that sometimes roads are blocked and you have to locate the way around the roadblock.

Just like driving and finding roadblocks to get around, the writing world often has roadblocks and detours. Maybe you pitch an editor who requested your manuscript and you don't get a response. I've been working with an author who has a children's book and she has been promising to send it to me. It has never come. A few weeks ago when I saw this author in person, she asked me if I had received it. My conversation with her was the first I had known she had even finished it and tried to send it. No, I had not received it. She promised to resend it—and that still has not happened. We depend on things like email when sometimes even email breaks down and doesn't reach the intended editor.

From my years in publishing, I find every step of the process has pitfalls and potential breaks in communication. Editors don't respond to your magazine pitches or a program which you use often isn't working or someone promises to review your book and doesn't follow through. These types of roadblocks happen all the time.

How do you respond to a roadblock? Do you stop and say to yourself, “Guess no one wanted that idea.” “Or “it wasn't meant to be.”  Or do you persevere and look for another way to move around the roadblock?  The writers who succeed (and that measure of success is different for each of us)—find their way around the barriers.

Earlier this year, I wrote about listening to Lauren Graham's memoir, Talking As Fast As I Can. She sat next to best-selling author, James Patterson and ask him, “How do you do it?”

Patterson responded, “Keep going, keep going, keep going.” As writers, each of us get rejected. Our plans get interrupted and changed.  My encouragement is to continue looking and find the path forward. If you are struggling with an area, then create a new habit or new system to help with this area. Your goals and dreams as a writer are important.

The stories of persistent and perseverance in the face of challenges are often a theme in different biographies and how-to books that I've heard recently (check my list of books here). In Robert Greene's Mastery, he told the story of Henry Ford and his early failures and persistence to ultimately form the Ford Motor Corporation. Admiral William H. McRaven told about his persistence in his Navy seal training in Make Your Bed. Historian David McCullough told about the early failures of Harry S. Truman in Truman. While he had no college education, Truman became the 33^rd  President of the United States. I learned valuable lessons from each of these successful people. Persistence and perseverance is an important quality for every writer.

In the comments below, tell me about the actions you take to continue and move forward with your writing.

Tweetable:

Hit a roadblock with your writing? Get ideas here how to keep moving forward.  (ClickToTweet)
------
W. Terry Whalin is an acquisitions editor at Morgan James Publishing. He has written for more than 50 magazines and published more than 60 books for traditional publishers including his latest Billy Graham, A Biography of America's Greatest Evangelist. Terry is active on Twitter and lives in Colorado.
 

Use Internet Radio Shows and Podcasts to Create a Buzz about Your Book

If you've written a book, even before your book is released you need to start getting the word out about it.

One great way to create a "buzz" about your book is by landing a guest spot on a popular Internet radio show or podcast.

And today that is easier than ever because there are all sorts of Internet radio shows and podcasts available for most any type of audience (and any type of book).

Here are a few tips for using these types of broadcasts to promote your book:

1. Always send the show host a review copy of your book several weeks ahead of your scheduled interview.

This gives the host time to read your book or at least become familiar with it.

When you send your book, include any information you'd like to promote during your interview—book signings, details about upcoming writers' conferences where you'll be speaking, writing workshops that you offer, etc.

The host wants to be sure the two of you will have plenty to talk about during your interview and will appreciate any information you provide.

2. Help the host attract more listeners for the show by sending a notice to everyone on your mailing list and by telling your friends and family about your interview, at least a week or so before your scheduled appearance.

If you belong to online social networks such as Twitter, LinkedIn, or Facebook, etc., post a notice to your friends and followers for each of these groups and invite them to listen, or even call in (if possible), to the show the day of your interview.

3. Offer an autographed copy of your book as a giveaway during your scheduled radio or podcast interview.

The host can determine how to give away the book (to the 5th caller that day, for example).

Also, when you get the word out ahead of time about the show, be sure to mention there will be an autographed copy of your book given away to one of the callers during your interview.

This way you'll attract more listeners for your interview. Also, during your on-air interview, invite listeners to visit your website and join your mailing list.

With the popularity of Internet radio and online podcasts, there are now more opportunities than ever to land a guest spot on a regular show.

And hosts of these shows are always on the lookout for interesting guests.

Generally, they welcome the chance to talk to published authors, so start using these shows to create a buzz about your book now!

Try it!

Suzanne Lieurance is a fulltime freelance writer, writing coach, certified life coach, and the author of over 30 published books.

For more tips, resources, and other helpful information about writing and the business of writing from Suzanne, get your free subscription to The Morning Nudge at www.morningnudge.com.