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Learning to Love What Amazon Can Do for Authors
How Authors Can Use Public Relations Principles to Work with Amazon
By Carolyn Howard-Johnson, author of the multi award-winning
HowToDoItFrugally Series of Books for Writers
I get ideas about stuff to talk about in unexpected places. I assume that is not unique to my writing experience, but today something popped up in Facebook Memories feature I just couldn't resist passing along to my blogger friends. I think the major lesson to me (and from me! Ha!) is that we can love to hate Amazon and other entities all we want, but it's more useful to our writing careers--both successes and enjoyment of them--if we don't listen to all the rumors of entities in the publishing world and find out for ourselves. In this case it is Amazon, but I constantly run into experiences even after decades of writing experience in several different disciplines (journalism, PR, marketing, blogging, and publishing in a variety of genres, etc.) that nudge me away from all the griping we hear on the web and elsewhere and onto doing what the basics of good marketing departments at great universities tell us to do. That is, make friends, network, and explore new possibilities.
Sooo, I had heard from several fairly reliable sources that Amazon wouldn't remove old editions of a book from their sales pages but decided to try one more time using the email feature at their Author Central to reach someone to ask for help. Here is my experience as posted on Facebook way back then--in probably about 2011.
"I just had the nicest telephone conversation with Amazon's Author Central. I had worked for two years trying to get the old edition of my The Frugal Book Promoter removed from Amazon via e-mail (I thought it would make it easier if they had all the ISBNs, etc in writing! Silly me! And, I admit to hating confrontation and avoiding it like the plague! )
"So the conversation goes like this:
"ME: "I understand I can't have the first edition of my The Frugal Book Promoter removed from Amazon even though it's outdated—by about a decade—but that I can add a new widget to that page to direct my readers to the new one."
"DANA THE WONDERFUL (At Amazon!): "I'd be happy to do that for you."
"ME: Some chitchat including thank yous as she works. Then some magic words! "Too bad we can't just hide the old edition and get all 128 of the old reviews transferred to the multi award-winning second edition!" (Were "multi award-winning" the magic words?"
"DANA THE WONDERFUL: "Oh, we can do that!" Typing noises. "It may take 72 hours for that to happen but it's done."
"ME: "Really?"
"DANA THE WONDERFUL: "Really."
"ME: Happy Dance. Huge Thank yous.
"Note: It obviously is worth the time waiting for a real person on the Author Connect (Author Central) hotline! Wish I had a recording of the conversation for you!"
Here's a disclaimer. This is 2022, NOT 2011. Amazon changes policies all the time as needed (or as they think are needed--I have seen them change back again). So if you are having this particular problem, try my method. But the real point of this post is to try it no matter what it is you want or need. In the past, I have had them...
1. Add several widgets to point to several of my books that were published in later editions.
2. To move reviews from earlier editions to later editions.
3. To remove early editions of e-books from Amazon completely. (I didn’t have any luck with getting them to remove outdated but paper books, presumably because removing paper books interferes with their second market (used books) feature.
4. To fix or update metadata.
5. To get blatantly biased reviews removed. Amazon doesn't like this either and is working mightily to avoid it. There are all kinds of scammy approaches to reviews. In fact, I wrote a big, fat how-to book on reviews that includes a case study of sorts on the topic of Amazon vs. Scammy reviews. We don't like to believe it, but there are actually fellow writers out there with an agenda and somehow believe that dissing their competition's books will be good for their own. It is the third in my multi award-winning #HowToDoItFrugally Series of books for writers, How to Get Great Book Reviews Frugally and Ethically at https://bit.ly/GreatBkReviews.
6. It seems they have recently changed a wonderful feature they had where #authors and #publishers could add all kinds of helpful information to their buy page—everything from professional reviews to notes from the author. I told you they change all the time, but keep checking. Better still, keep asking. You might even run into my "Dana the Wonderful!"
MORE ABOUT TODAY’S GUEST BLOGGER
Howard-Johnson is the multi award-wining author of fiction, creative nonfiction, and poetry. She is also a marketing consultant, editor, and author of the multi award-winning #HowToDoItFrugally Series of books for writers including the multi award-winning The Frugal Book Promoter, now offered by Modern History Press in its third edition. Carolyn's latest is in the #HowToDoItFrugally Series of books for writers is How to Get Great Book Reviews Frugally and Ethically. She has two booklets in the #HowToDoItFrugally Series, both in their second editions from Modern History Press. Great Little Last Minute Editing Tips for Writers and The Great First Impression Book Proposal are career boosters in mini doses and both make ideal thank you gifts for authors. The Frugal Editor, now in its second edition, is the winningest book in the series. Carolyn also has three frugal books for retailers including one she encourages authors to read because it helps them convince retailers to host their workshops, presentations, and signings. It is A Retailer’s Guide to Frugal In-Store Promotions: How To Increase Profits and Spit in the Eyes of Economic Downturns with Thrifty Events and Sales Techniques http://bit.ly/RetailersGuide). In addition to this blog, Karen Cioffi’s WritersOnTheMove, Carolyn helps writers extend the exposure of their favorite reviews at TheNewBookReview.blogspot.com. She also blogs at all things editing--grammar, formatting and more--at The Frugal, Smart, and Tuned-In Editor (http://TheFrugalEditor.blogspot.com). Learn more and follow for news on her new releases direct from Amazon: http://bit.ly/CarolynsAmznProfile.
5 Common Themes in Children’s Writing
Contributed by Karen Cioffi, Children's Ghostwriter
I have children’s ghostwriting clients from all over the world and below is what I’ve noticed.
Keep in mind that these clients can be doctors, therapists, dentists, teachers, parents, grandparents, aunts, uncles, and business owners.
I’ve even had adult children as clients who wanted to turn their father’s story, that he used to tell them as children, into a book.
The one thing all these people have in common is they want to share something.
These people want to share their story, their idea, or their experience.
Usually it’s to share it with the world, but once in a while it’s more personal and they just want to share it with their family and friends.
Another common thread among these people is they’re passionate about sharing their story.
They all have a need to get their story out there.
I can be juggling six or seven clients a month and what I’ve noticed is that there are a few themes that keep repeating themselves.
5 Common Themes in Children’s Writing
1. Be yourself.
A lot of adults want children to know that it’s okay to be themselves. Uniqueness and individuality is a big thing now.
- Children don’t have to pretend to be someone they’re not.
- They don’t have to follow others just to fit in.
- Being unique isn’t something to be feared.
2. Bullying
This is another strong theme. Adults want children to know they have options and help if they’re being bullied.
- Children who are being bullied are not alone.
- They need to seek help if they feel overwhelmed by the bullying or if they can’t handle it.
- They shouldn’t put up with any form of bullying.
3. Diversity
Adults want children to know they’re a part of a big world. One that has all types of people in it. And to be a good citizen of the world means to accept everyone as they are.
- Children should be kind to everyone.
- They should try to understand people who are different than they are.
- They should show tolerance toward others.
- Under the exterior, we’re all the same.
4. Friendship
Adults want children to learn the importance of friendship.
- Children should be a good friend to have good friends.
- They should learn how to make friends.
- They should appreciate their friends.
5. Being a good person
This is one of the oldies. Adults want children to know what being good means. They want to show children what the consequences can be if they aren’t.
This theme can cover anything from being mean, to lying, to stealing, to cheating, to not sharing, to …
Think Peter and the Wolf.
Then you have the person who simply wants to entertain children or give them a glimpse into what their life was like growing up.
There are also the professionals who want to help children through stories.
Others may have a passion about a subject and want to kindle that passion in children.
Everyone has their own reasons for wanting to have their story written.
And, of those who want to be author of their own children's book, many don’t have the necessary writing skills or time to write. These are the ones who are willing to invest in their dream of becoming a published author.
About the Author
Karen Cioffi is an award-winning children’s author and children’s ghostwriter, rewriter, and coach with clients worldwide. She is also the founder and editor-in-chief of Writers on the Move, and an author online platform instructor with WOW! Women on Writing.
Karen’s children’s books include Walking Through Walls and The Case of the Stranded Bear. She also has a DIY book, How to Write Children’s Fiction Books. You can check them out at: https://karencioffiwritingforchildren.com/karens-books/. If you need help with your children’s story, visit: https://karencioffiwritingforchildren.com.
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A Tip to Reach a Wider Market on Amazon
Costa Rica is a bird-watcher's paradise. The touconette is the most exciting bird we saw on our trip. |
Is your book for sale on Amazon? If so, in your Author Profile have you added your biography in different languages? On a recent trip to Costa Rica, I learned how to use a language translator on Google. I tried it for my profile page and it worked. Here’s how:
- Go to the edit function for your Author Profile page in Author Central.
- My bio was outdated, so I spruced it up.
- Find “Your biographies,” where it says, “Do you have translations of your biography in other languages? You can add other versions of your biography here, so your readers can get to know you—wherever they are.”
- Languages offered are: English, French, German, Italian, Japanese, Portuguese, and Spanish.
- Copy your bio.
- Go to Google. I typed in “Spanish translator.”
- On the left side, plug in your bio in English.
- On the right side, choose the language you want to translate, and paste in your English bio.
- Voilà ! You have your translation.
- Go back to your Author Profile page, click the green button that asks for your bio in another language, and paste your new bio in. Click Review, then Publish.
- If you’re not able to paste the translation directly from Google, paste it into a Word document, and copy and paste from there.
- A message will tell you when your bio in another language will go live.Then for fun, go to the drop-down menu and button that allows you to see how your Author Page looks in an assortment of other countries.
Photo credit: Linda Wilson
Sketch by Nancy Batra, illustrator of A Packrat's Holiday: Thistletoe's Gift, for the cover of Waddles the Duck: Hey, Wait for Me! Coming Soon! |
Linda Wilson writes stories for young
children. Visit
Linda at https://www.lindawilsonauthor.com. Sign up
for Linda’s quarterly giveaways. Choose your prize!
Find Linda’s books at https://www.amazon.com/author/lindawilsonchildrensauthor.
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Writing Nonfiction for Children's Magazines - 6 Tips
It used to be true that one of the best ways to break into the children’s magazine markets was with nonfiction.
Today, many children’s publications have in-house writers who create most, if not all, of their nonfiction.
Yet, it’s still possible to sell your nonfiction articles to those children’s publications that do accept nonfiction from freelance writers.
But you’ll want to follow the 6 tips, below, to have the best chance of acceptance.
And, of course, you'll need to follow each publication's guidelines carefully.
1. Study the markets
Each children’s magazine is different, with a different style, voice, and variety of subject matter.
Take time to study the markets you wish to submit to, and you’ll know which ones are the most appropriate for the articles that you wish to write.
2. Study Past Issues
Besides studying current issues of each publication you wish to write for, look at several past issues of each publication.
Make a list of the various nonfiction article titles in each issue to get a “feel” for the way various authors narrowed their focus for each topic they wrote about.
One of the big mistakes most beginning children’s writers make with their nonfiction articles is that they don’t narrow the focus of the article enough.
If you want to write about camels, for example, don’t propose an article that tells anything and everything about camels.
Instead, focus on just one aspect about camels and develop your article around that.
3. Include Subtopic Headings in Your Article
These will break up your article into “chunks” which are easier for young readers to read.
These subtopic headings will also “lead” the reader through your article.
They will also make your article “look” more like nonfiction instead of fiction.
4. Give Your Topic an Unusual Slant That Will Appeal to Kids and Editors Alike
You want to create a slant that is fresh and new and one that will appeal to both kids and editors.
When you do this, your article won’t sound so much like a textbook.
And articles that sound too much like textbook material are not in big demand with magazine editors.
5. Consider Topics That Will Relate to Themed Publications
Many children’s magazines have a theme for each issue.
And, even for publications that do not have themed issues, editors still look for topics that can be used for holiday issues as well as other seasonal issues.
For example, most publications feature some sort of back-to-school articles in their August or September issues.
In the summer months, these same publications tend to feature articles that give vacation tips or crafts ideas and games to keep kids occupied during the summer.
So be sure to include some of these types of article ideas in your queries (since most markets will want queries for nonfiction).
6. Look for Lesser-known Publications
Competition is fierce for Highlights, Spider, Cricket, and most of the very popular publications for children.
You’ll automatically increase your chances for acceptance if you query publications that don’t receive so many queries.
Now, try these 6 tips and it shouldn’t take you long to start receiving acceptances from the children’s magazines that you query.
Ask – Nonfiction magazine for children 7-10 years old
Faces – Query only, be sure to study the guidelines
Fun for Kidz – Each issue has a theme
Issues in Earth Science – A resource for teachers
Scout Life - From Boy Scouts of America
US Kids – Publishes two magazines, Humpty Dumpty and Jack and Jill
Suzanne Lieurance is a freelance writer, award-winning author, speaker, and writing coach.
For more writing tips visit her blog at writebythesea.com, and get your free subscription to her Morning Nudge for writers now at www.morningnudge.com.
Book Review || Ready, Set, Write -- A Guide to Creative Writing
I own and use several of her books for my writing journey. Ready, Set, Write has been quite timely, as I now have experience that enhances my understanding of each point presented. The book is designed with short chapters to be read one per day, or in quick succession.
This powerful book is 199 pages with 56 chapters. The Goal of the book is to equip aspiring and accomplished authors with the best understanding and skills for a fruitful writing practice.
I like to share my favorite parts when writing a book review. But, I enjoyed this entire book and found help and reminders at every turn. That said, my favorite section is Part II, where Melissa discusses specific types of creative writing we can explore, and discover what really resonates. Then on to expanding our choices, taking risks, and trying new forms of writing.
For me, I journal, blog, write stories and have published one book so far.
and empowers the writers' journey.
Thank you, Melissa Donovan!
Blogging is one of my favorite writing passions, along with writing fiction and poetry.
I am the author of several books on the craft of writing, including Ready, Set Write, 101 Creative Writing Exercises, 1200 Creative Writing Prompts, and 10 Core Practices for Better Writing. I am currently working on the Writer’s Toolbox series, which includes What’s the Story? Building Blocks for Fiction Writing and Story Drills: Fiction Writing Exercises. https://www.writingforward.com/books
Get to know Melissa and her work:
https://www.writingforward.com/
Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/
Visit her caregiver’s website: https://deborahlyncaregiver.com/
Mom & Me: A Story of Dementia and the Power of God’s Love is available:
https://www.amazon.com/Deborah-Lyn-Stanley/
& https://books2read.com/b/valuestories
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Are You Building a Body of Work?
Occasionally someone will look at the volume of my own writing and exclaim, “How do you do it?” As writers, we write one sentence then one page at a time. Some days I’m amazed that I’ve written over 60 books and the first one. When I Grow Up was published in 1992. In these years, I’ve been able to build a body of work. The concept of consistency and building a body of work may be new to you.
Years ago on the way to a writer’s conference, I chatted with a literary agent. I was just beginning to be published and he encouraged me to continue building a body of work. It’s not a single book or a single magazine article but the sum of your work in publishing that eventually makes an impact. Are you growing in your understanding of the publishing business? On a consistent basis, I learn new terms and new aspects.
Some days I don’t feel like cranking out some words but I do it. As I’ve traveled the country and worked with different writers. I know some writers are inspirational writers. They only write when they feel the story in their fingers and put it on paper. Others are journeymen and professional writers. They pound the keys day in and day out—whether they feel like it or not. I fall into that latter category (most of the time). It’s helped my consistent writing.
As a young journalist training in news editorial, one summer, I interned on the Peru Tribune, a small town newspaper in Peru, Indiana. We had no computers and the typesetting was done with a Linotype machine in the back of the building. We had our story meetings at 7:30 a.m where the managing editor talked with the reporters about the stories to be written that day. In that short meeting we received our particular assigned stories, then hit it with the full knowledge of our 11 a.m. copy deadline. Our stories went quickly through the editor and appeared in the printed afternoon paper at 3 p.m. We had no time to sharpen our pencils or hem and haw about writer’s block. We had a deadline to meet—which we met day after day.
Whatever you write (children's books, fiction books, nonfiction books, magazine articles, online publications or anything else) what steps are you taking to build a body of work? It will not happen overnight but can certainly happen if you are consistent. I’m committed to writing consistently. I want to keep my fingers on the keyboard and keep them moving to write articles, chapters for books and book proposals. I’m committed to building a body of work. It might not pay off immediately but in the long run, I know consistency counts.
How are you building a body of writing work? Tell me in the comments below.
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Growing Your Writing Practice
By Deborah Lyn Stanley
We’ve been writing and developed certain habits. Maybe this is a good time to improve our practice, or even call it our custom: our personal way of working.
First, let’s list the reasons why we write.
1. To explain what happened and why it matters,
2. To hold dear things that would otherwise be lost through the passage of time,
3. To embrace the writing process for personal discovery, to make sense of things,
4. To stretch our imagination and write more creatively,
5. We make connections as we write and see more clearly, because it’s greater than just us.
Second, what stalls our process, or what holds us back?
1. Expectations of perfection break our stride,
2. The critic inside cripples with thoughts of “you’re just not good enough”,
3. Creativity is a vulnerable place, under attack it breeds anxiety and then we flounder at the keyboard’s blank page
To grow confidence and build a stronger writing life, let’s further develop our everyday custom and practice of working.
1. Give yourself a special place to write, for just writing: A place of quiet, a place to listen, and a place of inspiration with a view window.
2. It’s a place that speaks of “well-being” that surrounds you with your favorite books and reference materials.
3. Include a keepsake that grounds you in the positive, to reflect on the best moments of life.
We need that positive energy to spark our creativity and develop our thoughts.
What changes can you make to your writing space to give you more energy and creativity?
We want to share our work. Only do so to the right person, ideally someone of similar nature, who respects and appreciates you.
It seems a common occurrence with writers to think they are in good company. You share your article or story, and the crusher follows. It happened to me too. I read my essay in a quaint critique group and the leader crushed, distorted and joked as feedback. I quit writing for a few weeks until I realized what was going on, pulled up my bootstraps, bowed out of the association graciously, then continued writing. It seems we need these kinds of experiences to discern what, why and with whom to connect.
Consider joining a group or organization of writers for support, companionship, and ideas, while nurturing your writing. It has to feel right, chemistry matters. Then be specific when you share your work by asking for exactly what you want. Some feedback is on point and strengthens your work; others are just bad advice or resemble a “takeover”. Learn, by experience to judge what is of value to you and what is not.
It’s A Journey We Are On, A Journey Of Discovery,
Practice and Process, Always Learning
Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/
Visit her caregiver’s website: https://deborahlyncaregiver.com/
Mom & Me: A Story of Dementia and the Power of God’s Love is available:
https://www.amazon.com/Deborah-Lyn-Stanley/
& https://books2read.com/b/valuestories
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Avoiding Stereotypes and Cliches in Writing
By Mindy Lawrence
The old woman had long black hair and wore a conical hat. She had a black cat named Esmeralda and friends she practiced with at midnight in the forest. Tell me, is there any other kind of witch? Not according to many people.
Books, plays and movies all have a habit of stereotyping different groups. The writers who produce the words for these works sometimes use cliches and stereotypes to advance their stories. When this happens, characters become the same old same old, and not accurate. Every witch isn’t an old woman with warts in a black dress. She can be a he. She can be a scientist, or a teacher, or a mayor.
An archetype and a stereotype are not the same. An archetype is a template (prototype) on which to build your character. Stereotypes tend to show a lazy writer who is not sure how to let a character develop his/her own way. They are oversimplified, overused, and preconceived. These are generic and have no creative punch.
According to New York book Editors (https://nybookeditors.com/2019/04/6-tips-to-avoid-writing-cliched-characters/), you can do these things:
• Focus on your characters origin story.
• Deeply describe your characters.
• Allow you character to bare more than one emotion.
• Let your characters have motivation for their actions.
• Show your character’s fears and flaws.
• Give your characters strengths.
Make your characters more than one dimension. Flesh them out and make them breathe.
Interesting Articles Online:
6 Tips to Avoid Writing Cliched Characters
https://nybookeditors.com/2019/04/6-tips-to-avoid-writing-cliched-characters/
Stereotypes to Avoid When Writing your Next Book
https://www.bealubooks.com/avoid-stereotypes-when-writing/
3 Stereotypes to Avoid
https://www.authorlearningcenter.com/writing/fiction/w/character-development/2874/3-stereotypes-to-avoid---article
The 8 Worst Cliches in Fiction
https://ryanlanz.com/2016/06/02/the-8-worst-cliches-in-fiction/
Strong Female Character Cliches to Avoid (In Writing and Beyond)
https://samanthaheuwagen.com/strong-female-character-cliches-to-avoid-in/
How to Write Diverse Characters (without Stereotypes)
https://pshoffman.com/character-creation/write-diverse-characters/
How to Write Non Stereotypical Characters
https://www.wikihow.com/Write-Non-Stereotypical-Characters
5 Ways to Break Stereotypes in your Writing
https://www.inspiredlinesediting.com/blog/5-ways-to-break-stereotypes-in-your-writing
Mindy Lawrence is a writer, ghost blogger, and artist based in Farmington, Missouri. She worked for the State of Missouri for over 24 years and moved to Farmington in 2020.
She proofread the Sharing with Writers newsletter by Carolyn Howard-Johnson and wrote “An Itty-Bitty Column on Writing” there for ten years. She has been published in Writers' Digest magazine and interviewed by NPR’s All Things Considered.
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Final Thoughts
Trusting Your Own Instincts: Rules Vs. Passion
Trusting Your Own Instincts: Reaching for Your Star
By Carolyn Howard-Johnson, author of the
multi award-winning HowToDoItFrugally series of books for writers
Advice divvied out to authors by fellow authors often makes me uncomfortable It is, after all advice. Really. Advice almost never applies to all authors, all genres. Even what we think of as “zero-tolerance” disciplines like punctuation and grammar “rules” offer style choices and exceptions. I don’t blame the authors. Many are operating on what they learned decades ago. The things is, the publishing industry is always morphing and that’s especially so in the age of the internet. And language itself? It’s a living entity. Shakespeare himself probably knew that the rules for sonnets he followed (or made) would one day be different. He also may not have realized that one day they would be considered sacrosanct.
For instance, nonfiction authors—well respected nonfiction authors—suggest that authors research the need for a topic among their presumed audience, that they check out competitive titles, agents who are looking for a specific topic, and on and on. Some of it is pretty good advice. What it overlooks is passion. And the joy that passion brings to what we do.
I feel lucky that I hadn’t read this advice when I started my HowToDoItFrugally Series of books for writers. So here’s my story. I hope it gives a few authors the confidence to follow their dreams. I start this story backwards because the original going-against-advice started back in early 2004 and you, dear reader-author, may not put much stock in anything based on ancient history.
So, this is 2021. My series for writers has been prospering since 2004. I started thinking my books had outgrown their own britches—or I had outgrown mine. So, there was a nice person I had worked with way back then partnering with a writer-oriented organization. I had been vaguely aware he was publishing and because Dr. Bob Rich and Diana Raab, two of my online friends, had published with him. One morning when I felt overworked and underappreciated, I picked up the phone and called Victor Volkman, publisher of Modern History Press. No research. No book proposal. Yes, I knew doing it went against all publishing tradition, all common sense. I really expected a no after I gasped, “Do you remember me? We worked together on a podcast some time ago.”
“Yes, he said. And he kept saying “yes.”
The upshot was that he published a full book under his Modern History Press imprint and a slender booklet (a kind of nonfiction chapbook) in less than six months. So, he deserves credit for following…well, his instincts if not his passion. He went by the seat of his pants, here, too. Two books, both with a September first release date? Really? And both books had been published before. Well, that was gutsy. No matter what you’ve heard about the possibilities of getting a traditional publisher for a self-published book, it is rare. That path is loaded with all kinds of dangers and I am the first one to warn a client of what she might be up against if that is her hope (all the while urging her to follow her star if the book is already published or there are other well-meaning no-nos pointing in the direction of her book, style, or whatever.).
Returning to the early days of The Frugal Book Promoter, I came to realize I had just mirrored an earlier foolish move I made when I first started writing again. It was early-internet days. E-books were just beginning. And the craziest stuff –some of it outrageously unethical—was going around the net in what we called Yahoo writers’ groups and other places. I felt I should be letting people know, maybe teaching, but knew that I didn’t have the graduate degrees necessary. But a friend at a party told me that the world-renowned UCLA Extension Writers’ Program valued practical experience above graduate degrees so…well, I just pitched them a new course based on avoiding the potholes I had just experienced publishing my first fiction effort. Again, no hesitation. “Yes.” And I had a class to teach that fall with no book or e-books written specifically for authors available to use as a text!
That series of books now includes six of them and hundreds of how-to articles. The joy flows. One of the most joyful aspected is helping new writers avoid the same potholes I fell into and maybe rope in successes they would never have had if they hadn’t ignored the rule-makers, the nay-sayers. We have instincts and passions that can work for us. We can be cautious about using them, but we should never ignore them.
Publishing is in big part about trusting our instincts. Publishing is intense. That means writers must learn to take care of themselves. That includes learning more so we become more confident in our own choices, can take better care of our own needs.
Because of my desire to help other authors avoid the pitfalls I had experienced with my novel, I dropped my fiction to write that text. I used a new concept—a chatty text. And I am still chatting through my nonfiction books (gasp!)—and finding some time for fiction and poetry, too. I don’t know anyone who doesn’t love more than just one thing in their lives. That’s why we have hobbies—and some of us have one or more children.
And it happened because I didn’t let advice—and fear—deter me. It happened because I did what people should always do when they start something new, I asked for a whole lot of help from my friends. The publishing industry is very traditional but there are a lot of plucky souls in it. Most the authors I know are risk-takers. The authors who aren’t in that category still have manuscripts stowed at the bottom of drawers or the bowels of their computers.
Suggestion for Friends and Writers
Gifts for Writers
Everyone is a writer these days. The ones who aren’t may find my advice to write about what is bothering them helpful for their stress level. Maybe my multi award-winning The Frugal Editor will help give them the confidence to actually send what they write to the power brokers of the world! Especially when they find that a whole lot of the rules that stifle our creativity aren’t rules at all, that we get to make style choices. Emphasis on the word choices.
The Great First Impression Book Proposal is one of the books my published by my new publisher, this one its second edition. And now it’s an audiobook, too. I’m including it because it makes the point that sometimes doing something the easy way is the best way. (The subtitle suggests you can learn all you need to know on the topic in thirty minutes or less using this booklet.) A new book on how to make Twitter work for authors is in the planning stages. Watch for it on The Frugal Book Promoter page at Modern History Press or follow me on my Amazon author page at https://bit.ly/CarolynsAmznProfile page for automatic notifications of new books in the series.
Gift for Readers
I’m including my newest nonfiction book of poetry because I am making a point that we needn’t give up one passion to pursue another. Imperfect Echoes won a Writer’s Digest honorable mention award. Jim Cox, Editor-in-Chief of Wisconsin Bookwatch says, “[Carolyn Howard-Johnson is] an exceptionally skilled wordsmith, her poetry will linger in the mind and memory long after the book itself has been finished and set back upon the shelf. Very highly recommended for community and academic library Contemporary American Poetry collections . . .” Find Imperfect Echoes . And, yes, some of the poems in it are a bit risky.
Cover art by Richard Conway Jackson who is serving twenty-five years to life in a California State prison for receiving stolen property.
Your Author Platform - Is It Ever Too Soon to Start?
By Karen Cioffi
Newbies to the writing arena have many questions about creating an author platform. And, the most puzzling one is whether they need a website before they have a book published or in contract.
In fact, I’ve recently been questioned twice about whether a newbie with NO book on the publishing horizon should bother to start working on a platform and more specifically on an author website.
Both individuals felt it would be like putting the cart before the horse.
It’s important to know that this, though, is far from the case.
Creating a website at the get-go is putting the horse before the cart. It’s one of the forces that will pull you forward and help you establish your online platform, your presence and visibility.
So, the answer to the title question is NO.
It’s never too soon to begin your author platform or your author website if:
- you want to be a writer or an author
- you intend to submit manuscripts to agents and/or publishers
- you intend to self-publish a book
The time to get your online platform started is RIGHT NOW. And the foundation of your platform is a website.
Keeping up with Marketing Trends
When one author mentioned she was writing a children’s middle grade book and didn’t have a website, I responded that it was a mistake. I told her websites are an essential part of an author’s online platform.
Her reply caught me by surprise. She was advised by a well-known and respected institute for children’s writing that she should wait until she received a book contract before creating a website.
If this were 10 or 15 years ago that advice would make sense. But, today, agents and publishers want to know what the potential new author’s platform is beforehand.
The size or lack-of-size of an online platform can make or break a contract.
The powers-that-be expect you to have a website in place and be involved in social networks before you even submit a manuscript. They expect you to be a big part of the marketing involved in selling the book.
Jane Friedman, Media Studies instructor at the University of Virginia and former publisher of Writer’s Digest, advises that authors must cultivate a relationship with readers every day of your life. And she advises that you start TODAY.
Why do you need to start your online platform TODAY?
In a single word, the answer to that question is TIME. Establishing an online platform takes time.
It takes time to establish yourself as an authority in your niche. It takes time to develop a relationship with your readers. It takes time to develop trust. And it takes time to broaden your reach and acquire followers/connections.
Real life example:
One of my former clients created a website. She also created pages on two of the major social networks. She did all this way before she started to get her book written.
The results? She has thousands and thousands of followers on both social networks. I’m talking about over 30,000 followers at the time of writing this article.
You can be sure I added this information when writing the query letter for her.
Do you think this will make a difference in a publisher or agent’s view of this new author?
You bet it will.
They’ll know she’s able and willing to help sell her books.
Since your website is the foundation of your author platform, it’s absolutely, positively necessary to get a website setup and optimized as soon as possible.
It’s from this focal point, your hub of information, that you will draw the attention of the search engines and readers. You may even catch the attention of a visiting editor, publisher, or literary agent.
Your website is also the place you will get readers to sign-up for your mailing list – further building your marketing reach. It’s the place you will begin a long-term writer-reader relationship.
Think of your author website as the launching pad of your book marketing platform.
ABOUT THE AUTHOR
Karen Cioffi is an award-winning children’s author, a successful children’s ghostwriter with 300+ satisfied clients worldwide, and an author online platform instructor with WOW! Women on Writing. For children’s writing tips, or if you need help with your children’s story, click the link above.
You can check out Karen’s books at: https://karencioffiwritingforchildren.com/books/
The Lazy Way to Be a Great Writer
Positive Thinking and the Writer
How to Write Vivid Scenes
Guided Imagery for the Writer and Everyone Else
The world is a hot-mess. I don’t know of anyone who’s not stressed and anxious.
Being creative, whether writing fiction or nonfiction, takes focus. And as a writer, it’s natural that at times you'll find it difficult to concentrate on writing.
With the added distraction of the world’s craziness, well…
I’ve been a subscriber to Bob Rich’s newsletter for a long time and a very recent email was titled Unfolding Guided Imagery.
After reading it and following it, I was impressed so thought I’d share his other guided imagery articles at: https://bobrich18.wordpress.com/category/guided-imagery/
Also, if you'd like to learn more on how to use tools of positive
psychology to ease your stress, Bob runs a free 5-session online
course – you can email him about this at: bob@bobswriting.com
You might also like reading “Two women aged 55.” You'll find it at: https://wp.me/p3Xihq-2tF
In addition to being a blogger and author, Bob is a retired psychotherapist.
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Bob Rich would jump off this planet because of its crazy inhabitants if it wasn’t for the tools of positive psychology. They allow us to stay calm, sane and even contented in the worst situations (though of course we need to remember to use them).
All these tools are covered in one way or another in two of Bob’s books. You’ll need to go for a hunt on his blog to find them.
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Hope this helps you in your writing and in your life !
Karen
Writers: Tips on Selling Books at Bazaars & Fairs
Strive Not to Be a Success, But to Be of Value. Albert Einstein |
Happy Holidays! |
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