Tropes are common themes, plot elements, or literary devices
so popular they've often become cliché.
Some people hate them. Some
editors will throw your manuscript in the trash the moment they see a trope
they're tired of. Others will reject it because
it doesn't follow a popular
pattern. People like Terry Pratchett
make an art of purposely employing too many tropes, to hilarious effect. The thing is, clichés become clichés for a
reason: we LOVE certain story elements,
and don't mind if we see them over and over again. Entire genres are built on well established
tropes that readers not only tolerate, but expect.
Tropes: Use Them or Not?
My opinion: be aware
of the tropes of your genre, then go ahead and use the ones you like, the ones
that serve your story, but play around with them. Make them your own. It's true that, when you boil everything
down, there aren't a whole lot of truly unique stories. It's the way you tell it that makes it
unique.
I'll be featuring individual devices and plot elements here
in my Literature Tropes series, but if you want to get lost for an hour or two,
visit tvtropes.org,
where you'll discover all sorts of familiar tropes with clever names like
"Dark Lord on Life Support" or "Conveniently an Orphan."
Mr. Exposition
This trope involves a character who exists
only to explain a plot element, an important scientific or magical law, an
aspect of a foreign culture, etc. to the protagonist. Often it's actually for the benefit of the
reader, not the protagonist, who should know it already. Think of all those TV detectives explaining
forensic procedures to each other. I
call this "exposition in dialogue," and it's awkward if all
characters in the conversation already know everything they're saying, yet they
say it anyway. As a writer, you should
think of a more natural way to get the information across to your reader. If you want some specific alternatives, read
my post on Exposition
in Dialogue. Employing Mr.
Exposition occasionally—for information the characters really don't know—can be
useful and efficient. And if it's
ingrained enough in the character's personality, it can really work. Think of Star
Trek's Data or the immortal Sherlock Holmes.
Captain Obvious
We've all had visits from Captain Obvious in our real lives. In writing, he's that character who says something that not just the characters but
the reader should also clearly know.
Example:
You can sometimes make brilliant use this for emphasis, or
with a sarcastic character, but be careful otherwise.
Captain Obvious also likes to repeat in dialogue what has
already been narrated. Picture a vividly
written scene where two people are tied to the tracks and blinded by the light
of the oncoming train. Then one
character says, "Hey, there's an oncoming train!" This may be perfect for comic effect, but
avoid it if it's not meant to be funny.
Be Aware
Remember, tropes aren't necessarily good or bad. It's how you use them. Being aware of some of the most common ones
will help you make conscious decisions about using them, twisting them…or
cutting them.
Melinda Brasher currently teaches English as a second language in the beautiful Czech Republic. She loves the sound of glaciers calving and the smell of old books. Her travel articles and short fiction appear in Go Nomad, International Living, Electric Spec, Intergalactic Medicine Show, and others. For an e-book collection of some of her favorite published pieces, check out Leaving Home. For something a little more medieval, read her YA fantasy novel, Far-Knowing. Visit her online at http://www.melindabrasher.com.
NANOWRIMO 2015 word count as of today, November 3: 6307 words
NANOWRIMO 2015 word count as of today, November 3: 6307 words
