Write True Stories

 

Write True Stories and Make Them Lyrical by Deborah Lyn Stanley

A grand way to practice flourishing your stories and word choices is to write true stories. People connect with stories they can relate to. Use your life and your experiences and build the theme of your story around them.

Consider writing about a grade school, junior high and high school or college event; including conflicts and successes. Our earliest memories are a great place to start. Your life gives a plethora of source material! Grandma’s favorite times are worth repeating. Was there a town square decorated for a gathering every holiday? Did you grow up in the city or the country? Where did you travel for vacations? What was your favorite part?

Last night my husband read aloud “Grandmother’s Porch Swing” by Mary A. Morman, a delightful family story of several generations. It has a hometown feel of the early 1900s; a friendly neighborhood willing to sit-a-while and share a glass of lemonade. After he finished the story, the lyrical nature of Mary’s writing struck me, and I decided she must have played a musical instrument. The rhythm, pace, and flow of her descriptions and the setting were refreshing! So much so, that I’ve included some comments here.

As I mentioned last time, writers need to build-up a strong descriptive vocabulary to handle the many aspects of storytelling and article writing. To enhance your next story, give it the sound test, read it out-loud. Does it flow? Does the sound of your words conflict with what you want to convey;  is it confusing? Read classical authors. Read poetry that you relate to, and write scenes from your story’s era. Also, consider how you might write or revise your piece for a more lyrical feel.

Lyrical writing tips:
1.    Patterns of rhythm or meter, cadence, and sentence length of words and strong memorable images,
2.    Alternating short and long sentences,
3.    Its sound when read out-loud—Does it flow? Can you picture what’s read?
4.    Use metaphors related to nature, for example–scent of the wind blowing strong,

Goal Tip for Today: Create a Doable Writing Schedule
The 5 of 7 rule by Debra Eckerling
https://www.writersonthemove.com/2022/06/featured-productivity-tool-5-of-7-rule.html

More:
Imagery Speaks to Your Readers by Karen Cioffi
https://www.writersonthemove.com/2022/06/imagery-speaks-to-your-readers.html

Five tips for crafting richer prose
https://www.nownovel.com/blog/lyrical-writing-richer-prose/

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Mom & Me: A Story of Dementia and the Power of God’s Love is available:
https://www.amazon.com/Deborah-Lyn-Stanley/
& https://books2read.com/b/valuestories

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Tips For Success

 

 Tips for Success: Descriptive Writing  by Deborah Lyn Stanley

Descriptive details make your stories and articles successful. But you must promote your work. Get your work in magazines, post online, or write the book or script you’ve been envisioning!

I’m reading The Story Cure by Dinty W. Moore. Chapter 2 presents beginnings that work and those that don’t. For today’s readers, we need to start strong and get to it. Dive into the story without lengthy flourish but not stiff hard-as-rock description. Dinty also cautions against awkward similes, and lengthy exposition that makes for taking a nap.

In addition, Rebecca McClanahan talks about descriptive writing denoting an atmosphere beneath our stories, poems, or essays. The language of description shapes the tone, and points to an underlying theme, the depth of the subject. Descriptive writing creates mood. There is so much more to our writing than scene, characters, dialogue, figures of speech, senses, mood and POV. Let’s call it atmosphere. How we pull a message all together matters; our delivery matters and effects how our readership can or cannot receive our message.

Sounds complicated, so how we proceed? I suggest, write your message from your heart first. Make it personable. As you polish the draft, consider the tips and techniques offered here to help polish your piece. For example, maybe the overall tone, voice inflection and body language, doesn’t support the theme or premise of the essay. You’ll want to make changes to align the tone with the theme.

Scenes bring the reader a firsthand view of the action. Exposition describes the what and the why. Using scenes, exposition, and telling shape the narrative. Blend and balance for delightful reading.
Readers want personable, well-written works they relate to, and find beneficial. Let’s give them our best shot.

Do you have words from your basket to share with us? Please add your favorites as you share on social media. We’d enjoy seeing them! Don’t have favorites yet? Consider sensory adjectives, strong verbs, and nouns from online lists or Thesaurus.
Nouns List:  https://www.thoughtco.com/learn-the-most-important-english-nouns-4087688
Strong Verb List: http://boyden8la.weebly.com/uploads/2/1/9/7/21975608/strong_verbs.pdf

Book List:
•    The Story Cure, a Book Doctor’s Pain-Free Guide to Finishing Your Novel or Memoir, by Dinty W. Moore
•    Word Painting, by Rebecca McClanahan

Earlier Post links in this series—Descriptive Writing for Fiction and Non-Fiction:
Write Strong:   http://www.writersonthemove.com/2020/10/tips-to-make-characters-real-write.html
Tips for Balancing Action and Exposition: https://www.writersonthemove.com/2020/11/tips-for-balancing-action-exposition.html
 

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts. 

Visit her writer’s website at: https://deborahlynwriter.com/   

Visit her caregiver’s website: https://deborahlyncaregiver.com/

Available on Amazon --- Mom & Me: A Story of Dementia and the Power of God’s Love   https://www.amazon.com/author/deborahlynstanley

Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

 

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Tips for Balancing Action & Exposition

 

 

 

 Tips for Balancing Action & Exposition || Descriptive Writing
by Deborah Lyn Stanley

Readers are looking for powerful stories and narratives; descriptive details make them successful.

Our narratives and stories are the creation of scenes, exposition, and the telling that shapes the narrative. It’s up to us to shape events with details that describe the action, the characters, and the scene’s why. Scene is the action; exposition is behind the scene. Scenes bring the reader a firsthand view of the action. Exposition describes the what and the why—a summary.

Stories constructed mostly of scenes can wear out the reader with action and dialogue. Writing made up of mostly summary description needs to contain enough tangible detail to bring the reader into the vision you are presenting but not be boring. The strength of our writing is in the balance.

I recently read two novels that were action packed and fun, good guy—bad guy stories. Both were exhausting! I had to just stop, and let the book rest before I continued. They were fantastic diversions but…

So, consider a balance between action and explanation, background and front lines as you build your piece.

How’s your word basket growing? Is it filling with scraps of paper—one word per scrap? The basket could become your go-to place for inspiring creative descriptions in a story or metaphor: paradox or poem. What words catch your attention? Grab it and add it to your basket. Consider sensory adjectives, strong verbs, and nouns.

It’s best to avoid:
•    Description dumps.
•    Tangents—Stay on point.
•    Slowing down your story or narrative—Rather, pace it and keep the piece moving.

An excellent book for descriptive writing growth:
•    Word Painting, by Rebecca McClanahan

Earlier Post links in this series—Descriptive Writing for Fiction and Non-Fiction:
Tips for Figurative Speech: http://www.writersonthemove.com/2020/08/tips-for-figurative-speech.html
Write Strong:   http://www.writersonthemove.com/2020/10/tips-to-make-characters-real-write.html

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her writer’s website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/
Available on Amazon --- Mom & Me: A Story of Dementia and the Power of God’s Love  https://www.amazon.com/author/deborahlynstanley

Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

 

 

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Decriptive Writing With Specificity

We strengthen all of our writing by using descriptive details: even more so with specificity.

Our goal is to grow our observation skills, both specific and general. Being observant is essential for all writers; it creates relatable writing and gives the texture of reality. So, in this we are building our descriptive muscles and research skills.

To build up our descriptive writing:

• We use detail to express areas of importance; big picture, specific purpose, or differentiation,
• We use words that are vibrant, essential, and focused,
• We use metaphors, similes, and comparisons to tell the story,
• We use sense words and articulate a picture,
• We stay on point and write economically

Research is involved for our fiction or non-fiction projects.
Here are a few points to consider:

• Is the setting a place you have traveled or lived? Is it from a life experience? If so, a lot of your work is done, it’s relatable because you’ve been there. You know the landscape, the business environment, the social makeup.

• Consider writing in real time, describing the scene in such a way to bring your reader along, present for the journey. Describe what you see from where you are to develop the scene.

• What’s the time-period, which century? Descriptions will vary according to the time; i.e. street lighting by gas lamps or bulbs, roadway construction, metropolis or rural location, east or west coastline, piper-cubs or jet stream travel.

• Be willing to adjust your project plan as you go. Is it reachable or does it need revision?

Need ideas?

• Use life experiences and pull short sections to launch your story,

• Use one word prompts to free write and spark ideas,

• Where is your favorite place? Is it a beach town, or mountain village? Start there and chose the best memory or daydream,

• Books like “Where Do You Get Your Ideas” by Fred White, published by Writer’s Digest, could be just the thing to help launch your project.

Previous Post links in this series—Descriptive Writing for Fiction and Non-Fiction:
1)    Make it Personable & Tangible: https://www.writersonthemove.com/2020/02/descriptive-writing-for-fiction-and-non.html
2)    Make it Realistic: https://www.writersonthemove.com/2020/03/descriptive-writing-make-it-realistic.html

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her writer’s website at: https://deborahlynwriter.com/
Visit her caregiver’s website and read the Mom & Me memoir at: https://deborahlyncaregiver.com/
Facebook: Deborah Lyn Stanley, Writer    https://www.facebook.com/deborahlynwriter/?modal=admin_todo_tour

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4 Writing Tips on Using Descriptions

Using descriptions can be a powerful writing tool. The most important thing to keep in mind is to use your imagination. Close your eyes and picture what your character is doing. Picture what the scene looks like then paint it with words.

Below are four tips to help you get a handle on writing descriptions.

1. You’ve got to engage your readers.

How do you do this? By showing them what’s going on.

Let the reader:

- Smell what the character is smelling.
- Hear what the character is hearing.
- See what the character sees.
- Feel what the character is touching.
- Taste what the character is tasting.

Let the reader feel like she’s there. Use your character’s senses to describe (show) what’s going on.

2. Use descriptions in action scenes.

Using an excerpt from Walking Through Walls, I could have said just said it was hot. But that wouldn’t show how hot it was for the protagonist, Wang.

The sun beat down on the field. Sweat poured from the back of his neck drenching the cotton shirt he wore. I hate doing this work. He hurled the bundles on a cart.

I used description to show the action scene. This helps engage the reader.

3. Use description to emphasis the scene.

While you should write tight, sometimes it’s powerful to use description to bring the reader into the scene. In the excerpt below, the protagonist of Walking Through Walls is on a path that could change his life forever:

Deep in thought Wang did not notice the black cat that crossed his path, or the black raven that swooped and almost landed on his head. He did not even notice the silver snake with the purple tail that slithered along beside him on the road. Wang only noticed that each step took him closer to the merchant’s home and the beginning of the road leading to his destiny.

I could have simply used a version of the last sentence to say he didn’t notice anything. But, this wouldn’t allow the reader to know what was going on around him - how absorbed he was in fulfilling his dream. It wouldn’t bring the reader into the scene.

In addition, the description used for that scene is brought up later in the story. So, it’s also helping move the story forward.

4. Don’t use description dumps.
While it’s essential to use descriptions in your writing, you don’t want to overdo it. And, you don’t want to give description dumps.

What this means is avoid going beyond what is needed to engage. Yes, authors did it years ago – they’d elaborate on descriptions for sometimes pages. And, I would think it gave the writer a sense of freedom to be able to describe in full what she was imagining - not having to worry about tight writing. But, it won’t fly today.

Today it’s about writing ‘lean and mean.’ It’s about thinking carefully about your word choices, your descriptions, and your character’s backstory. If you can say it effectively in two words rather than six, do it in two.

It’s about making sure everything thing in your story is moving the story forward. No sidetracking for a beautiful description. No sidetracking for over elaborating.

Weigh what will work and what is too much. Use balance in writing descriptions in your story.

Karen Cioffi is an award-winning children’s author, children’s ghostwriter, and author/writer online platform instructor with WOW! Women on Writing. She is also the founder and editor-in-chief of Writers on the Move.

For more on writing, stop by Writing for Children with Karen Cioffi.
Be sure to sign up for her newsletter and check out the DIY Page.

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