Tips for Writing Creatively

 by Deborah Lyn Stanley

We write blog posts, fiction, memoir and non-fiction pieces; But at the core, we are telling stories full of descriptive prose, narration, action and challenges.

Last time we talked about analyzing our writing. It’s healthy to analyze our plan, our goals, and to decide what’s working and what’s not. What if we have forgotten the reader here and there? Let’s backtrack to discover the root cause. Does the delivery have rhythm and flow? Areas of too much information? Is the language active with lively nouns and verbs? When reviewing these questions as we read our plan and the draft, some needed improvements may standout.

So, what is the best way to start an article, blog post, short story, or book? We need to focus on the heart of the article or story. Does it open with a promise of what is coming, a connection to the deeper story, an underlying cause? It’s probably a good idea to write that first chapter or opening sentence, remembering this is a draft, and we may need to change or rewrite the opening at some point. Once we are further along in writing the piece, we’ll likely know more thoroughly what we want to say—when we know the characters and flow of the story better. And how it should end.

Story structure is also called narrative structure, the flow of events as beginning, middle and end. Being acquainted with various structures can help and resolve the reader’s questions. Helping to connect the events of the piece with the significant points.

Most commonly, though, we talk about narrative in terms of Point of View (POV) such as:
1) First Person Point of View—The “I” telling.
First Person narration is the most personal. The reader feels they are hearing the story directly, as if the character is actually talking to them—like having a conversation with a friend. The reader may know a character by the way she/he describes her/his world. And thus gives the character voice.

2) Third Person Point of View—The “he or she” telling.
There are two types of third person POV: limited and omniscient.
It’s not speaking directly to the reader, but consider these options:
Limited viewpoint is specific to a character’s perspective, thoughts and experiences. But you can’t show what that character doesn’t experience or have knowledge about.
Omniscient viewpoint is not restrictive. The perspective can float from place to place, from one character’s thoughts to another character’s thoughts.

3) Multiple Points of View—Switching characters from one point of view to another at the end of a scene, section or chapter. In this way, you can show a situation from different perspectives, show your main character from the inside and out, or even when he/she wasn’t there. It allows you to choose to tell a scene along the most interesting path.

Keep Your Writing Practice 

Deborah Lyn Stanley is an author of Creative Non-Fiction. She writes articles, essays and stories. She is passionate about caring for the mentally impaired through creative arts.
Visit her My Writer’s Life website at: https://deborahlynwriter.com/   
Visit her caregiver’s website: https://deborahlyncaregiver.com/

Mom & Me: A Story of Dementia and the Power of God’s Love is available: on Amazon
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Tips on Point of View

You have completed your manuscript and now is the time for you to edit and rewrite. One of the things you should look at is your point of view. Did you choose the right perspective from which to tell your story? And is it consistent? Here are a few guidelines.

First of all, point of view refers to who is telling the story. Generally three points of view are used. First person - where the "I" voice is used and it is a character who is telling the story. This provides a level of intimacy, a closeness to the story teller.  Omniscient - which is where the author is telling the story and generally provides a more distant perspective. And third person - which is almost a mix of the two, where you can tell the story from several different perspectives and move easily from one character's head to another. 

Tips for editing POV:

1. Determine how much intimacy you want to create between the reader and your characters.

2. After deciding the level of closeness you want, check to see if the point of view you chose also allows you to easily tell the story in the way you want.

3. If you have chosen first person, is your character someone readers will want to spend time with? Are they likable, but flawed? Not annoyingly perfect.

4. If you chose to write in third person, review each scene and determine who's head you will be showing the scene through and make sure you are consistent in only sharing with the reader those things that particular character would know.

5. When using third person, check each passage and determine how soon you clue the reader into who's head they are in. You may want to make sure readers can quickly identify who's perspective they've stepped into. 

6. To continue to create consistency in your POV, look to ensure when you are writing from a particular character's perspective you are using the words, terms and emotions that are most likely to be used by your character. 

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D. Jean Quarles is a writer of Women's Fiction and a co-author of a Young Adult Science Fiction Series. Her latest book, House of Glass, Book 2 of The Exodus Series was written with coauthor, Austine Etcheverry.

D. Jean loves to tell stories of personal growth – where success has nothing to do with money or fame, but of living life to the fullest. She is also the author of the novels: Rocky's Mountains, Fire in the Hole and, Perception. The Mermaid, an award winning short story was published in the anthology, Tales from a Sweltering City.  

She is a wife, mother, grandmother and business coach. In her free time . . . ha! ha! ha! Anyway, you can find more about D. Jean Quarles, her writing and her books at her website at www.djeanquarles.com

You can also follower her at www.djeanquarles.blogspot.com or on Facebook