Increase Your Odds of Publication

By Terry Whalin (@terrywhalin)

We prize and value our books. They are permanent and have our names on the spine of the book and the front and back cover. Within the writing community, it is a myth that you are not a writer if you don’t publish a book.

If you’ve written a Christian book, then you need to get a copy of Your Guide to Marketing Books in the Christian Marketplace by Sarah Bolme. This book is packed with a wide range of information and resources. As someone who has been in the Christian market for many years as an author and editor, I appreciated the honest and forthright information in this book. Here’s some details Bolme mentions in her introduction:

• Almost half of the books published today are self-published.

• The average self-published book sells between 40 and 200 copies.

• These poor sales are often because the author doesn’t know how to effectively market.

Bolme writes, “When promoting the Kingdom of God, getting books into people’s hands is God’s business. All you can do is what you know to do. Do that and ask God to bless your feeble efforts. After all, if he can feed over 5,000 people with two small fish and five little loaves of bread, He can multiply your marketing efforts to reach thousands of people, if that is His desire. Marketing and selling books are not a sprint; it is a marathon. Too many authors give up too quickly when they do not see immediate results.” 

Publishing in magazines is an underused route for authors to reach readers. As a former magazine editor, I understand the power of reaching the audience. With one article, I have reached millions of people. When you write for periodicals, it builds your reputation as a writer with the editors. Also, through magazine writing, you increase your confidence to write for publication and your ability to meet target lengths and deadlines. There are many benefits when you write for magazines.

The bulk of my magazine writing is done on assignment. How do you get an assignment? You can get an assignment when you write a query letter which is targeted to a particular audience and publication.

Which magazines do you read on a consistent basis? Your familiarity with these publications and the types of articles that they publish gives you some needed background. Pull out the magazines that come into your home. Next organize several months from the same publication. Then study the contents. What types of articles do they publish? How-to articles? Personal Experience? 

After you have studied the publications, write the publication for their writers’ guidelines. Almost every magazine has guidelines for their authors. You can also use Google to find these guidelines online. Or use The Christian Writers Market Guide by Steve Laube. This guide is a critical tool if you are going to write for the Christian marketplace. After reading through the guidelines, you will have some additional information. Does the publication accept query letters or prefer full manuscripts? Some magazines have a query only system. This means that you have to write a query letter (one page) and get a letter of request from the editor, before sending the full manuscript. Other publications do not look at query letters but only completed manuscripts.

What’s a query letter? Entire books have been written on this topic and one of the best is How to Write Irresistible Query Letters by Lisa Collier Cool (Writer’s Digest Books). A query is a single-page letter which sells your story idea. It has a four-paragraph formula. The first paragraph is a creative beginning for your article. You don’t write the entire article—only the first paragraph which captures the reader’s interest. The purpose of this first paragraph is simply to capture the editor’s attention. Editors are involved in a multitude of tasks. Reading query letters is often done at the end of the day, late at night or in a carpool on the way home. It must be interesting.

The second paragraph of a query includes the main points of how you will approach the article. The third paragraph gives your personal qualifications for this topic and your writing credits (if any). It basically answers the question regarding your expertise which provides the basis for the article. 

The final paragraph outlines timelines and deadlines. When could you deliver the article? Make sure you give yourself enough writing time. For example, your query could say you will deliver the completed article “three weeks from assignment”). In addition, enclose a self-addressed, stamped envelope and mention you look forward to their reply. When I send my pitch, I often send it to as many as ten different publications at the same time.

Within the magazine business, there is an on-going discussion about simultaneous submissions (where you send the same finished article to several publications). If you submit the same work to many different publications at the same time, you may end up on the blacklist of authors. Each publication has a list of people that are blackballed. You don’t want to be on that list. Also, each publication has a list of authors they use regularly and call with ideas. Your goal is to get on the list of regular contributors.

A simultaneous query is not the same as a finished article. Go ahead and query several magazines at the same time on the same topic if you think you can write several different articles on the same subject. One magazine may ask for 500 words on the topic while another may approach it from an entirely different viewpoint and ask for 2,000 words. Your illustrations and information will be considerably different. If you send it to 10 magazines, you may get 10 rejections. On the other hand, perhaps you will get an acceptance or two, or at least a request to see the entire article on speculation. “On speculation” means that the editor is not under obligation to purchase your article if it doesn’t meet the periodical’s standards or expectations.

No one gets magazine assignments just thinking about it. As a writer, you have to take action and regularly pitch your ideas to editors and write query letters. Then when you get an assignment, write an excellent article and submit it on or ahead of the deadline. As you learn to write a query letter and take consistent action, you will increase your odds of publication and get published in magazines.

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W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

Take An Underused Author Path

By Terry Whalin @terrywhalin

As I meet writers at conferences and speak with them, the majority are focused on publishing a book. It makes sense most people speak to me about books since I’ve been an acquisitions editor at a New York publisher for over ten years. There are over 7,000 new books published every day (including the self-published books). This number shows the huge volume of printed books pouring into the marketplace. Yet if you study the sales numbers, you gain a different perspective. The average self-published book sells 100 to 200 copies during the lifetime of the book. I know it takes a lot of effort and energy to write a 50,000-word nonfiction book or an 80,000-word novel. In this article, I want to point out an underused path for your writing which has much greater audience reach and potential: writing for print magazines.

Many years ago, I began writing for print magazines. These publications have a high standard of quality (much more than online which is much easier), help you to learn to write for a particular reader and to a particular word length. One of the huge benefits is reaching more readers with your work and building your presence and reputation in the marketplace. It is common in the magazine world to reach 100,000 or 200,000 people. My 250-word devotion in The Upper Room reached over six million readers.  

How to Begin

Whether you write fiction or nonfiction, every writer can write for print magazines. The Christian Writer’s Market Guide lists many of these publications. Each one has different publishing needs and requirements. It’s basic but many people skip this important step: read and follow the submission guidelines. The editor is telling you exactly what they need and expect you to follow their guidance. When I was an editor at Decision with the Billy Graham Evangelistic Association, I was amazed to see the many submissions which had no connection to the editorial needs of the publication. These articles and queries were quickly rejected and not published. Our circulation back then was 1.8 million copies, and with each rejection. the writer missed an opportunity to reach these readers.

While there are many different types of magazine articles, I encourage you to try writing a type of article that every writer can do: the personal experience story. Whether you are brand new or experienced, each of us have unusual experiences. It’s key to capture the dialogue and details when it happens, then use this raw material for your storytelling. You can also use personal experience stories in devotions or how-to articles because these personal experiences will add value to your article.

An Insider Tip

When you look at the various magazines and publications, it’s easy to get overwhelmed with the possibilities. Let me give you an idea where to begin--if you write for the Christian market: Sunday school take-home publications. These editors need material for 52 weeks which is more frequent than a monthly publication. They use personal experience stories but follow their submission guidelines to give them the right material.

If you have published books, in one or two sentences at the end of the article, you can include a single website link for the reader. This process is a simple way to build your platform and credibility in the publishing world because literary agents and book editors read magazines as they search for writers. 

While many of the Christian magazines, don’t pay much, the opportunity and exposure make them an underused path to publishing—yet one I continue using and recommend you do as well. 

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W. Terry Whalin, a writer and acquisitions editor lives in California. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

Should You Write for Magazines or Books?

By Terry Whalin (@terrywhalin) 

Every writer faces this question: which do I write first—a magazine article or a book?  It’s almost like asking which comes first: the chicken or the egg? As a former magazine editor who has published in more than 50 magazines (gave up counting them a while back), the quick answer is to write both. As writers, our skill is not limited to one type of writing. In the first chapter of Jumpstart Your Publishing Dreams, I detail the variety of writing possibilities (follow this link to get this chapter free). 

When editors and literary agents search for authors, they read magazines, blogs, books, and any other type of writing. There are many ways for you to make new connections to these gatekeepers and magazine writing can be a key entry point. Whether you write books or magazine articles, each type of writing has a set of challenges. 

The Challenges with Book Writing

Many writers begin with a book and write a manuscript. Often, they will write something tied to their reading habits. If they read nonfiction, then they will write a nonfiction manuscript. If they read novels, then they will write fiction. Somewhere along the process, they will learn editors and literary agents are looking for a book proposal. This mysterious document contains information that will never show in your manuscript, yet these professionals use this document to decide if they will publish your book.

Everyone can learn to write a book proposal or your business plan for your book. I’ve written two proposals which received six-figure advances and teach these details in my Book Proposals That $ell. I originally wrote this book as a frustrated editor looking for better submissions. My book has helped many writers land a literary agent and a book deal. Every type of book needs a proposal or business plan and this process can present a challenge to getting it published.

It may sound simple, but books are long—100,000 words for a novel and at least 50,000 words for a nonfiction book. Crafting these books take a great deal of time and energy. What people outside of publishing don’t understand is most book sales are modest. If your book sells 5,000 copies that can be a success (depending on the publisher). In addition, the competition for limited spots at traditional houses is intense. Publishers and literary agents are looking for authors with “platforms” or connections to readers who buy books. Each of these factors make publishing books a challenge.

Advantages to Magazine Writing

Magazine articles are much shorter (800 to 1500 words depending on the type of writing and publication). As you write for magazines, you will develop some important skills such as the ability to create an interesting title or a moving opening paragraph or how to write to a particular word count and for a particular audience. Print magazines are looking for quality writing and have a high standard of excellence (another skill you develop in the process). You learn to write a query or pitch to the editor, get assignments or submit complete articles on speculation (depends on the publication).

Here’s the real payoff for magazine writing: you can reach more people. It is a huge success if a book sells 5,000 copies and in the magazine world it is fairly easy for your article to appear in a publication with a circulation of over 100,000. 

As a writer, don’t get locked into a particular type of writing—books or magazine or online or whatever. There are a world of possibilities and opportunities if you are open to explore it, then write it and get it into the market.

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W. Terry Whalin, a writer and acquisitions editor lives in Colorado. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s newest book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your Success. Jim Cox, Editor-in-Chief of Midwest Book Review wrote, “If you only have time to read one ’how to’ guide to getting published, whether it be traditional publishing or self-publishing, “Book Proposals That Sell ” is that one DIY instructional book. ” Check out his free Ebook, Platform Building Ideas for Every Author. His website is located at: www.terrywhalin.com. Connect with Terry on Twitter, Facebook and LinkedIn.

How Writers Can Use Strange Holiday Experiences

By Terry Whalin @terrywhalin

The holidays are full of surprises and changes from the normal routine. Often we are with family that we rarely see or other people which take us out of the routine experiences. It's refreshing and good in many ways. Other times it brings challenges and even strange experiences.

I've had a few of those strange experiences during my holidays. There is no need to give you the specifics as I attempt to be diplomatic yet reach my point. When I have these different experiences, I'm committed to learning from them and growing through the strangeness until it is resolved in the best possible way.

If you write or want to get published (or have been publishing), I want to suggest several action steps with these experiences.

First, in your own private way, write down the incident, the feelings and the dialogue, Maybe you pick up an ink pen or pencil and put these words into a journal or open a file on your computer and type in the thoughts. I prefer the computer option since my handwriting had detoriated the point that people tell me they struggle to read my printing. Hey, I understand those comments because after the fact, I struggle to read my own handwriting. While the concepts are fresh you write the information. I've found time tends to blur the details of these experiences.

Next, look for places you can plug these incidents into your own writing life. For certain stories, you may have to changed the names or let family members read the stories and gain their permission before you publish anything (online or in print).

For some stories, I'd encourage you to go ahead and create the articles. Choose a potential publication or audience as you write so your completed article is an appropriate length in terms of word count and focus which means you lead the reader to a single point or message or takeaway. Then polish that story and write a query letter related to it. Some magazines will only look at a completed article if they have first seen the query letter and expressed interest. Other publications will read the completed article. It is your responsibility as the writer to research the publication and understand their needs and preferences.

Some of the most popular and widely-read articles that I've ever written in my years in publishing come from these personal experience stories. Many magazines prefer first person stories for certain sections of their magazine or maybe even a regular column. Again it is your responsibility as the writer to locate these opportunities.

Seasonal stories are always in vogue for magazines. As a magazine editor, I recall the challenge of finding enough stories connected to holidays like Thanksgiving or Christmas or Easter or Valentine's Day or Fourth of July. Immediately when they happen is the best time to write these stories. You have several months to polish them before sending them out to the appropriate publication.

If you don't want to use them in a magazine article, then save the stories and weave them into a nonfiction book project or totally disguise the details and use them in a fiction project. You can even use a single incident in a magazine article (or two), a nonfiction book then as the spark of an idea for a short story and finally as an incident in your novel. The possibilities are endless.

I hear many authors bemoaning the limitations for their writing. Instead be aware of the boundless possibilities--if you capture the stories and proactively use them in your writing.

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. He has written for over 50 magazines and more than 60 books with traditional publishers.  Jim Cox, Editor-in-Chief  Of Midwest Review wrote in the December issue, "If you only have time to read one 'how to' guide to getting published, whether it be traditional publishing or self-publishing, "Book Proposals That Sell" is that one DIY instructional book. " He lives in Colorado and has over 190,000 twitter followers. 

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A Critical Piece for Every Writer

By Terry Whalin @terrywhalin

Last week I spoke with an author about her book. While she had written the manuscript, she didn't have a “working title.” Another time a writer refused to tell me her title because it was a “secret.” Both of these are extremes but it shows the variety of author responses in this critical area of titles. Whether you are writing a book, a magazine article or an online article, your title will draw readers in seconds. They will either be enticed to read it or move on to something else (not what you want). The words in your title are a critical piece for every writer.

 

As a book editor--for fiction and nonfiction, I've repeatedly seen the importance of titles to draw the reader to the book. Titles for the book often happen early in the path to publication or on the publisher’s production schedule. Most nonfiction books are contracted from a book proposal, so often the writer hasn’t completed their manuscript. Yet the title needs to be determined for the catalog and sales copy to be created and the cover to be designed.

 

Titles should be one to five words and draw the reader into your article (enticing). The word limit is particularly important for books because most books are spine out in the bookstore. Your title has to be readable and fit that spine (along with your last name).  A number of authors don't work hard on their titles because they believe their publisher will change them anyway. After writing more than 60 books for traditional publishers, I have a different perspective. If I create a terrific title for my book, I've seen it become the actual title for the book—even as it goes through the editorial process (different at every publishing house). My encouragement if for you to create a title along with a series of alternative titles for your book.

 

I've been involved in hours of title meetings where we have an entire white board filled with titles and are trying to select the right one for the book. What are we working with for this process? Often it's your original proposal. What have you provided the publishing house? Have you provided a single title or a title and a list of alternative titles? As the author, you know your book better than anyone else--and have the greatest passion for the topic. Make sure that passion shows up in your title and alternative titles. It will be significant. When I'm in a title meeting with my colleagues there is one critical person who is not in the room (the author).  In your pitch, I encourage you to seize your opportunity to give input with your title and alternative titles.

 

Publishers work hard at the title--but don't always get it right the first time--and some times they change it in the process. For example, years ago the nonfiction book from Frank Peretti was first released as The Wounded Spirit and the publisher changed the title to No More Bullies. This book has been repositioned in the market with the new title.

 

Titles can make or break a book or magazine piece. Draw the reader or make them pass on to the next possibility. Put lots of energy toward this detail. Your title might just be the tipping point which makes a difference whether your book idea or magazine article is published or whether it catches lots of attention.

 

Do you put effort into your titles? Let me know your insights in the comments below.

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Whether you are writing a blog post, a magazine article or a book, there is a critical piece for every writer: the title. Get insights in this article from this prolific editor and author. (ClickToTweet)

W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link

).  He has written for over 50 magazines and more than 60 books with traditional publishers. His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. Get this book for only $10 + free shipping and over $200 in bonuses. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has  190,000 twitter followers. 

Published Writers Must Be Pitching

By Terry Whalin @terrywhalin

The magazine business changes constantly—as other elements within publishing. Editors change. The focus of a publication changes. The types of articles that they take changes. Themes for a magazine develop over a period of time and even what an editor takes and rejects changes.  If the editors don’t know what they want to achieve or do with the magazine (occasionally true), imagine how it confuses the people who are trying to write for them. At times it feels like a pure shot in the dark—but you have to continue taking the shot if you want to be published.

 

There are several realities to mention here. Nothing gets published if it’s only in your head or in your computer or in a file folder. It’s only when you send it into the marketplace that you have an opportunity for something to transpire.

 

Many years ago I was writing query letters about a little article on Listening Through the Bible. I targeted the idea for January issues of the magazine (perfect because people make resolutions and are looking for a new idea, etc.).  I learned if you listen to the Bible 20 minutes a day, you can make it through the entire Bible from Genesis to Revelation in four months. It’s an amazing—and true fact. The tape recording of the Bible simply keeps on going where you would get stalled—like in 2 Chronicles in the genealogy section.

My query letter on Listening Through the Bible was soundly rejected—all over the place. I crafted the query letter, targeted it to appropriate publications and received rejection after rejection. I didn’t think I was going to be able to write this particular article on assignment (which comes from writing the one-page query letter).

 

One day I received a phone call from a magazine editor. She was brand new at that magazine and had taken the helm of this publication (editor-in-chief type of role). Her initial words were apologetic about going through old query letters. (In fact, the publication had already rejected my idea and returned my SASE with the form rejection). This editor loved my Listening Through the Bible idea.  Then she asked, “Can you write 500 words on this topic by _____ a specific date a few weeks away?” Instantly I agreed. The article was published and reprinted numerous times. (In fact, I need to pull out that reprint and get it back into the market. As a former magazine editor, I know the editors are looking for content for their January 2021 issues).

 

Hope springs eternal for writers — who are in the marketplace of ideas. Jump in the water with excellent writing. The water is fine.

 

Are you pitching editors at magazines? What are some of your stumbling blocks as a writer? Let me know in the comments and I look forward to helping you.

 

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W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  He has written for over 50 magazines and more than 60 books with traditional publishers. His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. Get this book for only $10 + free shipping and over $200 in bonuses. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 200,000 twitter followers. 

One Bite At A Time

By Terry Whalin @terrywhalin

 

How do you eat an elephant? It's an old joke and the answer is you eat an elephant one bite at a time.  It the same way to accomplish any huge task—one action at a time. Recently I began to write another book.  It doesn't matter that I've done it over and over through the years. Each time it looks daunting to write an entire book manuscript. No matter what others will tell you for everyone getting started is hard. The writing in the middle is hard and finishing is hard. Yes the task is difficult and looks impossible. So how do you get it done? One bite at a time.

What is the deadline for completing your book? If you don't have a deadline, then I suggest you set one. After you have a deadline, how many words a day are you going to write to complete the deadline? Make sure you build in some extra days for the unexpected (happens to everyone) but make sure you hit your deadline.

Or maybe your goal is tied to your social media. You want to reach a certain number of followers on Twitter or a certain number of connections on LinkedIn. Are you actively working on these networks? Are you posting a number of times each day? Are you connecting with new people? Without your regular actions, then it will be hard to increase your presence and meet your goals.

Do you want to appear on more radio shows or podcasts and talk about your latest book? There are thousands of radio stations and podcasts  which use guests on their program. These bookings do not happen just sitting back and waiting for them to call. Your phone will be silent if you wait. Instead, you need to be actively pitching the producers of these programs.

Or maybe you want to write more magazine articles? Waiting for the phone to ring will likely not happen. What proactive steps are you taking to either go ahead and write the article then submit it to the publication? Or you can write a query letter and send it simultaneously to different publications and get an assignment?

Many are surprised that I have written over 60 books through the years. There are several keys in this process but one of the most important is consistent writing.  It is a matter of writing one paragraph, then another paragraph which becomes one page then another page. It is the same process as eating an elephant—doing it in bite-size pieces.

Do you break your writing into smaller pieces? I'd love to have your tips and insights in the comments below.

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 W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  His latest book for writers is 10 Publishing Myths, Insights Every Author Needs to Succeed. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 200,000 twitter followers. 

Opportunities Are Everywhere

By Terry Whalin @terrywhalin

If you hold a glass partially filled with liquid, what is your perspective? Is the glass half-filled or half empty?

For the last fourteen years, I've been writing about publishing, I believe the glass is half full. As I look over the landscape of the publishing world, I see opportunities are everywhere. Magazine editors are actively looking every day for writers who understand their publication and write targeted articles for their readers. Editors of online publications are reading their email and looking for excellent material to use. Book editors are also actively reading their mail (and email) and continually listening to literary agents and writers as they pitch their ideas. Over the years, I've been inside some of the top literary agencies in New York City. These agents are looking for the next bestseller that they can champion to their editor friends.

One of the keys to seizing an opportunity is looking for change. The marketplace is constantly changing. New publications start. New editors come on the scene. Long-term editors will leave their publisher and start to work as a literary agent. These changes are only a few of the many transitions in the marketplace. 

When you read about these changes, I encourage you to understand they are opportunities for you as a writer. Each of these professionals is actively looking for a new stable of writers. Your pitch has to be right on target but it can make a huge impact if it comes at the right time. 

Through my years in publishing, I have made my own transitions from magazine editor to writer to book editor to literary agent to acquisitions editor.  For the last seven years, I have acquired books for a New York publisher. Yes I live in Colorado but no one cares where I live as long as I get the work done. I've worked with many authors to explore and bring their books to the marketplace. Each day I'm actively looking for excellent book proposals which I can present to our publication board. Because Morgan James Publishing  is based in New York, I've got a New York phone number and mailing address. In a pattern that is familiar to many in the publishing world, I telecommute for my acquisitions editor role. If I can help you, don't hesitate to reach out and send me your proposal.

Here are several keys as you explore the opportunities:

—continue to build relationships with anyone and everyone in the publishing community. You never know when a relationship may become important to you. Writers become editors. Editors become literary agents. Literary agents become editors. The fluid nature of the community means you should work each day to expand your connections.

—continue to grasp opportunities large and small which keep you active in the publishing world. There are times when the phone does not ring and you receive no personal email. How do you handle those times? Do you pull into your shell and do nothing or do you increase your activity? I encourage you to write more query letters and pitch more ideas. Activity will breed activity.

—take action every day to write what you want to write and continually touch the marketplace. Earlier this week I exchanged emails with a long-term friend. He has been dreaming for years about writing a book—yet never put his fingers on the keyboard and produced any writing. The days continue to pass and he has not taken action. I encouraged him to choose a small number of words that he wants to write each day and then commit to working at his writing. If you take this small action step, you will be surprised after a month or two at the accumulated writing. It does not happen without taking action.

Let's return to the half-filled glass. Do you see opportunity? I hope so and from my experience I know opportunity is everywhere. You have to seize it. What steps are you taking? Let me know in the comments below.

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W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success. One of Terry's most popular free ebooks is Straight Talk From the Editor, 18 Keys to a Rejection-Proof Submission. He lives in Colorado and has over 205,000 twitter followers.  

Five Ways to Get Your Writing Unstuck

By W. Terry Whalin

Throughout my day, writers will email me for help with their writing. One of the key reasons is because of the words in my Twitter profile: “I love to help writers. Let me know how I can help YOU!”  I include my email in my twitter profile to encourage such correspondence.

As an acquisitions editor at a New York publisher, I get a lot of email every day. Yet I make a point to answer each one of the emails from writers who are asking for help. From my 20+ years in publishing, I know it is hard to navigate the publishing world. I've sent my share of emails and letters into the system which have gone into a void—or so they seem because nothing came back from my careful shaping and sending them. It can be discouraging.

Recently a ministry leader wrote me about being stuck. He had started writing a book but gotten stuck at the second chapter. What actions should this leader take to move forward on his dream of writing a book?

Many times writers are stuck and unsure how to move forward. It happens with book projects because they are not simple 30 minute or an hour in length. To write a book takes a great deal of consistent effort and energy. When it comes to writing a book, one of the best tools is to first, write a book proposal. The key portion of the proposal that will keep you writing and moving ahead is the chapter-by-chapter outline. This simple outline is the structure for your book. You can even print it out then cross off the chapters as you write them. 

If you are stuck in your writing, here's five ways to get unstuck:

1. Evaluate Your Goal. Are you committed to this writing project? I've always found if I've made a commitment, then the writing will get handled. OK. I've committed to write a book or a magazine article or an online article or a press release. Think about the type of consistent effort will it take to accomplish your goal. For example, books are not produced overnight but will take a consistent effort.

2. Set a Goal You Can Accomplish. Be reasonable with yourself and set a writing goal that you can achieve. From my experience it is often a certain number of words such as 500 words a day or 5,000 words a day (which is a lot of intense writing to reach 5,000 words a day but it can be done). 

3. Move Consistently toward Your Goal. To accomplish any goal you have to move forward. I like what one of my writers friends told me about creating a 400+ page novel, “No little elves come out at night and write my pages.” No one else can do the work for you. You have to find the time and simply do it. If it means getting up an hour or two earlier or staying up late at night or skipping some television, then you have to work at it to meet your goal.

4. Periodically Evaluate Your Goal. If you are having success, then take moments to celebrate. Each of us will celebrate differently. It is important to evaluate and celebrate if you are moving toward your goal. If you measure how you are doing with your goal and you are not making progress, then possibly it is time to readjust your goal and make it more reasonable or something that you can actually accomplish. Don't beat yourself up that you have to readjust. Simply acknowledge it and keep moving forward.

5. Get an Accountability Partner. Yes maybe you could accomplish your goal on your own. From my experience, it is better if you have someone else asking you periodically about your goal and how you are moving toward it. This person can be someone that you speak with periodically on the phone or email or best physically see often. 

I know I was only going to write five ways to get your writing unstuck. I'm throwing in a bonus sixth method. Maybe you are stuck in your writing because you have been trying to accomplish a long piece of writing such as a book or a novel or a workbook. If you have been chipping away at completing a longer work, here's something to consider in this process:

6. Diversify Your Writing. While many people want to write a book, there are many ways to get published—outside of books. Often books take a long time to get into the market—especially if you go through a traditional publisher. 

Magazine articles are short and fun to write plus you can get them published a lot quicker than a book and it will reach many more people than the average book.

People like me who are in publishing want to see that you have been published. Your magazine publishing credits will help you attract the attention of a literary agent or book editor. My updated version of Jumpstart Your Publishing Dreams has a great deal of information about publishing to help you get unstuck.

Use these five methods to get unstuck and move forward with your writing. Take action today. 

When you are stuck in your writing, how to you get unstuck? Let me know in the comments below and I look forward to reading your tips.

Tweetable:

Are you stuck in your writing? Read five tips from this prolific writer and editor. (Click to Tweet)

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W. Terry Whalin is an acquisitions editor at Morgan James Publishing. His work contact information is on the bottom of the second page (follow this link).  One of his books for writers is Jumpstart Your Publishing Dreams, Insider Secrets to Skyrocket Your Success.  He lives in Colorado and has over 210,000 twitter followers.