Writing - To Beat or Not to Beat

What is a beat? And what is its purpose? 

A beat is a little bit of action that can involve physical gestures. They are used to remind you of who your characters are and what they are doing. An example of a beat is:

            “Where are you going?” Charlie grabbed her arm, his fingers digging into her flesh.

They can increase the tension where needed or they can give the reader a bit of relief where the tension is really great.

            A reasonable balance is necessary or you can interfere with the flow of the scene. You have a scene where the dialogue is building the tension (example: an argument that is increasing in tension and building toward a critical moment such as a murder). Too many beats can interfere or disrupt the tension and make the murder scene less exciting. This can damage the flow of your scene and keep your scene from building. In other words, it can slow you pacing. The result can be the loss of your reader’s interest. So your goal should be a proper balance between dialogue and beats.

            Interestingly beats can be used to vary the rhythm of your dialogue. Remember, good dialogue has an ebb and flow to it. The areas where the tension is high you need to cut the beats to a bare minimum. If you have two high-tension scenes in a row, you should allow your readers to relax in the next scene with some quiet conversation containing more beats.

            If you are not sure just where to put a beat, read your scene out loud. Where you find yourself pausing between two consecutive lines, insert a beat.

            Beats can be used to define your character. A good example of this is body language. It can allow breathing room in an emotionally tense scene. To reinforce the point I’m trying to make, beats can accomplish three things: 1) They can increase tension; 2) They can allow breathing space for the reader; 3) They can define your character.

            In looking over your scene(s) there are some questions you should ask yourself:
            1. How many beats do I have? Try highlighting them.

            2. How often am I interrupting the dialogue?

            3. What are the beats describing?

            4. How often am I repeating a beat?

            5. Do the beats help illuminate the character?

            6. Do the beats fit the rhythm of the dialogue? Read it out loud.


Faye M. Tollison                                                                                         

Author of: To Tell the Truth

Upcoming books:
The Bible Murders
Sarah’s Secret

www.fayemtollison.com
www.fayetollison.blogspot.com


MORE ON WRITING


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What To Do When A Book Fails

Read as a Writer

Notable Dialogue

Dialogue is important to our stories. Without it our story could be rather boring to the readers. Dialogue can add emotion such as anger, excitement, humor, etc. It can lend mystery, suspense, and terror. Dialogue can provide our stories with backbone. So it stands to reason we need to get it right.

When we edit our work, there are some things for which we need to watch. For instance, explanations that are outside the dialogue. These are generally emotions. Try cutting them and see if it reads better. If it doesn't, you may need to rewrite your dialogue.

We all know about the -ly words. Most of these are associated with adjectives which describe an emotion (angrily, lovingly, etc.). Cut as many as you can of these or rewrite it. Not all can be eliminated, but do try to eliminate as many as you can.

Speaker attributions are something you need to analyze closely. Are any of them physical impossibilities? Example: "Call me tonight," she smiled. This type of attribution can brand you as an amateur. Are there any verbs other than "said"? There can be an occasional exception, but for the most part "said" is all you need. Speaker attributions are for clarifying who is speaking. You may be able to eliminate them altogether or replace with beats. Do not overdo the beats because they can be distracting. A balance of attributions and beats is preferred.

Do not start a paragraph with a speaker attribution. Always start with dialogue and place the attribution at the first comfortable spot. Example: "Stand back," he said, "or I'll shoot." Also make sure you put the pronoun before the verb (he said). If you have several characters speaking in a scene, you can have a string of "saids" which can be monotonous. Using a beat can solve this problem.

Remember! Ellipsis is for gaps or a character's voice trailing off. An example of a gap would be when you are showing one side of a telephone conversation. Dashes are used to show an interruption.

When writing dialogue, paragraph more often, especially when it is something you want to stand out or you have new speakers.

I hope these pointers help as you self-edit your work.

Keep wrting!

Faye M. Tollison
Author of: To Tell the Truth
Upcoming books: The Bible Murders
                            Sarah's Secret
Member of: Sisters In Crime
                   Writers On The Move
www.fayemtollison.com
www.fayetollison.blogspot.com
www.fmtoll.wordpress.com

Self-Editing

Self-editing is something every writer should do, but it means knowing how to do it. Every writer should have a good book in their library, but it shouldn't just sit on the shelf. Get it out often and use it. I like to get my book down and go through it every so often whether or not I'm doing any self-editing just for reinforcement.

A good book on self-editing will tell you not to do any editing until you have your first draft completed. Because writing and editing are two different mind sets, it's hard to concentrate on both at the same time, hence causing you not to do a complete or proper job of either process. So the right order is to write the first draft of your book first and then do your self-editing.

A thorough self-editing includes it all: grammar, punctuation, structure, dialog, point of view, interior monologue, beats, tributes, rhythm voice, and characterization. Are there any conflicting areas in your manuscripts? Do your characters sound and feel real? Do you have areas where you tell when you should be showing? Does your plot flow and have the ability to hold the readers' attention? And do you have a balance between your narrative and dialogue? I could probably think of some more points/questions you should ask yourself, but these are enough to give you an idea of the point to self-editing.

Now I know what you are thinking. But I have an editor to do my editing for me! That's true in most cases, but your book will be more polished if you edit your manuscript yourself first and then let an editor go over it again. A first-time author will sound less amateurish , and an experienced author will sound like the experienced writer he/she is..

Sound like a lot of work? You bet it is! But it could pay off in the long run.

Faye M. Tollison

Author of To Tell the Truth

Upcomng books: The Bible Murders

                           Sarah's Secret

www.fayemtollison.com

www.fmtoll.wordpress.com

www.facebook.com/faye.tollison

tollisonf@gmail.com