To agent or not to agent that is the question. Writers can certainly get their feet wet by publishing without an agent. However, to get to many of the bigger publishing houses you still need an agent. Although I have successfully published over a hundred articles, activities with Gryphon House Publishing, and three children’s books, for my first novel I’m on the hunt for an agent. I’d like to share some of things I’ve found in my research so far.
Dishonest agents prey on writers by charging fees, promoting their own paid services, engaging in kickback schemes, and misrepresenting their knowledge and expertise. These agents don’t earn their income by selling manuscripts to publishers, but by extracting money from their clients.
Some examples of dishonest agenting practice, drawn from Writer Beware’s files:
- Requiring a reading fee with a submission.
- Requiring a “marketing” or “submission” or other fee on contract signing.
- Requiring writers to buy a critique or manuscript assessment.
- Referrals to an editing service owned by the agency, without disclosing the connection.
- Requiring that clients use the agent’s own paid editing services. Running a contest that’s a scheme for funneling writers into a paid editing service or vanity publisher.
- Pressuring clients to buy “adjunct” services–website design, catalog space, book cover mockups. Etc.
· Placing clients with fee-charging publishers.
There are no licensing requirements or competency standards for literary agents. Anyone who feels like it can set themselves up as an agent, whether or not they’re qualified to do so. The result is a large number of amateur, incompetent, and marginal agents.
If an agent is established, s/he should have a verifiable track record of commercial book sales, and be willing to disclose it.
A robust history of selling books to commercial (advance-paying) publishers is the single best indication of an agent’s effectiveness and expertise. You want an agent who is selling regularly to a variety of commercial publishers (a reasonable minimum standard is the AAR’s’ requirement for new members–at least 10 sales within the past 18 months), and who has experience selling books in your subject or genre.
For book agents, commissions should not be more than 10-15% for domestic sales and 20-30% for co-agented or foreign sales.
Be wary of an agent who claims to specialize in new writers.
Be wary of an agent who is looking for poets.
Be wary of an agent who claims to want to sell your book idea to Hollywood.
Be wary of an agent who advertises.
Be wary of an agent who solicits you.
Be wary of an agent who provides extravagant praise or inflated promises, and of her opposite, an agent who paints a dismal picture of your chances of success.
Soooo, what do you think? Should you find an agent?
Agents on twitter:
Agent, Andrea Brown Literary Agency, shameless caffeine addict, farmer for Marbles, my gray and white rescue bunny.
Children's lit agent with Andrea Brown who dreams about being a bakery-owning cowgirl. Nevermind that I don't bake much or have a horse.
Literary agent with Writers House musing on publishing, music, and sports--not necessarily in that order.
A boutique literary agency representing authors, illustrators, graphic novelists and photographers.
President of Donald Maass Literary Agency in New York, author of Writing the Breakout Novel, The Fire in Fiction and other craft books for fiction writers.
Literary agent. Supervillain.
Associate Agent & Foreign Rights Manager; Books + Chai + Tech. = Life
Children's & YA, F&SF, Literary Agent & Hero Myth Cycle believer.
NYC lit agent and lover of pizza.
I'm a literary agent. Check out my site and if you think we're a fit, let me know. Otherwise just support my authors and buy their books!
Literary Agent and New York Times bestselling author of romance/women's fiction who loves to travel to far away places, mentally and geographically.
Kidlit enthusiast and associate agent at Andrea Brown Literary Agency!
Editorial Consultant, former Literary Agent Assistant, freelance copywriter.
book lover, former HS teacher, literary agent, sci-fi/fantasy nerd, and owner of an unused $6000 wedding dress. love my life.
Dark Lady of Letters
We're a brusquely friendly literary agency.
Kid's book agent, music snob, Philadelphia sports fanatic.
Literary Agent, bran muffin enthusiast and nerdy cat person
Author of JACOB WONDERBAR AND THE COSMIC SPACE KAPOW (coming in May)
Publishing browncoat. Cat herder. Queer human. Professional nerd. TARDIS fan. Athlete's foot survivor. Part of Penguin Group (USA) Business Development team.
literary agent, blogger, business owner, book lover and foodie
Literary Agent representing women's fiction, romance, mystery, true crime, pop culture and pop science.
I am a literary agent. I work at Curtis Brown. I respond only to queries I'm interested in. This twitter account will be boring.
literary agent, theater wife, cat person, iphone addict.
A literary agent @strothmanagency with an emphasis in YA and MG fiction and nonfiction. Opinions are my own. literary agent at andrea brown lit, children's bookseller, reader, raconteur, eccentric multi-millionaire and patron of the arts... and some of those are lies
Literary Agent with Herman Agency representing primarily MG and YA authors.
Literary agent, firefighter's wife, mom of two awesome girls, Starbucks freak.
ElanaRoth Elana Roth
Brooklynite, children's book agent, Squarespace support specialist, semi-pro Jew, bourbon drinker. I work for lots of people. None of these tweets are theirs. Author/Educator, Kathy Stemke, has a B.S. from Southern Connecticut State University and Covenant Life Seminary, and graduate coursework from Columbia University. As a freelance writer Kathy has published several articles and is a former contributing editor for The National Writing for Children's Center. she is on the team at DKV Writing for you, a writing services company. Sign up for her free monthly newsletter, Movement and Rhythm, on her blog. http://educationtipster.blogspot.com Trouble on Earth Day and Sh, Sh, Sh Let the Baby Sleep Were released in May 2011.
