Contributed by Margot Conor
Popular stories normally have what is called a three C’s structure. Context, content, and conclusion. They are the crucial components that can be applied at various levels of your writing to ensure clarity coherence and impact. Context, which is the why of it. Followed by the content, which can be the details of a paragraph, or an entire story, and finally the conclusion.
This is a simple way to break down your process and can be applied in a tight construction for example in every paragraph. Or can be used more loosely for each chapter or section.
If you are writing a short story, you may only use the three C’s once. Creative writers tend to apply these without really thinking about it. It’s the pattern of story-telling we grew up with, it’s what we know from fairy tales.
As an exercise, you might try consciously using the three C’s in each paragraph of a story. I believe if you are a Plotter you will find this technique easy. As a Panster, thinking of doing that makes my head wobble. It is far too constricting. However, once per chapter is doable.
WITHIN EACH PARAGRAPH
1. Context: Start each paragraph by providing context. This sets the stage for the reader and ensures they understand the background or the main point that will be discussed. This could be a sentence or two that introduces the topic or provides a transition from the previous paragraph.
2. Content: Follow with the main content of the paragraph. This is where you present your key ideas, arguments, evidence, or details. Ensure that the content is well-organized and focused on the paragraph's main idea.
3. Conclusion: Conclude the paragraph by summarizing the main point or providing a transition to the next paragraph. This helps reinforce the key message and prepares the reader for what's coming next.
WITHIN EACH SECTION OF A STORY OR CHAPTER
1. Context: Begin each section or chapter with context. This could involve setting the scene, introducing characters, or providing necessary background information. Context at this level helps orient the reader within the broader narrative.
2. Content: Develop the main ideas or plot points within the section. This is where the bulk of the story unfolds, characters develop, and key events take place. Ensure the content is engaging and drives the narrative forward.
3. Conclusion: End each section with a conclusion that wraps up the events or ideas discussed. This could be a cliffhanger, a resolution of a conflict, or a summary of key points. A strong conclusion at this level keeps the reader engaged and eager to continue.
WITHIN THE ENTIRE STORY
1. Context: Provide context at the beginning of your short story. This includes the setting, initial character introductions, and the premise. The context should be compelling enough to hook the reader from the start.
2. Content: Develop the story or chapter with rich content. This includes plot development, character arcs, and thematic exploration. Ensure that each chapter contributes to the overall narrative and keeps the reader engaged.
3. Conclusion: Conclude the story or chapter with a satisfying ending. This could involve resolving the main conflict, providing a twist, or setting up for the next part of the story. A strong conclusion leaves a lasting impression and provides a sense of closure or anticipation.
Examples
If you examine the stories or books you’ve read, or even the movies you watch, you will be able to point to where this structure is applied. Here are a few examples of Context from Fairytales that introduce key elements of the story that follows:
1. Cinderella
o Context: "Once upon a time, in a faraway kingdom, there lived a beautiful young girl named Cinderella. She was kind and gentle, but her life was made miserable by her wicked stepmother and stepsisters."
o Explanation: This opening line provides the reader with essential background information: the setting (a faraway kingdom), the main character (Cinderella), her positive qualities (kind and gentle), and the source of her conflict (wicked stepmother and stepsisters).
2. Little Red Riding Hood
o Context: "Once upon a time, there was a little girl who lived in a village near the forest. She always wore a red riding cloak, so everyone called her Little Red Riding Hood."
o Explanation: This context introduces the main character (Little Red Riding Hood), her distinctive feature (red riding cloak), and her environment (a village near the forest). It sets up the reader to understand the character's identity and where the story takes place.
3. Snow White
o Context: "Once upon a time, in the middle of winter, when snowflakes were falling like feathers from the sky, a queen sat sewing at her window, which had a frame of black ebony wood."
o Explanation: This opening provides a vivid description of the setting (winter, snowflakes, queen sewing), establishing the scene’s mood and hinting at the magical elements that will be important in the story of Snow White.
4. Hansel and Gretel
o Context: "Once upon a time, a poor woodcutter lived at the edge of a large forest with his wife and two children, Hansel and Gretel."
o Explanation: The reader is introduced to the main characters (woodcutter, his wife, Hansel, and Gretel) and their living situation (poor, edge of a large forest). This context sets the stage for the challenges and adventures the characters will face.
CONTEXT IN DIFFERENT PARAGRAPHS AND SECTIONS
Applying the concept of context within different parts of a fairytale can ensure each section or paragraph is clear and sets up the subsequent content effectively.
1. Within a Paragraph:
o Context: "As she walked through the forest, Little Red Riding Hood felt the cool breeze and heard the rustling leaves."
o Content: "She admired the tall trees and picked some wildflowers along the path."
o Conclusion: "But soon, she realized she had wandered far from the familiar path."
2. Within a Section:
o Context: "The king's castle stood high on a hill, overlooking the entire kingdom."
o Content: "Inside the grand hall, the king sat on his throne, worried about the future of his realm. Advisors and knights were gathered, discussing the imminent threat."
o Conclusion: "As the discussions continued, a messenger burst through the doors with urgent news."
By using The three C’s effectively at different levels, writers can ensure their readers are always oriented and engaged, understanding the background and the significance of the events as they unfold.
ABOUT THE AUTHOR
Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. She's preparing to debut her first novel, which means learning how to promote it. The last year has been spent attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader.
Learn more about Margot at https://margotconor.com/
4 comments:
Margot, thanks for the detailed article on the 3 Cs of writing. And the examples help!
Margot, in my HowToDoItFrugally Series of books for writers are tightly packed with information, how-tos, and I often use bullets to help break them up for readability. You say, "This could be a sentence or two that introduces the topic or provides a transition from the previous paragraph.” I do try to break up paragraphs and use this advice you give. Other than bullets, do you have ideas for opening up paragraphs with tons of information in them that the author hopes can be use both in the present and later. You know. As a reference. I’d like more white space, but don’t want to extend the length of the book because that ends up costing more for the finished product.
Thanks,
Carolyn Howard-Johnson
https://www.amazon.com/dp/B0BTXQL27T for Amazon’s new buy page they offer for complete series
Hi Carolyn, Sure... Here are some ideas for breaking up the information-heavy text other than using bullets: Use subheadings and section breaks, Indent the text or block quotes, use a sidebar or margin notes, text boxes, use italics or bold text for emphasis and diagrams or charts can be inserted. Of course, it depends on what type of writing you are doing which of these would be appropriate.
Thank you. Quite a list!
Best, Carolyn
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