Engagement, according to Merriman-Webster.com, means to have an emotional involvement or commitment. Based on this, no matter what genre you write in the story must hold or engage the reader.
In an article in the Writer's Digest January 2011 issue, Steven James takes a look at aspects of “great storytelling.”
The first rule to a successful story is, according to James, “cause and effect.” In children’s writing this is the same as an obstacle and its solution - there must be a circumstance that leads the protagonist to an action in an effort to find a solution. I do like the wording James uses though, because it’s more in line with multiple writing genres.
In its simplest form, something happens (the cause) that creates or motivates an action or reaction (the effect).
James goes on to explain that along with cause and effect, the order in which an event unfolds or how it’s written will also make a difference between keeping a reader engaged and allowing for disengagement.
“As a fiction writer, you want your reader to always be emotionally present in the story,” explains James. If the sequence of an event causes the reader to stop and wonder why something is happening, even if just for a moment, you’ve left room for disengagement.
As an example, suppose you write:
She fell to her knees, dropped her head, and wept uncontrollably. Her husband was dead.
While in just eight words, the reader learns why the woman is crying, it could very well leave enough time for her to pause and wonder: Why did she fall to her knees?
This can lead to disengagement.
To create a cause and effect scenario that keeps the reader in the loop, you might write:
Her husband was dead; the words echoed through the room. She fell to her knees, dropped her head, and wept uncontrollably.
The second aspect of writing James touches upon is creating and maintaining a believable story. Even if writing a fantasy or science fiction, consistency is needed, along with believable actions, reactions, observations, conclusions, and so on within the boundaries of the story.
A basic example of this might be if you write about a character with brown eyes, then somewhere within the story you accidently mention the eyes are blue. This little slip creates a believability gap.
Any gap in the believability of the story or its characters has the potential to cause the reader to pause, question, and very possibly become disengaged.
Karen Cioffi is an award-winning children's author and children’s ghostwriter as well as the founder and editor-in-chief of Writers on the Move. You can find out more about writing for children and her services at: Karen Cioffi Writing for Children.
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1 comment:
Great post, Karen. In my critique group, we talk about building worlds and how important it is to stay focused in that world so there are no gaps to disengage the reader. You captured this necessity so well. Thanks.
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