Why Self-Publishing Books Aren't in Bookstores


By Terry Whalin (@terrywhalin)

I’m involved in a couple of online writing groups and no matter how many times you say it, there seems to be a broad misconception about self-published books. These books simply don’t appear inside the brick-and-mortar bookstores.

Please don’t misunderstand me. These self-published books have their place in the market—particularly if you have a means to sell the books to individuals or companies. For example, if you speak often and would like to have a book to sell in the back of the room, you can easily get a self-published book to use in these situations. Just don’t expect to sell your book to bookstores.

Recently a well-meaning author celebrated his first printed book, which was self-published. He was holding it in his hand—always exciting. He was plotting a strategy to get his book in as many bookstores as possible and asking for help from other authors in the group. If you are going down this path, it shows a clear disconnect with the realities of the market.

Here’s a bit of what I told him. “Congratulations on your book release and I celebrate with you—but after more than thirty years in this business and over 60 books in print—and working as an acquisitions editor over the last thirteen years—I am going to have to give you a bit of a reality check. You will struggle and find it almost impossible for brick-and-mortar bookstores to stock your self-published book. It’s one of those messages that the self-publishing places don’t tell you (they want to get your cash and get your book in their system). Yes, your book is listed on Amazon.com (easy for anyone to do) but getting it into the bookstores is a completely different story. 

I’ve been telling writers for years about the ease of getting a book printed—now getting it into the bookstores and ultimately into the hands of consumers, that’s another story.
“Retailers dislike self-published books. Every retailer that I’ve talked with about this issue (and I’ve invested the time to talk with them) has countless stories about the difficulties of these books. They have re-stocking problems and problems with the quality of the products (typos, editing, etc.).

“Here’s the real test for you: go to your local bookstores and ask them if they are carrying any self-published title on their shelves. Go to the big box stores like Barnes & Noble or Books A Million as well as your mom and pop smaller independent bookstores. The answer will surprise you. I will be surprised if you find a single self-published among any of the thousands of books.”

We can’t say it often enough—the bookstore market is a closed system—that deals with distributors and large and small publishers. It’s why we work hard to get our books into the traditional publishing marketplace. It’s why you go through the effort and hard work to create an excellent book proposal or book manuscript or novel, then sell that idea to a publisher. Then your book is available in any bookstore—and can have the possibility of sitting on those bookshelves. It’s a free country and you can feel free to expend the effort and energy to market to bookstores and try and place your book. From my experience and others, it will be frustrating and likely not sell many books. I believe your marketing efforts are better served in other markets (outside the bookstore).”

No matter what I write, several of you are going to take the leap into self-publishing. Here’s several action steps if you go this route:

1. Work with an experienced editor to create an excellent book.

2. Use a professional cover designer and people to format and produce a book where every detail looks like something from one of the big five traditional publishers. This means including elements like endorsements and words on the spine of the book (including a publishing logo on the bottom of that spine). Many self-published books are missing key elements which become striking signals they are self-published such as leaving off the barcode or doing this code improperly (without the price). 

3. Keep working consistently to grow your audience. As I’ve mentioned in the past, work daily on increasing your platform and reaching your audience. You need to try new avenues to market and sell your book. For example, in recent months, I have been using PodMatch which is connected to over 90,000 podcasts. I’ve booked or been on over 60 podcasts. I continue to pitch podcast hosts and appear on their shows.

4. Continue to learn all you can about publishing. Get a free copy of my Book Proposals That Sell and study the publishing insights in this book. 

5. Never give up on your book. As the author, you have the greatest interest and passion for your book. This statement is true no matter whether you are traditionally published or self-published. Always be looking for new opportunities to write or speak about your book.

This last point is something I try and model with my own books. For example, I continue to promote and use the radio interviews I recorded for my Billy Graham biography which has been in print for over ten years. Each author needs to be actively telling new readers about their books—whether they are carried in the bookstores or not. 

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W. Terry Whalin, a writer and acquisitions editor lives in California. Get Terrys newsletter and a 87-page FREE ebook packed with writing insights. Just follow this link to subscribe. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including  Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your SuccessHis website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Writing: Mixing It Up with Tropes

 

Contributed by Margot Conor

I have lately been experimenting. I mostly write Science Fiction and Fantasy. But I do tend to mix tropes most of the time. Recently I have been trying a few new subgenres.

An author in a critique group told me she liked my Magical Realism style. And I had to admit I didn’t know what that was. When I searched for authors that are known for it and discovered they are some of my favorites. Jorge Luis Borges, Gabriel Garcia Marquez, Isabel Allende. I suppose we are inspired by the authors we love.

After reading about what characterizes Magical Realism, I wrote a few short stories with that trope in mind. Consciously leaning into that style, I was pleased with the results.

Magical Realism combines realistic settings with fantastical or magical elements, treating the supernatural as commonplace within the narrative. Key characteristics include a realistic setting, the matter-of-fact inclusion of magical elements, a blurring of the lines between reality and fantasy, and often, a focus on everyday characters in dream-like, or unbelievable situations which are treated as normal.

While researching tropes I saw a few others I decided to experiment with.

One is something called slipstream. Which I also had never heard of. This has the distinctive quality of defying traditional genre boundaries, by mixing sci-Fi, and Fantasy with psychological or philosophical fiction. It explores deeper themes of societal or technological change, and the breakdown of paradigms. It employs strange and uncanny situations. Encourages the bending of reality with surreal settings or circumstances. It is otherwise described as “the familiar strange, or the strange familiar.

I had never written in the Steam Punk subgenre until recently either, I wrote a short story titled Magic Wants to Be Used. I love the characters and the world I created enough to possibly serialize it. This story’s main character is a teenager named Xandra who has a forbidden form of mechanical magic.

I also recently compiled a small set of nine fantasy stories featuring dragons. I’ve been writing fantasy for a while but oddly never touched the dragon lore sub-genre. I am not sure it is still as popular as it once was, but it was fun to write.

There are a few writers in one of my writers’ groups who write romantic fantasy. I know that any sort of romance genre is extremely popular now, and an easy genre to build a loyal following with. But other than inserting a few flirtations into the speculative genres I write, romance seems to be near impossible for me to write.

I seem to have found my favorites, and I’ll stick with them. I encourage writers to explore as I have been doing, just to see what might inspire you. Every now and then it is good to step outside what we usually do and explore a slightly different direction.

ABOUT THE AUTHOR 

Margot Conor has been writing for as long as she can remember, but it wasn't until the COVID lock-down that she had enough time to dedicate to the craft and bring something to completion. Having finished her first novel, she went through the grueling two-year process of editing. Now she has jumped into the author's world with both feet. Margot's debut multiverse adventure novel, Inverse, is available on Amazon.

She's spent the last year attending many writing retreats, seminars, and writers' events. She also listened to presentations specifically on the topic of publishing and book marketing. She will be sharing what she learns with the reader. Learn more about Margot at https://margotconor.com/


 

 

Look what Adam Cohen of WinningWriters ran today;  it’s a day I really needed a boost (I brought my husband home from the hospital today so it was a an upper at just the right time! Those of you who subscribe (see the right column to subscribe if you haven’t alrady!) know that I have used WinningWriters’ newsletter to find reliable, vetted contests for years and that I highly recommend their own #NorthStreetBookPrize for the added value they offer to those who enter.  His warmth and high standards come through in all his ads and projects.  Thank you, Adam! 

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Letting What You Love Battle Writer’s Block




Letting What You Love Battle Writer’s Block

By Carolyn Howard-Johnson, multi award-winning author of the 
HowToDoItFrugally Series of Books for Writers

 

Writers’ Block is a malady many complain of. To cure it, writers have been known to write about it. But I think there’s a better way to tackle it. The ancient Greeks sought advice from the Oracle at Delphi but also inspiration. The Chinese did the same with the I Ching; the Egyptians the Tarot, the American Indians the Medicine Wheel, and the Scandinavians the Runes. Many today follow the Zodiac. All are more than superstition if only because we use them to better examine our own needs. When we know ourselves better, we are more creative.

 

A few Christmases ago my son and his wife gave me a book that included a set of cards—flash cards of sorts by Naomi Epel. When I use this kit I often think of my friend David Cho. He is Fung Shui Master to the Stars who coordinates people’s Chinese Zodiacs with the Chi in their homes and more. Like his clients, I found myself thinking more positively, even thinking in new directions, when he did his magic with a weird fountain made from a cattle trough and introduced it for good luck near our front door. It fits beautifully with the antique implements I use to from my polygamist great grandfather’s farm I use to decorate my front porch with. It was an exercise in learning to “own” my own past.

 

I once took the time to explore hieroglyphics, something that must have been difficult for even the Egyptians to read given the lack of punctuation and no firm left-to-right rules (or right-to-left, top-to-bottom or bottom-to-top rule, either!). There is something about the symbols that affect thinking, including the symbols you are reading in this moment.

 

I am convinced that following my inclinations made me a better writer but also inspired the first edition of my The Frugal Book Promoternow in its third edition and the flagship book of my HowToDoItFrugally Series of Books for Writers.

 

Aside from steeping myself in any topic that intrigues me which is a magic worker like none other, I find it works better when I do it with a pen and Post-it notes at hand. I write down anything that occurs to me and plop those notes into a Wedgewood sugar bowl that once belonged to my grandmother. You’ve never heard of “found poems?” When you fill a favorite container with scrappy phrases, go back through them and you’ll always find a poem there. Sometimes it’s just a suggestion. Other times several of those notes get strung together to make a complete poem. After I’ve assembled the lines, all I have to do is go back in a few weeks for a hard look and a harder edit.

 

Here are some other aids that will help writers and others from being their most creative in all kinds of ways.

 

Write something that helps another author. Send them a blurb (praise) to use to in marketing. Or write a review and post it on Amazon. Nothing works better to slay writers’ block than gratitude. If you need a starter for that project, check out The Art of Assssment: How to Review Anything  by Magdalena Ball at her site, The Compulsive Reader. Writing about the books we are reading inspires and saves that step of having to come up with a theme or storyline. Her book will get you started reviewing books, films, movies, restaurants and other stuff. And she assumes no prior reviewing experience!

 

When I visit museums I take my copy of A Describer’s Dictionary by David Grambs. When I run across new phrases and words that curators use in their descriptions and catalogs, I jot them anywhere I can find space on the title pages, the margins, etc. of this book. I’ll soon run out of space. I’ll probably just start stuffing it with Post-its!

 

I love to use “rules” of grammar. Rules are way different from laws; they’re ready-made inspiration for writing something new and a different. My penchants for that inspired  or anything my own The Frugal Editor (now in its third edition!) as a way to break rules creatively.

 

Let me introduce a web-friend of mine, Roberta Allen. Her book never fails to make me happy. I’ve never seen it in a how-to book on curing writers’ block, but I swear happiness is the best curative! It’s the The Playful Way to Serious Writing by Roberta Allen.

 

Of course there is always this classic approach to writer’s block: It’s Jenna Glatzer’s Outwitting Writers’ Block  with tips for writer’s block…er…inspiration…and it sets an example with lovely nonfiction prose.

 

Or, yeah. We can always try the “tried and true” methods of the ancients. The Greeks and Egyptians got a lot of things right; it couldn’t hurt to follow their lead.

 

MORE ABOUT THE WRITERS ON THE MOVE
AND “FIRST CHAPTER PLUS” COLUMNIST

 

Howard-Johnson is the recipient of the California Legislature’s Woman of the Year in Arts and Entertainment Award, and her community’s Character and Ethics award for her work promoting tolerance with her writing. She was also named to Pasadena Weekly’s list of “Fourteen San Gabriel Valley women who make life happen” and was given her community’s Diamond Award for Achievement in the Arts.  Carolyn writes nonfiction for writers, poetry, and fiction and has studied writing at Cambridge University in the United Kingdom; Herzen University in St. Petersburg, Russia; and Charles University, Prague. She will soon celebrate two years dedication to writing for the @ReaderViews’ fun flip e-magazine First Chapter Plus edited by Suzanne Violante. Neither she nor Karen Cioffi, founder and editor of this #WritersontheMove blog have never contributed to my own very rare attacks of writers’ block by asking me to hue (on cue!) to a holiday theme or specific topic! Just knowing I have a column to do each month is the little nudge required to get inspired.

 

Are You a Writing Imposter?


I watched an amazing webinar with Writers on the Move contributor Carolyn Howard-Johnson and her publisher Victor Volkman.

Carolyn is an award-winning author and an expert book marketer, so I listen when she has something to share.

A small part of her talk was about the imposter syndrome. Making it easier to understand, it's more like the 'I'm not good enough' syndrome.

This is something most writers deal with once in a while, me included, so I decided to look into it.

According to Wikipedia, the "imposter syndrome is a psychological pattern in which an individual doubts their skills, talents or accomplishments and has a persistent internalized fear of being exposed as a fraud."

So, what does this have to do with writers?

Well, once we feel we're not ‘really’ a good writer, we begin to underestimate our ability and our value.

Unfortunately, this syndrome seeps its way into new and even seasoned writers, and it can cause consequences.

The I'm not a good enough writer syndrome, or I'm a fraud, and sooner or later, everyone will know.

Have you ever felt like this?

Once a writer has these feelings, they can fester and grow, stopping her from moving forward. 

Maybe she's been thinking of seeking an agent's representation.

He may have thought of submitting to traditional publishers.

Maybe he's wanted to get articles published in magazines like Writer's Digest, The Writer, or another magazine. 

BUT …

She doesn't think she's good enough, so she doesn't even try.

There's an expression I love: Nothing ventured, nothing gained.

You don't have to be the best writer on Earth.

It's not the best writer who succeeds; it's the writer who perseveres. And part of perseverance is to submit your work. 

It's about writing the book you want to write and self-publishing if that's the route you want to go.

It's about submitting your manuscript to agents and publishers.

That said, it is important to make sure you, at the very least, know how to write. 

- Read a lot.

- Read books the agent has represented if that's what you want to do.

- Read books that the publisher has published if that’s your dream.

- Read 'quality' books in the genre you want to write.

- Take the time to learn how to write if you haven't yet. There are excellent online classes that can help you with this.

Another problem is if a writer with this syndrome offers services like editing or ghostwriting. 

If you're offering writing services and don't believe you're qualified enough to provide these services, you're in trouble. 

- The first thing that will happen is you won't charge what you're worth. This thought process can cause a domino effect. 

- Your lower prices will cause some potential clients to believe you're not as good as other services charging more.

- You may let clients tell you how to write. Or, you may not be confident to explain to your client that what he has done or wants to do won't work.

- You'll second-guess almost everything you do.

If you have these feelings, it might be helpful to create a vision board.

Put a few quotes or sayings that will help you believe in yourself. Be sure to keep it where you'll see it every day!

And another good idea is to keep learning your craft.

Learning to write also goes for wannabe authors. Learn about writing by reading books in the genre you want to write in, and then go for it.

Click the link to watch Carolyn's talk - it has lots of book marketing tips: 
https://youtu.be/ykE7ITz6HUk

 

ABOUT THE AUTHOR 




 

 

 

 

Karen Cioffi is an award-winning children’s author, working ghostwriter, rewriter, and coach (picture and chapter books). If you need help with your story, visit Writing for Children with Karen Cioffi.


You can check out Karen’s books HERE.

https://karencioffiwritingforchildren.com/karens-books/

 

 


Why Self-Publishing Books Aren't in Bookstores

By Terry Whalin ( @terrywhalin ) I’m involved in a couple of online writing groups and no matter how many times you say it, there seems to b...