Why Distribution Is Critical

By Terry Whalin (@terrywhalin)

For many years I have been writing and studying publishing. There is a critical matter that almost no one talks about the importance: distribution. For over 40 years, I’ve been writing for publication, both magazines and books. During these years, I’ve written for over 50 different print magazines, and I’ve also spent years as a magazine editor. 

My first book, a short children’s book, was published in 1992 and since then I’ve written more than 60 books with traditional publishers such as Zondervan Publishing House, Thomas Nelson Publishers, St. Martin’s Press, Alpha Books, and Tyndale House Publishers. 

No one goes into a bookstore with the intention of finding a particular publisher, yet these name-brand publishers have a high standard that ensures the quality of their books. Traditional publishers know how to distribute their books through the best possible sales channels. 

In addition to working with many different publishers as an author, for over five years, I worked on the inside of two publishers as a book acquisitions editor. I fielded submissions from individuals and literary agents and then championed the books internally at the publishing house, secured the publishing teams agreement about the value of a book, and negotiated the book contract. Because I’ve worked in almost every aspect of publishing, I have a unique perspective to write about the realities of the publishing business. Now for the last 13 years I’ve been acquiring books for a New York publisher, Morgan James Publishing, one of the top independent publishers and in business over 20 years. 

Whether I am participating in an online group or at a conference I meet writers who have grown impatient with the publishing world and have decided to self-publish their work.

If you have a book of poetry or short stories you would like to distribute to your family or friends, self-publishing is a good route. However, most writers don’t think about the critical element of distribution when they publish their book. When these writers self-publish their book, they take on the complete distribution, sales, and marketing for their product. It never crosses the uninitiated’s minds how to sell the book. They assume that their books will be sold through the local bookstore, which is difficult to achieve. Self-publishing is a viable alternative, however, to authors who speak and can sell their books in the back of the room. You will need these types of outlets to sell books if you choose to self-publish. 

Several years ago, a pastor decided to self-publish a book of his sermons. Excited to have a printed book, he announced to an online group that he planned to spend considerable amount of time the next few months contacting nearby bookstores and taking orders for his book. 

What this pastor did not understand is the typical bookstore carries about 10,000 to 15,000 titles. It is not surprising that you don’t find your particular book in the store. This writer was operating under the false assumption that bookstores would carry his self-published book. In fact, bookstores resist any self-published book and rarely stock them in their bookstore. The reason is that these books can’t easily be ordered through the same system as traditional books and, in general, they don’t sell. Because these books fall out of the normal procedures, they are often not returnable to the publisher. 

Unless you work inside publishing, you may have never heard that books can be returned to the publisher for the full price. Essentially they are sold to the bookstores on consignment and the stores have complex programs to monitor the sales of their titles. If the books don’t sell within a typical time period of 60 to 90 days, they are returned to the publisher for a full refund. This practice presents a huge problem for traditional publishers who consider it a good sale when a book has a 40 percent return or less. The self-published book falls outside of the normal channels for the retailer and with thousands of titles, he can’t make a special effort for a single book.

Many self-published authors are only selling their book on Amazon and their own website. At Morgan James Publishing where I work, Amazon is a large customer but only 24% of our overall business. If you’ve published with Amazon you are missing 76% of where MJP will distribute your book. We sell in the brick and mortar bookstores and on over 180 online platforms including Target. From my perspective, this critical detail is an important one to take into consideration as you look at your publishing options. 

With self-publishing you have the total responsibility, and I’ve met authors who have spent thousands of dollars in the creation process of their book which has limited distribution. Before you publish, I encourage you to explore the various possibilities—including Morgan James. If I can help you, don’t hesitate to reach out. The exploration process costs nothing but time and may help you with some great potential heartache about distribution when you are down the road on the publishing journey.

Tweetable:

W. Terry Whalin, a writer and acquisitions editor lives in California. Get Terrys newsletter and a 87-page FREE ebook packed with writing insights. Just follow this link to subscribe. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including  Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your SuccessHis website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

4 Tips to Writing a Marketable Kid's Book

 


Contributed by Karen Cioffi, Children's Writer

 Writing is a business, at least if your intent is to sell your writing.

With that in mind, it’s not that the marketing end of your writing should put a damper on your muse, but there are a few key marketing components that you need to keep in mind when writing.

1. Your audience.

It’s been said over and over that you need to have a target market – a target audience for your book.

If you think about it, you’ll realize that’s true.

Imagine you wrote a story about your Alaskan adventure.

Who do you think would be interested in it? Who do you think would buy your book?

Now imagine you wrote a children’s middle-grade fantasy. 

Same questions.

But the answers will be different.

In an article at Live, Write, Thrive, the author takes this a step further. She advises to analyze your ‘perfect’ reader. Find out what he likes. Does he have any pets? Does she like sports, music, or art? What’s her family life like? What about school? What about friends? The deeper you go, the better.

With the answers to these questions, you can craft a story tailored toward that reader. Or you can include tidbits that a particular reader can relate to in a story you are already writing.

Maybe your reader is a junior lifeguard and cross-country runner. And, he has an eighty-pound, bronco-jumping Bernedoodle.

With this knowledge, you can craft a story that incorporates elements relative to the readers’ age group without detracting from the story’s creative process.

2. Have a worthwhile theme.

First, what is theme?

One explanation of theme is from MasterClass: “In simpler stories, the theme may be a moral or message: ‘Don’t judge a book by its cover.’ In more complex stories, the central theme is typically a more open-ended exploration of some fundamental aspect of society or humanity.”

The theme should be subtly woven into your story.

But there are occasions when you don’t know what the theme of your story is until it’s complete. 

Six of the most common themes are:

-Good vs. evil
-Love
-Redemption
-Courage 
-Coming of age
-Revenge

As a children’s ghostwriter, the themes I see most often from clients are:

-Be who you are
-Acceptance
-Being a good friend and making friends
-Kindness
-Bullying
-Environment

For a children’s writer or someone who wants to be the author of their own children’s book, the themes tend to be geared toward bringing awareness to children. The themes are usually about teaching children, guiding them, subtly. 

3. Be different.

It’s challenging to come up with a unique story. Everything that can go on in life has been written about. 

So, how do you keep your story fresh?

A good way to do this is to study recently published books in your genre. Make the bulk of them traditionally published, as they would have had to get past the gatekeepers.

There are two reasons for researching traditionally published books:

A. As mentioned, the storyline and writing will be good…good enough to make it past the gatekeepers.

B. Publishing houses know what’s being received well and what’s not. They’re doing a lot of research that you can take advantage of.

After you research your contenders, buckle down and write a story that’s better, one that has a different spin. This may take a great deal of effort, but it will help make your story stand out; it will make your story unique.

Want to stay away from popular stuff? Think about historical fiction. 

If you go this route, just keep in mind you need an audience that will be interested in it.

You might even get ideas from folktales. Not the ‘overly done’ ones, but older, ancient tales. 

Whatever you write, make it your own.

4. Write a good story.

You can take all the steps necessary to create a marketable children’s book, but if the story isn’t properly written, if you don’t have a good story, those steps will be for naught.

A quick breakdown of the elements needed to write a good story:

-Theme (we discussed this already)
-Plot
-Story structure
-Characters
-Setting
-Style and tone
 
To learn what’s involved in each of these elements, you can check out:
6 Tips on What Makes a Good Story?

If you have any other tips on writing a marketable children’s book, please put them in the comments.

Referenced article: https://www.livewritethrive.com/2014/06/09/3-ways-to-plan-a-marketable-novel/ 
 

ABOUT THE AUTHOR


 Karen Cioffi is an award-winning children’s author, working ghostwriter, rewriter, and coach (picture and chapter books). If you need help with your story, visit Writing for Children with Karen Cioffi

You can check out Karen’s books HERE.

You can connect with Karen at:
LinkedIn: karencioffiventrice 
Facebook: kcioffiventrice 
Instagram: karencioffikidlitghostwriter 
Twitter: KarenCV

 


Writing and the Domino Reaction

 

Contributed by Karen Cioffi, Children's Writer

 So many things inspire me; the most recent is a video I saw on LinkedIn.

It’s about chain reactions, and I immediately thought of writing.

I found the original video on YouTube and have it here. It’s only 2 ½ minutes and super-inspiring.


 

 

The demonstrator (Stephen Morris) mentioned this video uses 13 dominoes; if he had 29 dominoes, the last one would be as tall as the Empire State Building! 

WOW! It’s minding-boggling to think about the actual size of the initial domino that caused such a powerful chain reaction. 

So how does this relate to writing? 

As writers, what we write matters. Words matter. 

You trigger the initial event by writing your story. Once it’s released into the world, it creates energy, and each time a reader reads it, more and more energy is released. The domino chain reaction is underway. 

This is the superpower writers have. 

 As a children’s writer, you never know how your story will spark something in a child. 

 It could spark an interest in the environment, history, astronomy, kindness, or even peace. It’s that initial event or trigger that can lead the reader on to greater things. Or, it may be a nonfiction book on creating a better life, or a better world. 

 Again, your words can become the trigger that sparks better things. That’s the power of a story. The possibilities are limitless, so use your superpower wisely! 

Want to be that spark in a child’s imagination or life? 

Become the author of your own children’s book. Be the trigger in a writing-reading domino chain reaction. 

ABOUT THE AUTHOR

 
Karen Cioffi is an award-winning children’s author, working ghostwriter, rewriter, and coach. If you need help with your story, visit Writing for Children with Karen Cioffi. 

You can check out Karen’s books HERE.
 
You can connect with Karen at HERE.

 


Self-Publish your Book on Amazon

An example of the neat and professional 
formatting work done by 100 Covers

By Linda Wilson   bit.ly/44Dx1t9

Amazon offers a relatively easy—and free—way to publish your book. All five of my books have been published this way. As I write, my second chapter book, my sixth book, is in the process of being published by Amazon. This article focuses on how I upload my chapter books. Uploading picture books or other books is accomplished by a similar process.

Self-Publishing the KDP Way

Uploading your book onto Kindle Direct Publishing, KDP, https://kdp.amazon.com, Amazon’s publishing branch, gives you “control over your book’s content, design, price, audience, and advertising, in two formats, paperback and eBook; and can publish your book in more than 10 countries, in over 45 languages.” Fit your content into a genre, such as Business & Investing, Children’s Books, Romance, etc., and you’re on your way.

 Steps to Follow:

Create a KDP account

Go to “Bookshelf” to get started

Fill in Language; Book title, Author and Contributors

Description—Book summary: I use the blurb on the back cover of the book

Publishing rights: Either you own the copyright or it’s public domain (my books are the former)

Sexually Explicit Images or Title: No

Reading age

Primary marketplace: Amazon.com

Categories: Choose from a drop-down menu

Keywords: I look up comp books—books similar to mine—and use such keywords as “Children’s Mystery, Detectives, and Spy” and “Children’s Chapter Books.”

Publication date: Publication date and Release date are the same (for me)

Either release book now or schedule release date: mine is the former

Save & continue

Next page: ISBN: Amazon offers a free ISBN, which is tempting, but Amazon’s ISBN is accepted only accepted on Amazon. I buy my own ISBN’s on Bowker.com, in bundles to save.

Publisher: Linda Wilson (yourself or the name of your self-pub company)

Print options: My choices:

Black and white interior with cream paper

Trim size: 5x8 (12.7x20.32 cm)

Bleed settings: Bleed (PDF only)

Paperback cover finish: Matte or Glossy—I choose Glossy

Manuscript: Upload the PDF

Book cover: Upload the PDF or you can create your own on Amazon Creator.

AI-generated content: yes or no

Book Preview: a good idea to check it out.

Save & continue

Territories: All territories or Individual territories (I choose the former)

Primary marketplace: Amazon.com

Pricing, royalties, and distribution: Choose 60% or 40% expanded royalty. A list of where the book will be sold and amount of royalty will show you what each will pay.

Terms and Conditions: Agree

Request a book proof: You can request a printed preview of your book. I skip this step in order to publish ASAP.

Save as Draft or Publish your book: I choose the latter. KDP then takes up to 72 hours to review your book. If it can’t be published for any reason, explanations are given. You need to correct them. Finally, you will be informed when your book is ready to publish.

You can then order author copies from a drop-down menu on your Bookshelf. You can upload the eBook information and publish it right away upon acceptance. Uploading your eBook is similar to the steps for uploading your paperback. An ISBN is not required for eBooks. Amazon will assign your eBook an ASIN number, which is their own number. And then you can look into how to advertise on Amazon.

Other Ways to Publish your Book

Publishing “wide” can be done in addition to publishing your book on Amazon. I have not gone this route because I sell my books locally at holiday fairs and local events and don’t feel the need to—yet. But I think it’s a good idea. Two companies I’m most familiar with are Draft2Digital and IngramSpark.

Personally, I work with 100 Covers, https://100covers.com, a company that has formatted my books, which includes uploading illustrations by illustrators I work with; loaded my book covers created by my illustrator, though they will create a cover for you; and help me in the process of uploading my books onto KDP. Editing is also offered. Their charge is affordable. The 100 Covers reps I’ve worked with have helped me every step of the way. My picture books have been illustrated, edited, formatted, and helped in uploading by their sister company, 1000 Storybooks, https://1000storybooks.com.

Whatever way you choose to publish your book, rest assured there is help out there for you to make your book, and quite possibly your dreams, become a reality. 

Source: https://kdp.amazon.com 

Ranae Wischmann and moi at a
high school craft fair this 
Christmas
Linda's two new releases are Botas Altas, the Spanish version of Tall Boots, translated by Graciela Moreno and Adriana Botero, and Cuna en la Naturaleza, the Spanish version of Cradle in the Wild, translated by Adriana Botero. Both books have won awards. Visit Linda at https://bit.ly/3AOM98L.

The Science of Receiving

 by Suzanne Lieurance


Writers often talk about “flow,” that elusive state when words seem to write themselves. It feels magical, but it’s not just a mystical experience—it’s a measurable shift in your brain and body. Science now backs up what so many creatives already sense: when you relax, open up, and allow, your brain literally becomes more creative.

Let’s look at what’s really happening when you step into the energy of receiving.

Your Brain on Resistance

When you sit down to write and feel blocked, your brain’s amygdala—the part that processes fear—lights up. It interprets uncertainty (like a blank page) as danger. This triggers the fight-or-flight response, sending stress hormones like cortisol rushing through your body.

In this state, your prefrontal cortex (the part of your brain responsible for problem-solving and imagination) goes quiet. That’s why it feels impossible to come up with fresh ideas when you’re anxious or forcing creativity.

You’re not lazy. You’re just in the wrong brain state for flow.

The Physiology of Allowing

When you shift into openness—through gratitude, meditation, or even a few deep breaths—you calm your nervous system. Cortisol levels drop. Your parasympathetic nervous system activates, signaling safety.

This switch allows your brain to access alpha waves—the frequency associated with creativity, daydreaming, and flow. Neuroscientists call this “the incubation phase,” when insights form below the surface of conscious thought.

In other words, when you stop trying to force the answer, your brain can finally deliver it.

The Role of Dopamine: Your Brain’s Reward Signal

Every time you anticipate something good—finishing a chapter, submitting a piece, or receiving praise—your brain releases dopamine. It’s the neurochemical of motivation and pleasure.

But here’s the catch: dopamine doesn’t just reward outcomes. It also rewards expectation.

That means you can trigger creative motivation before success even arrives, simply by imagining positive results.

When you visualize your writing career unfolding beautifully—readers loving your stories, your book launch going well—you’re not indulging in wishful thinking. You’re literally training your brain to associate writing with reward, not stress.

Gratitude as a Neural Shortcut

One of the fastest ways to move into a receptive state is gratitude.

Studies from UCLA’s Mindfulness Awareness Research Center show that regular gratitude practice strengthens neural pathways linked to joy and reduces the activation of fear circuits. Gratitude rewires your brain to expect good things—and therefore notice them when they happen.

Try this quick practice: before you write, list three things you’re grateful for in your creative life. They can be small—like the smell of coffee, a favorite pen, or the fact that you have time to write at all.

You’ll feel a subtle shift almost immediately.

Why Writers Thrive in “The Flow State”

Psychologist Mihaly Csikszentmihalyi coined the term flow to describe a state of total absorption in a task. In this state, your inner critic quiets, time dissolves, and your writing feels effortless.

Research shows that flow occurs when:

·       You’re challenged but not overwhelmed.

·       You’re fully focused on one task.

·       You feel safe enough to lose self-consciousness.

That’s why receiving—trusting, allowing, softening—is essential. You can’t enter flow through tension. You enter through surrender.

Openness and the Creative Brain

In personality research, the trait most strongly linked to creativity is openness to experience.

Openness means curiosity, imagination, and the willingness to explore new ideas without judgment. It’s the mental version of receiving.

Writers who cultivate openness see connections others miss. They ask, “What if?” instead of “What’s the point?” They stay flexible, letting inspiration shape their process rather than clinging to control.

When you’re open, you become a conduit for creative energy—not its gatekeeper.

The Simple Science of Surrender

You don’t have to understand neuroscience to benefit from it. You just have to practice what science already knows works:

Breathe deeply before you write. Oxygen increases clarity and calm.

Visualize success. Dopamine rewards the expectation of good things.

Practice gratitude. It lowers stress and primes your brain for flow.

Trust timing. Creativity follows rhythm, not pressure.

The science of receiving is really the science of letting yourself feel safe enough to create.

Next time you feel stuck, remember—your brain isn’t the enemy. It’s waiting for you to relax.

So, take a deep breath, unclench your shoulders, and whisper to yourself: “I am open. I am receptive. I am ready to receive inspiration.”

Science agrees—you’ve just told your brain it’s time to create.

And now, for more information about how the Law of Attraction relates to writing, listen to The Law of Attraction Podcast for Writers. And don't forget to subscribe!

Suzanne Lieurance is an author and a Law of Attraction coach for writers at writebythesea.com

Why Every Writer Needs to Publish

 

By Terry Whalin (@terrywhalin)

It’s no secret in the publishing community but an important truth: editors and literary agents are reading their submissions and looking for people who have been published (have experience) so they can publish them again. This age old practice seems unfair to new writers who have spent a lot of time and energy on a book submission. The best way to get attention is to create a publishing track record in the print magazine area. 

You may believe print magazines are dying but that is not true. The 2026 Christian Writers Market Guide lists over 150 periodicals. The editors have told you what they want in their “writer’s Guidelines.” It’s fairly easy to reach 100,000 or even a million readers with a magazine article. If a book sells 5,000 copies during the lifetime of the book that is a good number. 

On the surface, the path to publishing might not show you the diversity and range of possibilities for your writing. From speaking to hundreds of writers, I find many of them are focused on a particular area of writing such as writing a novel or a children’s book. They haven’t understood the value of learning good storytelling and communication skills that are relevant and useful for many different areas of writing. 

Because these writers are focused on a small niche area of publishing, it’s almost like they are wearing blinders and can’t see any other possibilities. In this article, I want to challenge you to remove your blinders and see the wealth of possible application for your writing within the publishing community. While each area of publishing has its own specific requirements, good writing and storytelling skills can be used in multiple areas to strengthen your overall career. 

For example, you may want to write a book and have done a little exploration but the only companies who have responded to your questions are the publishers who want you to pay them to get your book into print. These companies are called self-publishers. Instead, you are looking for a traditional publisher who will pay you an advance, then print and distribute your book. Yet because you have no background in book publishing, you don’t understand that 90 percent of nonfiction books are contracted from a book proposal and a few sample chapters, rather than a complete book manuscript. Without this critical detail, you have focused on writing a full-length book manuscript. Then you discover it may take you 12 months to find a literary agent who has to locate the right publisher. Then you learn it will take a longer-than-expected span of time for this publisher to release your book—normally 12 to 24 months after you turn in your manuscript. To a beginner, this realistic and practical publishing timeframe isn’t evident on the surface.

Also, writers don’t understand they can gain valuable training, experience, and exposure through writing magazine articles. From idea to assignment to publication with a printed magazine can be four to six months. This is a much shorter timeframe than books which can be 18 to 24 months. Every editor is actively looking for writers who can communicate—whether they are a newsletter editor, an online editor, a magazine editor, a book editor or anyone else who has the title “editor.” 

As a young magazine editor, I quickly learned I had to do less editorial work and could have greater confidence in assigning an article to a published author than an unpublished author. I read the ideas and considered giving the assignment to the unpublished author, but their chances dramatically improved with any type of publishing experience. 

Magazine and newspaper writers learn valuable skills that help their success with a longer project such as a book. These writers learn to write for a specific audience or publication and to write within a specific word length. Also, through the writing process, they learn the value of a focused headline or title and relevant subheads scattered throughout the article, as well as hooking the reader with a tightly written opening. Then they continue to feed information to the reader as they structure their writing and conclude the article with a focused point called a “takeaway.” These writers also learn the importance of meeting a specific deadline (or a better way to stand out with the editor is to complete their assignment before the deadline). In addition, writers can learn the skill of rewriting and following an editor’s direction. Sometimes your article will be “almost there” but not quite. Can you follow the editor’s directions and complete the assignment to their satisfaction? 

It’s much easier to learn about this process on a 1200-word magazine article than a 50,000-word book project. Finally, these writers built trusted relationships with their editors—newspaper and magazine. Many of the editors I’ve worked with have moved up to higher paying publications or have become book editors or editorial directors. The seeds of my relationship with them were planted through my magazine writing. As a new writer you need to understand the necessity of building these lasting publishing relationships. 

Tweetable:

W. Terry Whalin, a writer and acquisitions editor lives in California. Get Terrys newsletter and a 87-page FREE ebook packed with writing insights. Just follow this link to subscribe. A former magazine editor and former literary agent, Terry is an acquisitions editor at Morgan James Publishing. He has written more than 60 nonfiction books including  Jumpstart Your Publishing Dreams and Billy Graham. Get Terry’s recent book, 10 Publishing Myths for only $10, free shipping and bonuses worth over $200. To help writers catch the attention of editors and agents, Terry wrote his bestselling Book Proposals That $ell, 21 Secrets To Speed Your SuccessHis website is located at: www.terrywhalin.com. Connect with Terry on TwitterFacebook and LinkedIn.

Letting Taylor Swift’s Genius Guide Holiday Choices

  

                                                                                  Vintage Vroman’s Bookstore Chirstmas Stars (Pasadena, CA.)

A Book-ish Nudge for Making Books Work for Christmas

                 

Letting Taylor Swift’s Genius Guide Holiday Choices

By Carolyn Howard-Johnson, multi-award-winning writer of fiction, poetry, 
and the HowToDoItFrugally Series of books for writers

A group of books with flowers and butterflies

Description automatically generated

          I used to think Taylor Swift’s “Last year I gave you my heart” the most unlikely Christmas song of all time. Kind of a downer, you know?  I changed my mind when I started noticing how she markets, her interest in doing good, her focus, her assertiveness. And she sure had a knack for turning a less-than-upbeat situation into song.

So as Christmas approached, I started thinking about those marketing chops of hers, how I could take her advice even though I am way past the fawning fan stage of life. She didn’t give up on romance; instead she would find a new love who would understand the true spirit of giving and was figuring out how to make it work even better. So, lucky you! I’ve reduced it in number, mostly related to some holiday publishing I’ve done in the past—complete Taylor-inspired improvements 


OLD HOLIDAY IDEAS WITH NEW TWISTS


Magdalena Ball, CompulsiveWriter.com founder and editor and I—reached across hemispheres to write our own little book called a chapbook to use instead of costly holiday greeting cards but it can be adapted to work for any business or profession. For authors it will be applying a part of their own working lives to their own holiday marketing/public relations campaign. It’s called…


Publishing a book and, yes it can be used by anyone who wants to try it.  Magadalena and I used Amazon’s KDP (Kindle Digital Platform) feature to publish a book. What an idea! The “author” of this book can make a small project of it, let it grow, or plan a large one and run with it.  Start collecting photos, poems, old adages that apply to your theme—your own special holiday,  friendships, businesses, whatever. Assemble them into a Word file—one for every person on your list or a more general one. Depending on the size they can turn out to be everything from a booklet to an inexpensive coffee-table type book.  C’mon. You have nearly a year to add to your first draft and it’s all free except for the copies you end up ordering for your own needs and they are wholesale. You only need about twenty-five pages to meet Amazon’s minimum page count. Here are some time-saving and value-added ideas:

 

~To make some more personal, I sign, date, and maybe add a little Santa sketch I can draw in five seconds flat.
~To suggest a handmade quality, you can add a permanent book mark made of grosgrain ribbon or velvet ribbon.
~ As an Amazon prime member I occasionally  let Amazon sent e-books to people I thought of last minute using their gift-message feature. It was nearly instantaneous and it saved shipping costs. 
~Books could be used as charity gifts using personalization…or not. Titles, themes, and dedications can be changed for special editions. Inexpensive Avery-type bookplates could be enclosed or three-dimensional stickers could be ordered for special needs. Books in quantity enough for residents of local senior centers. Consider getting permission to including a sugar free holiday cookie.
~Thanks to Taylor, I promise not to forget a special thank you to whoever tosses the daily news onto my front porch this year, maybe put a bow on it made with the plastic bags they deliver our news in each day as a little joke.

Booklets like these can be used for a variety of non-seasonal promotions. I have a motto: No real, live person should ever leave one of my classes, seminars, book signings, or writers’ conference presentations without a “keeper” in their hands or pressed into their notebooks.

 

PS: Let’s all plan to give 20% more books as gifts this year. If lots and lots of authors did this, it might mean fewer layoffs than originally planned for publishing and their related industries like libraries.


PPS: “Christmas in July” is not just a retailing gimmick. It  is the time to pitch holiday stories and promotions for your business, your book, or your profession to magazines and other print media. I know because I worked for Good Housekeeping magazine after starting a writing career at a daily newspaper and had a hard time adjusting my internal clock to such a lengthy deadline. Think both pre- and post-holiday needs. Think worldwide. Think national. Think local. As ideas come to you, add alerts to your calendar. Don’t be chintzy with the details. Busy minds get forgetful. If you’re great at public relations, you’ll also send one of those self-made books we talked about to the editors who accepted and wrote your feature story idea after its publish date as a thank you. 


 MORE ABOUT WRITERS ON THE MOVE BLOG’S CONTRIBUTOR


Carolyn Howard-Johnson brings her experience as a publicist, journalist, marketer, and retailer to the advice she gives in her #HowToDoItFrugally series of books for writers and the many classes she taught for nearly a decade as instructor for UCLA Extension’s world-renown Writers’ Program. All her books for writers are multi award winners including the first edition of The Frugal Book Promoter, now in its third edition. Her The Frugal Editor, also in its third edition, won awards from USA Book News, Readers’ Views Literary Award, the marketing award from Next Generation Indie Books and others including the coveted Irwin award.

 

 Too Late for This Christmas?

Tip for Writers: Amazon offers a new service absolutely free. In addition to an author’s regular buy page, it is a special page that lists all e-books in a series. Don’t think of it as a page for a genre fiction series only.  The publisher of my HowToDoItFugally Series did this one for my series of books for writers at https://www.amazon.com/dp/B0BTXQL27T, but it’s available for indie authors, too. Either way, the service is absolutely free! Amazon also produces the triptych images for these pages free.

For Most Everyone on Your Christmas List: How about a last-minute book of Christmas poetry from Magdalena Ball’s and my holiday entry in their Celebration Series of chapbooks, paper or e-book. Find it at https://bit.ly/BloomingRed or see the whole series here. The series also includes chapbooks for Women’s Day, Valentine’s Day, Mother’s Day, Father’s Day, and, yep...Christmas. 







Why Distribution Is Critical

By Terry Whalin ( @terrywhalin ) For many years I have been writing and studying publishing. There is a critical matter that almost no one t...